Quelle est la véritable identité d'Alessandro Destamio ? Est-il un membre de l'aristocratie sicilienne ayant émigré aux États-Unis ? Ou Dino Cartelli, un petit banquier véreux, qui aurait fr... Tout lireQuelle est la véritable identité d'Alessandro Destamio ? Est-il un membre de l'aristocratie sicilienne ayant émigré aux États-Unis ? Ou Dino Cartelli, un petit banquier véreux, qui aurait frôlé la mort au cours d'un cambriolage ?Quelle est la véritable identité d'Alessandro Destamio ? Est-il un membre de l'aristocratie sicilienne ayant émigré aux États-Unis ? Ou Dino Cartelli, un petit banquier véreux, qui aurait frôlé la mort au cours d'un cambriolage ?
- Réalisation
- Scénario
- Casting principal
Aimi MacDonald
- Lily
- (as Aimi Macdonald)
Gábor Baraker
- Barman
- (as Gabor Baraker)
Avis à la une
There's something about The Saint that I didn't like as a kid. It could have been the whole anti-hero thing or his slimy suaveness... though I'm not particularly sure what it was. Now, after watching "Vendetta" I have the urge to watch the original series again, through older eyes. Maybe there was something subtle that I just didn't get as a kid and therefore missed out on the entertainment and enjoyment of a pretty brilliant character. Connery may be Bond but Moore is Templar.
In this story, we have Templar in Italy, for some nefarious reason no doubt, and while he's taking a rest he spots a near brawl between two supposed friends. Euston (Mackay) spots a man he believes to be an old work colleague and walks over to say hello. However, he is met with threats and not greetings. Templar moves in when it looks like a fight is about to ensue. Buying Euston a drink he is told the story of the two friends. However, the man claims to be called Destamio (Hendry) and not his friend at all. Something about this sticks in Templar's claw... and he becomes more intrigued when Euston is murdered. With the Italian military and police not bothering with the killing Templar decides to investigate... and what he learns brings him head to head with the Mafia.
I have to admit that I like the character Simon Templar as he is a thief, with morals, and has a strong self-assurance and bravado. This, along with his charm and good looks, definitely makes him a lady-killer. These traits alone can make for good stories. So when you add a good story with action, twists, and tension you surely have a winner - and you do.
This is back when actors would try to accent their voices accordingly. And to be honest, Ian Hendry does a very good and more than passible New York Italian. He is also a perfect hard guy as he protrudes an air of strength and menace, which is almost tangible. In fact, all the actors and actresses do wonderful jobs in their portrayals making it more enjoyable to watch.
O'Connolly directs at a pretty steady pace, which works well with the script. Though there's nothing new in the film, directorial-wise, this isn't a bad thing as what he does allows the actors and actresses to shine. For example, the chase scene. When Templar escapes he runs down a hillside. Today this would probably be shot continuously with the cameraman running down the hill too, with all the camera shake that is all too evident today. Whereas O'Connolly uses static camera's for the shots and pans to follow the action. For me, this works better and adds to the movie.
If you like action thrillers with a good story, strong characters, well written, and nicely filmed then this flick could be right for you. Either way, I would recommend this as an afternoon treat, especially on a Sunday after Dinner - while supping the vino.
In this story, we have Templar in Italy, for some nefarious reason no doubt, and while he's taking a rest he spots a near brawl between two supposed friends. Euston (Mackay) spots a man he believes to be an old work colleague and walks over to say hello. However, he is met with threats and not greetings. Templar moves in when it looks like a fight is about to ensue. Buying Euston a drink he is told the story of the two friends. However, the man claims to be called Destamio (Hendry) and not his friend at all. Something about this sticks in Templar's claw... and he becomes more intrigued when Euston is murdered. With the Italian military and police not bothering with the killing Templar decides to investigate... and what he learns brings him head to head with the Mafia.
I have to admit that I like the character Simon Templar as he is a thief, with morals, and has a strong self-assurance and bravado. This, along with his charm and good looks, definitely makes him a lady-killer. These traits alone can make for good stories. So when you add a good story with action, twists, and tension you surely have a winner - and you do.
This is back when actors would try to accent their voices accordingly. And to be honest, Ian Hendry does a very good and more than passible New York Italian. He is also a perfect hard guy as he protrudes an air of strength and menace, which is almost tangible. In fact, all the actors and actresses do wonderful jobs in their portrayals making it more enjoyable to watch.
O'Connolly directs at a pretty steady pace, which works well with the script. Though there's nothing new in the film, directorial-wise, this isn't a bad thing as what he does allows the actors and actresses to shine. For example, the chase scene. When Templar escapes he runs down a hillside. Today this would probably be shot continuously with the cameraman running down the hill too, with all the camera shake that is all too evident today. Whereas O'Connolly uses static camera's for the shots and pans to follow the action. For me, this works better and adds to the movie.
If you like action thrillers with a good story, strong characters, well written, and nicely filmed then this flick could be right for you. Either way, I would recommend this as an afternoon treat, especially on a Sunday after Dinner - while supping the vino.
