L'Homme de Main: L'Ennemi Public #1

Not a patch on the original William/Julian Gilbey Rise of the Footsoldier. This concentrates on the aftermath of the Rettendon Range Rover murders. I am not sure even Director Ricci Harnett, who once again plays Carlton Leach, knows what to do in the movie. The script is like it was made up as he went along. No wonder you can buy the Blu-Ray for a couple of quid at major online retailers. This straight to DVD job went straight in the bin after viewing.

Disjointed, no story poorly put together cliche fest.

Literally no reason for it to exist just trying to squeeze an extra few quid out of the franchise which was already flagging.

The original Rise was told from Carlton Leach's perspective, 'Rise II' doesn't appear to have had a lot of input from Carlton himself as far as story goes it's pretty thin on plot. The acting varies wildly from good (surprisingly, Craig Fairbrass and solid as per from Ricci Harnett) to downright awful - Steven Berkoff, his days have been numbered for some time. Terry Stone is forgiven as although normally the worst of the worst, his performance as Tony Tucker in the original 'Rise', even with the laughable wig, was outstanding. Here he is seen in flashback and it's just about okay. As I mentioned, the plot is thin but at least most of the actors tried to make the best of what they had to work with, in the end it's a by-the- numbers film that barely keeps you interested and then only really by Fairbrass and Harnett. I didn't fall asleep so it must of had something.

The original RISE OF THE FOOTSOLDIER was unfortunate in that it arrived very belatedly in an era when most British films seemed inspired by Guy Ritchie . There's only some much mileage you can squeeze out of a formula so by the time RISE OF THE FOOTSOLDIER came out everyone had become bored by mockney gangsters . That said I found Julian Gilbey's true life crime movie to be rather underrated and if there was a British equivalent of GOODFELLAS that might have been it . Crime doesn't pay ? Tell me about it . Despite this the idea of a sequel seems needless and I can see why this continuation of Carlton Leach's life story came and went without the slightest fanfare

In its favour director and star Ricci Harnett concentrates on continuity with the prior film . Some of the cast are resurrected and we have the same look and feel as the 2007 . There is a slight difference and that where Leach became a very peripheral character in the second half of RISE OF THE FOOTSOLDIER here he appears in nearly every scene and is the constant central character of the narrative

This leads to a fundamental problem though . While the lives of Tate , Rolfe and Tucker were unremittingly violent and made the first film compelling here there's considerably less violence which makes for a less compulsive film . Don't get me wrong , you won't confuse this with Walt Disney family fare but this tends to draw your attention to another aspect - self justification . Carlton you see isn't really a bad man and only maims and beats people who deserve it and the understated violence is only inflicted on people who deserve . Perhaps even worse there's an element of redemption running through the narrative subtext but how does a former West Ham ICF thug and gangster redeem himself ? The answer is he probably can't . It's not a bad film but if you need convincing that crime doesn't pay the message has been spelled out in better films without trying to elicit sympathy from the audience

Not a movie as such more a collection of stories that happened to Carlton after the Rettendon murders.

There is not a plot to speak of as such but every ten minutes or so, a new scrape, a a new business venture, a new fight takes place to keep things bubbling along quite nicely.

Unfortunately, with this, it just isn't good enough. It does keep you vaguely engaged, but, not enthralled.

The lead actor is a little 'one paced' and limited. And compared to the real Carleton Leach, who appears as a cameo at the end of the movie, looks tiny and carries little or no menace. Instead coming across in the movie as an angry little man. All snarl and no bite.