Une mission de surveillance tourne mal pour une section de Navy SEALs américains en territoire insurgé en Irak.Une mission de surveillance tourne mal pour une section de Navy SEALs américains en territoire insurgé en Irak.Une mission de surveillance tourne mal pour une section de Navy SEALs américains en territoire insurgé en Irak.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 nominations au total
Avis à la une
Super slow and quiet at the start then an eruption of chaos and gunfire without any kind of build up - typical Alex Garland films. Sound design and extra loud gunfire made it a very immersive experience. Some criticism of the film is that there was no story plot or character arcs but when the film ends, it's apparent that the Iraqis and the American soldiers are left with the trauma when everything suddenly stops and the violence has ended. Maybe gone are the days of entertainment war films and 'Warfare' makes people think about the nitty gritty details and what soldiers and civilians are left to deal with.
For someone like me, who has even the faintest and smallest experience of war, watching war films is the scariest thing I can imagine-especially when the story is set in the Middle East.
Warfare felt so real with its visuals, sounds, and atmosphere that it was as if I was right there in the middle of the battlefield.
On the giant cinema screen, every explosion hit me like a punch in the face, and the loud Dolby sound shook my heartbeat with every gunshot and scream.
From the first third of the film to the very end, I sat on my seat with my knees pulled up-frozen, motionless-like I was truly trapped inside those scenes.
When the film ended, it took me a few minutes to pull myself together. It felt like the war was still going on in my head.
Damn every war-seeker-of any kind, for any reason, under any pretext, with any intention.
Warfare felt so real with its visuals, sounds, and atmosphere that it was as if I was right there in the middle of the battlefield.
On the giant cinema screen, every explosion hit me like a punch in the face, and the loud Dolby sound shook my heartbeat with every gunshot and scream.
From the first third of the film to the very end, I sat on my seat with my knees pulled up-frozen, motionless-like I was truly trapped inside those scenes.
When the film ended, it took me a few minutes to pull myself together. It felt like the war was still going on in my head.
Damn every war-seeker-of any kind, for any reason, under any pretext, with any intention.
Went into this expecting a military movie like those that get rolled out on Netflix periodically, however this is a huge step above. The fact it's a true story too also adds so much to the events shown. The filmmakers go out to put you in the middle of the action. It's a very intense movie that does an amazing job of making you feel the tension in the situation. Performances keep you locked in but the real star of the show is the sound. From the gunfire to explosions you feel every hit. The 'Show of force' they use NEEDS to be heard to be believed. I came out of the movie shaken tbh but really entertained and the time flew by.
A masterclass in tension and sound design. A visceral, gut wrenching, unrelenting war film experience.
This film absolutely deserves an Oscar nod for its sound design, my ears are still ringing, but in the best way possible. It's not for the faint of heart. Rarely has the raw horror of war been depicted with such intensity; I haven't felt this shaken since Saving Private Ryan. The theatrical experience is essential, this soundscape demands a massive screen. The gunfire alone rivals Heat in realism and impact.
Those expecting a conventional narrative should adjust their expectations. This isn't a traditional hero's journey, it's an immersive, boots-on-the-ground depiction of a team navigating a chaotic operation where, even when everything is done right, everything can still go catastrophically wrong.
Watching this, my respect for our military deepened tenfold. The courage it takes to step into such situations is beyond comprehension, and the professionalism of the operators is portrayed with remarkable authenticity. This film didn't just entertain, it inspired me to be a better leader, a better friend.
This is the film I wanted Civil War to be, and I wouldn't be surprised if Alex Garland felt the same. It offered a deeper understanding of PTSD and the brotherhood forged in combat. The emotional and psychological toll is palpable, yet never overplayed.
This is not just a film, it's an experience. I'm already planning to see it again in theaters. I'm genuinely curious if my heart rate ever dropped below 130 bpm. As a filmmaker who dreams of tackling a military story one day, I found this both intimidating and inspiring.
So. Well. Done.
This film absolutely deserves an Oscar nod for its sound design, my ears are still ringing, but in the best way possible. It's not for the faint of heart. Rarely has the raw horror of war been depicted with such intensity; I haven't felt this shaken since Saving Private Ryan. The theatrical experience is essential, this soundscape demands a massive screen. The gunfire alone rivals Heat in realism and impact.
Those expecting a conventional narrative should adjust their expectations. This isn't a traditional hero's journey, it's an immersive, boots-on-the-ground depiction of a team navigating a chaotic operation where, even when everything is done right, everything can still go catastrophically wrong.
Watching this, my respect for our military deepened tenfold. The courage it takes to step into such situations is beyond comprehension, and the professionalism of the operators is portrayed with remarkable authenticity. This film didn't just entertain, it inspired me to be a better leader, a better friend.
This is the film I wanted Civil War to be, and I wouldn't be surprised if Alex Garland felt the same. It offered a deeper understanding of PTSD and the brotherhood forged in combat. The emotional and psychological toll is palpable, yet never overplayed.
This is not just a film, it's an experience. I'm already planning to see it again in theaters. I'm genuinely curious if my heart rate ever dropped below 130 bpm. As a filmmaker who dreams of tackling a military story one day, I found this both intimidating and inspiring.
So. Well. Done.
True "edge of your seat." Think of the tension of the first 15 minutes of "Saving Private Ryan," but over an hour and a half. No spoilers, but I love the fact that the movie immediately drops you into the situation. We don't need to know why the soldiers are there, or what their objective/mission is, because that's irrelevant when the bullets start to fly. These are just soldiers going on a mission. Finally, as a patriotic American, I feel that before Congress & the President deploy any of our U. S. Service people into harms way, they and the CEOs of Raytheon, Blackrock, Vanguard, and Halliburton should be forced to watch this movie, as well as the first 15 minutes of Saving Private Ryan, before anyone is deployed. Also, the law should be passed that all of their children should be the first deployed, call it the "No Fortunate Son" law. I think we would have less wars if that happened.
Theatrical Releases You Can Stream or Rent
Theatrical Releases You Can Stream or Rent
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Le saviez-vous
- AnecdotesNames of the real SEAL team members' were changed in the film to protect their identities as some are still serving in the military or preferred to remain anonymous. The only names that weren't changed in the film are: Ray Mendoza and Elliott Miller.
- GaffesThe sniper is positioned about 1.5 m from the hole in the wall, which is barely 20 cm across. His viewing field is no more than 10 degrees. In the movie, they show the sniper doing panoramic sweeps at least five times wider.
- Crédits fousBefore the end credits, photos are displayed showing the cast on the right and the true-life servicemen they portrayed on the left. Many of the left-hand photos are blurred to protect identities, including the last photo showing the Iraqi family whose home the Navy SEALs occupied.
- Bandes originalesCall on Me
Written by Will Jennings, Eric Prydz, Steve Winwood
Performed by Eric Prydz
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On behalf of Blue Sky Rider Songs
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Бойові дії
- Lieux de tournage
- Iraq(on location)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 20 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 26 000 309 $US
- Week-end de sortie aux États-Unis et au Canada
- 8 317 989 $US
- 13 avr. 2025
- Montant brut mondial
- 33 281 179 $US
- Durée
- 1h 35min(95 min)
- Couleur
- Mixage
- Rapport de forme
- 2.00 : 1
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