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Ajouter une intrigue dans votre langueSumala, a name that is feared by people in a village in Semarang Regency from the past until now. No one dares to go out when night falls because Sumala will come to kill.Sumala, a name that is feared by people in a village in Semarang Regency from the past until now. No one dares to go out when night falls because Sumala will come to kill.Sumala, a name that is feared by people in a village in Semarang Regency from the past until now. No one dares to go out when night falls because Sumala will come to kill.
- Réalisation
- Scénario
- Casting principal
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This movie is a horror film inspired by a real urban legend from a village in Semarang, Indonesia. The story of Sumala has been widely discussed in local podcasts, and the village is known for its strict rule prohibiting people from going outside after Maghrib. According to witnesses, a boy was killed by Sumala while retrieving a lost ball, and his body was later found in a river. These chilling accounts have contributed to the legend's eerie reputation.
However, the film takes a different approach. Instead of focusing on the firsthand ghostly encounters reported by multiple visitors to the village, it chooses to dive into the backstory of Sumala, a narrative that may or may not be true. This decision weakens the horror aspect, as the film leans more into action-gore territory, resembling movies like *Chucky* and *Saw*, rather than delivering the eerie suspense expected from a ghost story.
One of the biggest letdowns is the acting. Darius Sinathrya, who plays the father, gives an unconvincing very poor performance, while Luna Maya, playing the mother, delivers a passable but uninspired role. The supporting cast is a mixed bag, some performances are solid, but others fall flat. Despite its tense atmosphere, the weak acting and misplaced focus on gore over mystery make the film less compelling than it could have been.
Overall, Sumala had the potential to be a gripping horror film, especially with the terrifying real-life accounts behind it. But instead of exploring the unsettling experiences of those who have visited the village of Sumala, it prioritizes an exaggerated origin story, making it feel more like an action-gore thriller than a true horror mystery.
However, the film takes a different approach. Instead of focusing on the firsthand ghostly encounters reported by multiple visitors to the village, it chooses to dive into the backstory of Sumala, a narrative that may or may not be true. This decision weakens the horror aspect, as the film leans more into action-gore territory, resembling movies like *Chucky* and *Saw*, rather than delivering the eerie suspense expected from a ghost story.
One of the biggest letdowns is the acting. Darius Sinathrya, who plays the father, gives an unconvincing very poor performance, while Luna Maya, playing the mother, delivers a passable but uninspired role. The supporting cast is a mixed bag, some performances are solid, but others fall flat. Despite its tense atmosphere, the weak acting and misplaced focus on gore over mystery make the film less compelling than it could have been.
Overall, Sumala had the potential to be a gripping horror film, especially with the terrifying real-life accounts behind it. But instead of exploring the unsettling experiences of those who have visited the village of Sumala, it prioritizes an exaggerated origin story, making it feel more like an action-gore thriller than a true horror mystery.
Watched this while on holiday in Malaysia. I didn't have high hopes as from the start the acting is wooden at best but the premise of the film kept me watching.
I did like Makayla Rose Hilli's performance as Sumala/Kumala as she gave it her all but by the end I was watching just to complete the film rather than enjoying it. Also knowing that it is based on legend in the forests of Indonesia made it more interesting.
There were some nods to other films of this genre. The Omen, The Ring etc and a couple of nice references to The Shining.
All in all a watchable horror to fill some time but I imagine there are better Indonesian movies out there.
I did like Makayla Rose Hilli's performance as Sumala/Kumala as she gave it her all but by the end I was watching just to complete the film rather than enjoying it. Also knowing that it is based on legend in the forests of Indonesia made it more interesting.
There were some nods to other films of this genre. The Omen, The Ring etc and a couple of nice references to The Shining.
All in all a watchable horror to fill some time but I imagine there are better Indonesian movies out there.
Just caught this in the bioskop near me... BTC cinema in pasteur. I have to say that I was pleasantly surprised by the film. I thoroughly enjoyed it very very much. Having been disappointed by recent movies like Siksa Kubur and Susanna, Sumala executive produced by Luna Maya was a breath of fresh air. I saw the trailer before hand and I didn't really want to go watch it. But my wife dragged me and I reluctantly comply. Boy was I entertained. Full marks for all acting and Maykala the little girl stole the thunder. Solid performance all around 👏.
