Un homme d'affaires prospère se rend en Italie pour empêcher sa fille de dépenser tout son argent pour restaurer une vieille villa, mais l'Italie a d'autres projets romantiques.Un homme d'affaires prospère se rend en Italie pour empêcher sa fille de dépenser tout son argent pour restaurer une vieille villa, mais l'Italie a d'autres projets romantiques.Un homme d'affaires prospère se rend en Italie pour empêcher sa fille de dépenser tout son argent pour restaurer une vieille villa, mais l'Italie a d'autres projets romantiques.
- Réalisation
- Scénario
- Casting principal
Giselle Gant
- Zola
- (as Gizelle Lebleu Gant)
Avis à la une
Step into Italy with warm scenic beauty, golden sunshine, and charming Edwardian-era architecture. La Dolce Villa is the most relaxing escape you can indulge in right now-it's sweet, tender, and as aromatic as an authentic Italian café.
I have to appreciate the film's underlying social message about Italian village properties being auctioned for just one euro. It adds a layer of depth to the story, making it more than just a picturesque getaway.
Story-wise, it's fine, but I really admire the craftsmanship and construction makeover that went into bringing the old villa back to life. Imagine giving a story to those satisfying room makeover videos on youtube. If you're looking for a decent film to enjoy while preparing a cozy meal, this is it.
I'll go with a 7/10 for this one-it's like a warm hug.
I have to appreciate the film's underlying social message about Italian village properties being auctioned for just one euro. It adds a layer of depth to the story, making it more than just a picturesque getaway.
Story-wise, it's fine, but I really admire the craftsmanship and construction makeover that went into bringing the old villa back to life. Imagine giving a story to those satisfying room makeover videos on youtube. If you're looking for a decent film to enjoy while preparing a cozy meal, this is it.
I'll go with a 7/10 for this one-it's like a warm hug.
The Italians welcome and support productions, like this one, that advertise their place in the best way. Landscapes, Villages, Food, Warm human relationships, at their best. Foreign visitors, usually busy businessmen and cut off from the warmth of everyday life, finally find their love in the cinematic representation of a country's excellence and its people. As for the film, it was a pleasant and comforting entertainment that also included the whole recipe; the daughter with the worried-ready-for-love father, the local grandmothers at the fountain, the handsome young cook (Italian food and wine is a must) and the local beautiful Italian mayor available for love. I admit the Italians and bow to their timeless skill in attracting scripts that advertise their country in the best way. !!
Well.. I am wondering if there will come a time, when Netflix movie will be more high quality?
It seems to me most of the movies made are made to have it as a backdrop while cooking, which is too bad. Probably we are to blame cause we watch them and create demand.
This one in particular is actually a nice plot with a lot of potential due to popular romanticised reality of foreigners buying 1 euro houses in Italia, but it is again made so cheesy and corny and lacks depth or quality acting. Feels very superficial. Don't get me wrong, it still is a nice backdrop, mostly due to surroundings and location, but otherwise lacks depth heavily. It is too bad, cause all these films seem half-done, and like my parents used to tell me my whole life, getting things half done is worse than not doing them. I must agree.
It seems to me most of the movies made are made to have it as a backdrop while cooking, which is too bad. Probably we are to blame cause we watch them and create demand.
This one in particular is actually a nice plot with a lot of potential due to popular romanticised reality of foreigners buying 1 euro houses in Italia, but it is again made so cheesy and corny and lacks depth or quality acting. Feels very superficial. Don't get me wrong, it still is a nice backdrop, mostly due to surroundings and location, but otherwise lacks depth heavily. It is too bad, cause all these films seem half-done, and like my parents used to tell me my whole life, getting things half done is worse than not doing them. I must agree.
From the trailer you can already tell the story and feeling you will get from this movie. It is a cute charming movie for the whole 'familia'. Sure, with a foreseeable storyline and few bumps on the path of realism or logic, but overall the story checks out. The characters and actors fit quite well and manage to attract interest, they are a bit cliché - ok a lot of cliché, still, they are charming. This feels like a short and sweet Italian vacation at the countryside. Dont watch if you feel already grumpy before watching - let the grumpy character be the mysterious man that left the villa. This is a movie to relax and feel a bit of dolce far niente. And I typically avoid spoilers in my reviews at all cost but... here I will make a tiny exception to the rule: make sure to have a warm pizza ready for the end of this cute movie. Buon appetito!
Let's begin with Scott Foley, the lead actor. His performance is drier and more wooden than an old door in a clapped out one-euro Italian villa. He seems like he's in a hurry to catch a plane in every scene, so, trying to get through his lines as quickly as possible, with the only expression he can muster, that of a surprised deer in the headlights. Violante Placido, the stunning Italian actress that plays Eric's love interest, was woefully directed, and the same goes for Maia Reficco, who plays his daughter. They seem to be capable of much more.
The script and dialogue is painfully predictable, formulaic and cringefully cheesy. On more than once occasion, I blurted out the dialogue almost word-for-word just before it was delivered. Eric's (Scott Foley) character is underdeveloped, touching a bit on the hackneyed stereotype of the culturally insensitive and arrogant American abroad.
The pacing is all wrong, and never changes, always feeling hurried and never allowing time for any of the character's emotions to absorb, much like a commercial. This is especially ironic for a movie about leaving the big city behind for the slow paced life of the Italian countryside.
The warm organic beauty of the scenery and sets were the only thing that kept me from fast forwarding through the film.
This genre was done a hundreds types better 22 years ago by Diane Lane in 'Under The Tuscan Sun'.
Scott Foley should find another line of work.
The script and dialogue is painfully predictable, formulaic and cringefully cheesy. On more than once occasion, I blurted out the dialogue almost word-for-word just before it was delivered. Eric's (Scott Foley) character is underdeveloped, touching a bit on the hackneyed stereotype of the culturally insensitive and arrogant American abroad.
The pacing is all wrong, and never changes, always feeling hurried and never allowing time for any of the character's emotions to absorb, much like a commercial. This is especially ironic for a movie about leaving the big city behind for the slow paced life of the Italian countryside.
The warm organic beauty of the scenery and sets were the only thing that kept me from fast forwarding through the film.
This genre was done a hundreds types better 22 years ago by Diane Lane in 'Under The Tuscan Sun'.
Scott Foley should find another line of work.
Le saviez-vous
- AnecdotesWas filmed on location in San Gregorio da Sassola outside of Rome.
- GaffesAlthough cheques are not common in Italy they are still valid and can be cashed in banks.
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- La dolce casa
- Lieux de tournage
- Stazione Trastevere, Rome, Lazio, Italie(departure railway station)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 39min(99 min)
- Couleur
- Mixage
- Rapport de forme
- 2.00 : 1
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