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Dracula

Titre original : Dracula: A Love Tale
  • 2025
  • 2h 9min
NOTE IMDb
6,1/10
991
MA NOTE
POPULARITÉ
95
15
Caleb Landry Jones in Dracula (2025)
FantaisieHorreurRomanceHorreur vampireSurnaturel

Après la mort de sa femme, un prince du XVe siècle renonce à Dieu et devient un vampire. Des siècles plus tard, dans le Londres du XIXe siècle, il voit une femme ressemblant à sa défunte épo... Tout lireAprès la mort de sa femme, un prince du XVe siècle renonce à Dieu et devient un vampire. Des siècles plus tard, dans le Londres du XIXe siècle, il voit une femme ressemblant à sa défunte épouse et la poursuit.Après la mort de sa femme, un prince du XVe siècle renonce à Dieu et devient un vampire. Des siècles plus tard, dans le Londres du XIXe siècle, il voit une femme ressemblant à sa défunte épouse et la poursuit.

  • Réalisation
    • Luc Besson
  • Scénario
    • Luc Besson
    • Bram Stoker
  • Casting principal
    • Caleb Landry Jones
    • Christoph Waltz
    • Zoë Bleu
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,1/10
    991
    MA NOTE
    POPULARITÉ
    95
    15
    • Réalisation
      • Luc Besson
    • Scénario
      • Luc Besson
      • Bram Stoker
    • Casting principal
      • Caleb Landry Jones
      • Christoph Waltz
      • Zoë Bleu
    • 22avis d'utilisateurs
    • 9avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos15

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    Rôles principaux23

    Modifier
    Caleb Landry Jones
    Caleb Landry Jones
    • Vlad…
    Christoph Waltz
    Christoph Waltz
    • Priest
    Zoë Bleu
    Zoë Bleu
    • Elisabeta
    • (as Zoë Bleu Sidel)
    • …
    Matilda De Angelis
    Matilda De Angelis
    • Maria
    Ewens Abid
    Ewens Abid
    • Jonathan Harker
    Guillaume de Tonquédec
    Guillaume de Tonquédec
    • Dumont
    Bertrand-Xavier Corbi
    Bertrand-Xavier Corbi
    • Captain Targol
    Raphael Luce
    Raphael Luce
    • Clerk
    Liviu Bora
    • Army Captain
    Haymon Maria Buttinger
    Haymon Maria Buttinger
    • Cardinal
    Nicolas de Lavergne
    Nicolas de Lavergne
    • Lieutnant Birthmark
    Ivan Franek
    Ivan Franek
    • Elisabets Capitain
    Jaakko Hutchings
    Jaakko Hutchings
    • Romanian soldier
    Stavroula Karatheodorou
    Stavroula Karatheodorou
    • Dancer
    Romain Levi
    Romain Levi
    • Captain Wernus
    Nikita Makkojev
    Nikita Makkojev
    • Romanian soldier
    Joonas Makkonen
    Joonas Makkonen
    • Romanian Soldier
    Janne Mattila
    Janne Mattila
    • Romanian soldier
    • Réalisation
      • Luc Besson
    • Scénario
      • Luc Besson
      • Bram Stoker
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs22

    6,1991
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    Avis à la une

    3movieman6-413-929510

    Dracula Adaptation That Stays in the Shadows Due to Repetition and Lack of Unique Elements

    Dracula: A Love Tale is a new fantasy romance film directed, partially written, and produced by Luc Besson, known for The Fifth Element and Léon.

    After the death of his wife, Prince Vlad (Caleb Landry Jones) turns against the church and humanity. He transforms into the vampire Dracula, retreating to his castle.

    When Jonathan Harker (Ewens Abid) visits, Dracula learns about his wife Mina (Zoë Bleu), who bears a striking resemblance to the woman he once lost. He becomes obsessed with her and tries to win her over. This leads to an inner conflict: can the monstrous side of him make way for the more human Vlad so that he can experience love again?

    Luc Besson based this adaptation on Bram Stoker's Dracula, which has been filmed several times before. One of the most famous versions is Bram Stoker's Dracula (1992) by Francis Ford Coppola. Last year, a new version of Nosferatu, directed by Robert Eggers, was also released. All these films essentially tell the same story of Dracula but emphasize different elements.

    While Bram Stoker's Dracula is mainly a gothic-romantic story with horror elements, Nosferatu focuses more on the horror aspect. Besson also opts for the romantic angle, but takes a lot of time with it. As a result, you follow a lost, aimless Dracula who only regains direction when he meets Mina. Until then, the film feels empty and slow, much like the character himself. This emptiness is filled with familiar scenes and elements from Stoker's book, but due to their repetition, they can seem meaningless and shallow.

    Though Besson places the romantic aspect at the center, he adds little new. At times, it even seems like he has removed or adjusted elements, possibly to make the film more suitable for a younger or teenage audience.

    The makeup effects are fitting and effective, but with other visual effects, the CGI is clearly noticeable.