While I would have preferred to see more of Satan, she was the devil's child by the way, I suspect some scenes was not included to keep the running time short. I am a fan of slasher gore films like Friday 13th and Elm Street and this movie lived up to my expectations.
So kudos to the director 👏 and producers I really enjoyed this one.
One final note, this film just lack cinematic artistic shot... such as drone establishing scenes, close ups of feets and faces. And too much music where silence is much preferred.
MORE please what is next??
While I would have preferred to see more of Satan, she was the devil's child by the way, I suspect some scenes was not included to keep the running time short. I am a fan of slasher gore films like Friday 13th and Elm Street and this movie lived up to my expectations.
So kudos to the director 👏 and producers I really enjoyed this one.
One final note, this film just lack cinematic artistic shot... such as drone establishing scenes, close ups of feets and faces. And too much music where silence is much preferred.
MORE please what is next??
The movie "Sumala" presents a fairly conventional storyline, but is still able to keep the audience's interest. Unfortunately, this storyline lacks significant surprises or plot twists, so it feels a bit flat. Perhaps because this movie is trying to explain a myth that is still prevalent in an area in Indonesia, the execution of the movie is in a flashback model. The beginning, the conflict, the climax, and the denouement are just like that.
In terms of acting, the cast actually performed quite well. Darius and Luna, as the leads, are able to bring their characters to life well. However, there is a feeling that they have not fully immersed themselves in the role, so the emotions conveyed are not maximized.
The pacing of the movie is relatively fast, following the standard of Indonesian horror movies in general. However, for viewers who like slow-burn horror like me, this pacing may feel unsatisfying.
The cinematography of this film is fairly good, although the color grading used still follows the trend of Indonesian horror films, which I don't like. However, a thumbs up for the totality of the properties used, which adds a convincing impression to the movie.
One thing that is quite annoying is the inconsistent use of language. The movie mixes Javanese and Indonesian, which I find less effective. If the goal is to be understood by all audiences in Indonesia, the movie should have used Indonesian throughout.
Overall, the movie presents a fairly predictable ending. Sumala takes revenge on everyone who has hurt her. Nonetheless, it's a satisfying ending to the story.
In terms of acting, the cast actually performed quite well. Darius and Luna, as the leads, are able to bring their characters to life well. However, there is a feeling that they have not fully immersed themselves in the role, so the emotions conveyed are not maximized.
The pacing of the movie is relatively fast, following the standard of Indonesian horror movies in general. However, for viewers who like slow-burn horror like me, this pacing may feel unsatisfying.
The cinematography of this film is fairly good, although the color grading used still follows the trend of Indonesian horror films, which I don't like. However, a thumbs up for the totality of the properties used, which adds a convincing impression to the movie.
One thing that is quite annoying is the inconsistent use of language. The movie mixes Javanese and Indonesian, which I find less effective. If the goal is to be understood by all audiences in Indonesia, the movie should have used Indonesian throughout.
Overall, the movie presents a fairly predictable ending. Sumala takes revenge on everyone who has hurt her. Nonetheless, it's a satisfying ending to the story.
Sumala is a drama that explores the tragic life of Kumala, a young woman who faces relentless hardship. The film effectively portrays her suffering, from being constantly bullied for her body to enduring abuse from her own parents. Her life is a downward spiral of pain, making her story deeply emotional and heartbreaking. The cinematography captures her despair well, and the performances feel raw and authentic. While the film is heavy and difficult to watch, it successfully conveys the harsh realities of Kumala's ruined life, leaving a lasting impact on the audience.
Overall, I would suggest that the movie is not that good.
Overall, I would suggest that the movie is not that good.
Le saviez-vous
- AnecdotesThis film receives backlash from Indonesian netizen after Roxxane Production, a YouTube content creator, exposed the fact that Sumala is fake by interviewing people who lives in the village where Sumala is allegedly come from.
- GaffesWhen Sulastri dies, she dies with her eyes opened and her head tilted downwards to the side. But when she is found by her husband, her eyes are closed and the head if tilted backwards.
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Détails
Box-office
- Montant brut mondial
- 1 624 $US
- Durée1 heure 52 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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