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Ajouter une intrigue dans votre langueAlexander, a boy who has been raised in a sequestered commune, finds that his increasing unwillingness to fall in line puts him on a collision course with Gregori, the society's charismatic ... Tout lireAlexander, a boy who has been raised in a sequestered commune, finds that his increasing unwillingness to fall in line puts him on a collision course with Gregori, the society's charismatic and domineering leader.Alexander, a boy who has been raised in a sequestered commune, finds that his increasing unwillingness to fall in line puts him on a collision course with Gregori, the society's charismatic and domineering leader.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 14 nominations au total
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A sequestered commune is the setting for Ariel Kleiman's disturbing story about 11-year-old Alexander (Jeremy Chabriel), whose father, Gregori (Vincent Cassell) teaches him a life to be divorced from mainstream life, except when Alexander efficiently murders for money. The joy of the communers juxtaposed with their terrible assignments points up the film's allegorical comment on the danger of isolationism.
The film points out the ironic Christ-like parallel as Gregori carries wood across his shoulders to begin building a home for his children and harem. The contrast between his love for his life and the horrid tasks for the children is obvious and a telling comment on the dangers of messianic obsession.
A couple of the young boys, including Alexander, rebel against Alexander's tyranny and become objects of deep concern for Gregori. Even an unauthorized candy bar could be trouble. Mostly, though, it's the natural contrariness of youths, exacerbated by the limiting confines of a closed community, that leads Alexander to begin straying.
While Kleiman leaves out the spiritual development of the commune, especially with so many women complying, and definitely leaves the audience hanging at the end, the film is successful showing a productive closed society, a Utopia if you will, the downside appearing as a dark stain not easily expunged.
The film points out the ironic Christ-like parallel as Gregori carries wood across his shoulders to begin building a home for his children and harem. The contrast between his love for his life and the horrid tasks for the children is obvious and a telling comment on the dangers of messianic obsession.
A couple of the young boys, including Alexander, rebel against Alexander's tyranny and become objects of deep concern for Gregori. Even an unauthorized candy bar could be trouble. Mostly, though, it's the natural contrariness of youths, exacerbated by the limiting confines of a closed community, that leads Alexander to begin straying.
While Kleiman leaves out the spiritual development of the commune, especially with so many women complying, and definitely leaves the audience hanging at the end, the film is successful showing a productive closed society, a Utopia if you will, the downside appearing as a dark stain not easily expunged.
Vincent Cassel stars in this Australian film as Gregori. He has a harem of women who all have children – mostly it would appear – with him as the father. They live in an isolated community where they seem to lead a happy life with the children learning yet enjoying their childhood. Gregori is the only man. His eldest son is Alexander and at first we see true paternal love and the reflected devotion.
However, all is not as it seems as we learn that the outside world is not a nice place and Gregori is training his children to be 'hit men' or hit kids more appropriately. As Alexander learns more of the world forbidden to him he slowly starts to question what his father's motives are and their way of life.
Now this is extremely well made being in part made by Animal Kingdom 'It Follows' fame. The actors all seem to be unknowns but all do brilliant jobs of what was a very physical film in terms of what is expected. Cassel is just as good in an English language role as he is in his native French and puts in a stellar performance. The plot was apparently inspired by child soldiers of Colombia. It is a very thoughtful film and despite the violent undertones is actually fairly responsible in avoiding the actual gore but still addressing the issues head on. It has had mixed reviews but I for one found that it stayed with me long after having seen it – which is always a good thing. This is for people who like to think about their films and who appreciate an original film delivered in a realistic way.
However, all is not as it seems as we learn that the outside world is not a nice place and Gregori is training his children to be 'hit men' or hit kids more appropriately. As Alexander learns more of the world forbidden to him he slowly starts to question what his father's motives are and their way of life.
Now this is extremely well made being in part made by Animal Kingdom 'It Follows' fame. The actors all seem to be unknowns but all do brilliant jobs of what was a very physical film in terms of what is expected. Cassel is just as good in an English language role as he is in his native French and puts in a stellar performance. The plot was apparently inspired by child soldiers of Colombia. It is a very thoughtful film and despite the violent undertones is actually fairly responsible in avoiding the actual gore but still addressing the issues head on. It has had mixed reviews but I for one found that it stayed with me long after having seen it – which is always a good thing. This is for people who like to think about their films and who appreciate an original film delivered in a realistic way.
