Houdini, l'illusionniste

It seems in the interest of inspiring awe, the creators of this series removed all of the actual awe around this legendary person and replaced it with annoying effects and hurried editing. The voice-over narration is uninspired, and makes the genius Houdini sound like a nitwit. The relationship between him and his family is reduced down to clichés and is indicative of lazy screen writing.

The worst part is that the actual history and character of Houdini is astounding and truly awe-inspiring. It doesn't need bells and whistles to be entertaining. All of this extra fluff was completely unnecessary and removes from the entertainment.

-Houdini (2014) miniseries review: -Houdini is a two-part series following the life and career of Harry Houdini, played by Adrian Brody. Mainly focusing on his rise to fame and career as a major entertainer, Houdini looks at various elements of his life, such as his marriage, family, rivalries, and of course, escape magic tricks.

-I honestly wish Houdini would have been a film. If has a total runtime of 2 hours 20 minutes, a great cast, and high production design. But as a series, it was still pretty darn good! -The story was well focused and very compelling. The second half is very different from the first half because of Houdini's change in interests, but that is what actually happened, so….

-The pace was fantastic. It never became not interesting to me. I binged-watched it because I could not turn it off.

-The acting is very good. Adrian Brody does a very convincing job and the supporting cast did great.

-The characters all feel very human and flawed, which is something I am glad they showed because of how inhuman Houdini appeared to everyone at the time. I also really liked seeing his rivalries with Sir Arthur Conan Doyle and Charlie Chaplin.

-The music did not fit very well. It had a very modern vibe to it, which aided the pace, but made the overall tone feel too…. hip? Something like that.

-The editing was also pretty choppy. It matched the fast cuts in the music, which was played for suspense, but was not needed for it. It is prevalent that he lives through dangerous escapes, but his life was still on the line, so modern music and quick-cuts don't were overkill.

-The production design on the film was great. Everything from costumes to makeup was done very well. I also really liked seeing how tricks were done, and some of them are explained afterwards, making you guess first. I am also not going to complain about an anticlimactic ending, because that is how Harry Houdini went, very anticlimactically.

-Houdini had some flaws trying to add style and suspense, but despite its best efforts, it was very well done, well-acted, and compelling due to an engaging story and relentless pace. Houdini, being slightly shy of Amazingtastic, is definitely worth checking out! -Houdini is TV-14 for some mild language, intense scenes, some violence, and some brief sexual content, but no nudity.

The History Channel has been Accused of Escaping from the Real Life Story of the 20th Century's Most Renowned and Recognizable Stage Showman/Magician and Delivering a Spiffed Up Glossy Conglomerate of Psycho-Babble and Stiff Characters.

Adrian Brody does Fine as the Charismatic Curmudgeon of the Spiritualists and Highly Successful Performer that Searches Diligently for the Next Illusion and Death be Damned. This Takes a Toll on His Wife Along with the Burden of a Mother Fixation.

But it's Obvious He does Love His Wife although She Seems to be Playing Third Fiddle to Mom and His Obsession with The Act. This All Makes for Good Drama, but Wait there's More.

We are Informed through some Pretty Bad Dialog and at Times Even Worse Narration that All of this is Playing with Houdini's Head, or at Least the Performer was a Heady Individual.

The Usually Good Screenwriter Nicholas Meyer's Sub-Par Script is Less than Insightful and not Very Witty. It is Downright Dull at Times. What Saves this 2-Part TV Mini-Series from Awfulness is Brody's Energy, the Art-Design, Costumes, and General Look of the Thing.

The Movie is Guilty of Over-Exposing and Telegraphing the Ending with Way too Many Scenes of Houdini's Innards. Ironically with All of the Money Spent on the CGI the Most Impressive Ambiance here is the Vintage Posters that are Everywhere and Use the Original Artwork with Brody's Face Inserted.

Slightly Above Average for This Type of Thing but it's Strength is not its History, but the Sheer Dynamism as a Person and Performer along with His Hyper-Volatility and Fascinating Life that was "The Great Houdini".

... which is both a good and a bad thing.

It is a good thing because over the course of the 2-parter you start to realize that the intensity comes not from the escapes, but rather from Connolly simultaneously delivering her dialog with that machine-gun rasp of hers, at the same time those extra-wide "cartoon" eyes pause for emphasis. I don't mean to make light of this, it is very unusual, and very effective.

The bad news is that, as interesting as Connolly is, she should really not be able to steal the entire film. That she can, speaks to the weakness of the script, and meandering self-indulgent arc that passes for a plot.

Brody tries hard. In fact, Brody is one of those actors who seems to be merely tolerated by his audience during his actual career but, I suspect, will become a cult idol to nextgen viewers. Here he does the best he can with what he was given.

If you bring no expectations to this film, it is entertaining, although truth be told I think the History Channel should set its standards a bit higher. (With Hatfields/McCoys, which I reviewed here, they nailed it AND were factually accurate to boot).

Never liked the Curtis film but I did read Houdini's autobiography, so I empathize with the angry reviews in this list.

In the end, it is true, Houdini was able to escape everything but his own ambition.

This is definitely a modern miniseries.

Quick editing, fancy graphics and lots of slow motion effects. It even has some CSI-like visuals where you get to see how the muscles of the abdomen react to a direct punch and other similar graphics that usually appear in the CSI franchise.

The music is a mix of classic instruments, heavy metal guitars and synthesizers and adds to the modern feel of the show.

Harry Houdini is presented as a bigger than life character who quickly becomes rich and famous with his wit and boldness. Fame and fortune isn't enough though. He wants to be legendary. Also he wants to make his life count, so in this version he becomes an international spy who uses his performances in Germany and in Russia to gather intelligence before the first world war.

Adrien Brody is good enough as Harry Houdini and his narration, that you can hear throughout the episode, contributes to the dramatic tension that you may think that the show is lacking because of its very modern presentation.

Overall: A series worth watching for entertainment. From a biographical point of view you may want to look elsewhere.