The movie is a revenge movie starring Roger Moore, Ian Hendry, Rosemary Dexter, Aimi MacDonald and Maria Burke.
This is a revenge movie and a typical Dependent on Roger Moore and you will not get disappointed.
Acting of the central characters are good but support cast disappoints.
The movie is not long and is good. Direction is ok, screenplay is nice, location is again ok.
Overall a typical Roger Moore movie.
This is a revenge movie and a typical Dependent on Roger Moore and you will not get disappointed.
Acting of the central characters are good but support cast disappoints.
The movie is not long and is good. Direction is ok, screenplay is nice, location is again ok.
Overall a typical Roger Moore movie.
"Vendetta for the Saint" is a theatrical release which is actually made up of two episodes of the long-running British TV series "The Saint", starring Roger Moore.
The film begins with some poor schnook recognizing an old co-worker. However, Destamio (Ian Hendry) denies being this old friend....and he has his henchman beat up the guy! Simon Templar (Moore) sees this and intervenes. Some time after this, the poor schnook is murdered...and Simon knows that it was by Destamio's men. But why? Why murder someone just because they think you are someone else? Well, Simon decides to find out why and his trail takes him all the way to Palermo, Sicily...and for a meeting of the various godfathers to pick a new leader for the mob. And, Destamio is one of them. Can he manage to uncover the truth without meeting with an 'accident'?
The integration of the two episodes was seamless...so I assume the shows were originally a two-parter. Regardless, it makes for an interesting story and the Italian locaiton is a plus. Well worth seeing...especially since it feels almost like a James Bond flick.
The film begins with some poor schnook recognizing an old co-worker. However, Destamio (Ian Hendry) denies being this old friend....and he has his henchman beat up the guy! Simon Templar (Moore) sees this and intervenes. Some time after this, the poor schnook is murdered...and Simon knows that it was by Destamio's men. But why? Why murder someone just because they think you are someone else? Well, Simon decides to find out why and his trail takes him all the way to Palermo, Sicily...and for a meeting of the various godfathers to pick a new leader for the mob. And, Destamio is one of them. Can he manage to uncover the truth without meeting with an 'accident'?
The integration of the two episodes was seamless...so I assume the shows were originally a two-parter. Regardless, it makes for an interesting story and the Italian locaiton is a plus. Well worth seeing...especially since it feels almost like a James Bond flick.
Simon Templar is on holiday in Naples when a small uproar on a lunch table draws his attention. An English tourist attempts to greet an Italian businessman as an old friend, but the Italian refuses to acknowledge the greeting and claims never to have met him.
The Vendetta for the Saint is a feature version of a two-part episode of THE SAINT, and it's quite an enjoyable watch. Roger Moore charismatically dons the halo as he takes on Ian Hendry, a fake mafia don, dodging a bomb device placed in his car, almost getting injected with scopolamine and running around the Palermo countryside hunted by Hendry's goons. There's some good fights, nice location. If you're fan of the Saint series, you would naturally like this.
The Vendetta for the Saint is a feature version of a two-part episode of THE SAINT, and it's quite an enjoyable watch. Roger Moore charismatically dons the halo as he takes on Ian Hendry, a fake mafia don, dodging a bomb device placed in his car, almost getting injected with scopolamine and running around the Palermo countryside hunted by Hendry's goons. There's some good fights, nice location. If you're fan of the Saint series, you would naturally like this.
Roger Moore once commented that although The Saint was often set in exotic locations, he hardly ever left the studio. This edition is an exception. It was set in Sicily with plenty of outdoor action to prove it. Except it isn't. It was clearly filmed on the small, sunny island about 70 miles south of Sicily. Malta. Having been to Malta numerous times it was easy to spot many Maltese tourist attractions. As for the story this is a two parter put together to make one film. It sees our hero going after the next head of the Mafia, with the help, naturally, of two gorgeous women. It is entertaining enough, but for a double header the plot is a bit thin. As a child The Saint was my favourite show, and viewing them 50+ years later it is easy to mock the uncomplicated stories, poor production values and often wooden acting but I still love 'em.
Le saviez-vous
- AnecdotesThis was made from two episodes of Le Saint (1962), edited together for a theatrical release.
- GaffesIn the TV episodes made of this movie the sound recordists are listed as Billy Rowe and Len Shilton, not Billy Rowe and Len Abbott.
- Citations
Euston: No, don't make a scene.
Simon Templar: A scene has already been made.
- Crédits fousOpening credits prologue: NAPLES
- ConnexionsEdited from Le Saint: Vendetta for the Saint: Part 1 (1969)
- Bandes originalesLove Is
Performed by Herb Newman and Edward "Eddie" Truman
[Played occasionally as background music]
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- How long is Vendetta for the Saint?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Saint'in dönüşü
- Lieux de tournage
- Malte(photographed on location)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 35 minutes
- Rapport de forme
- 1.33 : 1
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