Colorfully decorated sets and Art-Design paint a cheerfully bleak existence of a "Family" of self isolated misfits and victims of a larger Society that have isolated themselves from the "Hurt" of reality.
Likable but verging on insanity, charming like most Cult-Leaders, Vincent Cassel is slowly shown to be a manipulative maniac giving refuge to single Women with Children. What transpires is a depressing scenario.
This offbeat, low-budget Australian Movie has Philosophical, Psychological, and Societal things on its mind and delivers engaging but erratic implications of the Human condition, its strengths and shortcomings.
Worth a watch for its Artistry but the deep subject matter is never fully thought out and seems a shortcut with its ambiguous storytelling. Much needed background to make it convincing and insightful is never supplied to the viewer and that does this ambitious little Film a disservice.
Because in the end the extremely interesting and always good to look at Movie is big on display but does not have what is most needed in this type of thing, information for involvement.
Likable but verging on insanity, charming like most Cult-Leaders, Vincent Cassel is slowly shown to be a manipulative maniac giving refuge to single Women with Children. What transpires is a depressing scenario.
This offbeat, low-budget Australian Movie has Philosophical, Psychological, and Societal things on its mind and delivers engaging but erratic implications of the Human condition, its strengths and shortcomings.
Worth a watch for its Artistry but the deep subject matter is never fully thought out and seems a shortcut with its ambiguous storytelling. Much needed background to make it convincing and insightful is never supplied to the viewer and that does this ambitious little Film a disservice.
Because in the end the extremely interesting and always good to look at Movie is big on display but does not have what is most needed in this type of thing, information for involvement.
I'm a fan of the actor Vincent Cassel so that was enough to get me to go see the movie.
He plays a cult-like leader of a small hidden society made up of woman and children in a dystopian future, when his warp Mister Rodgers charms is not working on one of the boys it threatens to untangle what he created.
Past this, I could not tell you what the movie was about. Though they gave some clues of what cause whatever apocalypse they were living in, most of what's going on is left to the imagination.
So the movie relies on the abilities of Cassel and his interaction with his strange tribe of children. It was noteworthy to see the emotional conflict bouncing back and forth with Cassel to the rest of the cast.
Especially, the lead boy who basically is realizing that the life these people are leading is wrong and not for him, and it's setting him aside from his mother.
It can be very distracting from the fact that the movie has a plot I don't fully understand.
But I did like it.
He plays a cult-like leader of a small hidden society made up of woman and children in a dystopian future, when his warp Mister Rodgers charms is not working on one of the boys it threatens to untangle what he created.
Past this, I could not tell you what the movie was about. Though they gave some clues of what cause whatever apocalypse they were living in, most of what's going on is left to the imagination.
So the movie relies on the abilities of Cassel and his interaction with his strange tribe of children. It was noteworthy to see the emotional conflict bouncing back and forth with Cassel to the rest of the cast.
Especially, the lead boy who basically is realizing that the life these people are leading is wrong and not for him, and it's setting him aside from his mother.
It can be very distracting from the fact that the movie has a plot I don't fully understand.
But I did like it.
9xlon
I've seen this movie a few times and each time I'm more troubled and impressed. It appears to be about an independent community, certainly a cult but ALL I see is a rare and brilliant reflection about religions. It may have not been intended this way but this is my perception. I can hear your bashing but I have to say it: central figure demanding total submission from the parishioners, total control of the leader, believe and don't research, ideological excuses for horrific crimes against disobedient parishioners and humans, second rank status for women, lies, fabricated reality, extreme manipulation, polygamy, pure deprivation and no moral standards, etc.The movie show them all in a very subtle but direct way. he casting is amazing. Jeremy's instinctive resilience to the abuse is unique and central to the movie. Movies are supposed to make you feel and think and not offer you on a plate solutions and closure. So-called critics: shush! It may be just my pre-disposition for deeper analysis and thoughts but the link to my reality is so strong and I can't ignore it. On top of my preferences and I've seen thousands (I have a taste for movies that really say something meaningful about the human nature). Be gentle!
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Détails
Box-office
- Montant brut mondial
- 72 151 $US
- Durée1 heure 34 minutes
- Couleur
- Rapport de forme
- 2.35 : 1
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