    The cast delivers a solid performance but remains in the shadow of previous iconic portrayals of characters from the Dracula story, such as Gary Oldman, Bill Skarsgård, Anthony Hopkins, or Willem Dafoe.
    9HorrorFan6969

    A Bold, Hypnotic Reinvention of the Dracula Myth. Besson at His Best!

    Before giving me a thumbs down. Read at least what I have to say :)

    Luc Besson's Dracula is a visually arresting, emotionally charged, and hauntingly original take on the iconic legend. From the very first frame, it's clear that this is not just another vampire film-this is Besson in full command of his craft, blending gothic horror, art-house style, and deeply human storytelling into something truly unforgettable.

    The cinematography is stunning-moody shadows, rich textures, and bold color contrasts create a dreamlike atmosphere that pulls you into Dracula's cursed world. The pacing is masterful, slowly building tension while allowing the characters to breathe and evolve. And the music? A hypnotic blend of classical and modern that adds a visceral pulse to every scene.

    The performances are outstanding. The lead actor's portrayal of Dracula is both terrifying and tragic, capturing the eternal conflict between monstrous hunger and lost humanity. The supporting cast adds layers of depth, especially the heroine, whose chemistry with Dracula gives the film a beating heart.

    What sets this Dracula apart is its ambition. Besson doesn't just retell the story-he reimagines it, fusing romance, philosophy, and horror into a mythic, poetic experience. There are echoes of The Fifth Element in its stylization, but this is darker, more mature, and grounded in emotional truth.

    This is a Dracula for the 21st century-mysterious, seductive, and deeply cinematic. Highly recommended for fans of intelligent horror and visionary filmmaking.

    Verdict: A modern gothic masterpiece.
    5christian-63768

    Style Over Substance: Besson's Dracula Misses the Mark

    Luc Besson's *Dracula* tries to be bold and artistic but ends up as an over-stylized, slow-moving mess. While the visuals are striking, they can't hide the film's self-indulgent pacing and lack of real scares. The story drags, weighed down by pretentious themes and melodramatic performances. Dracula himself is more mopey than menacing, and the supposed emotional depth feels forced. Strangely, the film borrows heavily in tone and aesthetic from Patrick Süskind's *Perfume*-the same obsessive atmosphere, the same brooding romanticism-but without the narrative clarity or psychological sharpness. Besson's ambition to "reimagine" the legend results in a film that's more style than substance. Despite its glossy presentation, this version of *Dracula* is cold, derivative, and ultimately forgettable.
    3KathrynLS-25

    Surprising chemistry, but still terrible.

    Dracula A Love Tale, is Luc Besson copying Coppola's homework, then trying (and failing) to change enough of it to avoid accusations of plagiarism.

    The two romantic leads have chemistry, and the visuals are okay, but this movie still falls flat. Uneven pacing, superficial motivations from the supporting characters, and artistic choices that are just thrown in because, why not.

    Besson refuses to commit to any real artistic choices in this film. The script might as well be written by chatGPT.
    3jacu2427

    A Silly Romantic Comedy Disguised as Gothic Horror

    This film is one of the worst adaptations of Bram Stoker's novel to ever see the light of day (pun intended). The dialogues are a terrible combination of failed attempts at being profound about subjects like religion and love, and lots of stupid jokes and situations. The characters are just poorly written, they feel superficial and it's hard to empathize with any of them. The film is outright disrespectful of Stoker's work and of vampire folklore in general. It feels more like a caricature or a mockery of Coppola's version than an honest take on Stoker's book. There's even a dancing montage and CGI gargoyles reminiscent of Disney's The Hunchback of Notre Dame. The ambiance is just confusing, trying to be serious at times, but then cutting the tension with a stupid joke or goofy action. This confusion is clearly noticeable in Christoph Waltz's performance, who doesn't seem to be sure what to do and falls back at reenacting Dr. King Shultz. The protagonist has some decent moments, but spends half the time crying and mumbling like a mental patient, and half acting like a Parisian pimp. Nothing even remotely close to give presence and substance needed for such a heavy character. Don't waste your money on the theatre, wait until it comes out on a streaming platform, probably very soon, considering the quality.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Historian Martin Mares, who served as production consultant on this film, had previously worked in the same capacity on another Dracula adaptation, Le Dernier Voyage du Demeter (2023), making him a rare expert to contribute to multiple interpretations of the iconic vampire legend.
    • Connexions
      Referenced in Midnight's Edge: Ridley Scott Leaves Alien, New Dracula & More - MEAD Live (2025)

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    Détails

    Modifier
    • Date de sortie
      • 30 juillet 2025 (France)
    • Pays d’origine
      • Royaume-Uni
      • France
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Drácula
    • Lieux de tournage
      • Kuhmo, Finlande(location)
    • Sociétés de production
      • Luc Besson Production
      • EuropaCorp
      • TF1 Films Production
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut mondial
      • 1 786 396 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

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    • Durée
      • 2h 9min(129 min)
    • Couleur
      • Color
    • Rapport de forme
      • 2.39:1

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