Une femme mystérieuse apparaît à plusieurs reprises dans le jardin d'une famille, délivrant des avertissements glaçants, laissant les membres de la famille s'interroger sur son identité, ses... Tout lireUne femme mystérieuse apparaît à plusieurs reprises dans le jardin d'une famille, délivrant des avertissements glaçants, laissant les membres de la famille s'interroger sur son identité, ses motivations et le danger qu'elle représente.Une femme mystérieuse apparaît à plusieurs reprises dans le jardin d'une famille, délivrant des avertissements glaçants, laissant les membres de la famille s'interroger sur son identité, ses motivations et le danger qu'elle représente.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Avis à la une
I'm not used to 'blumhouse' horrors - But i happened along this movie and I think it did a great job - it looks very good - professional - and the acting from the star woman is great - she herself plays a very sad person - self defeated and that topic is handled very well.
I dont have anything bad to say about this movie - I think it was careful handling the topic of depression and it was pg13 which was amazing bc it is very dark matter for such a rating. I've struggled a LOT with depression and I felt this movie honored it - while still having a story and entertaining horror elements.
I wasnt scared but i felt the dread of the main star and there is horror in that dread. I think they kept the story simple but yet it is psychological - and again it's pg13 so good on them for doing a good job. I dont know how anyone can call this a bad movie. Sure it wasn't some big huge iconic thing but it wasn't bad.
I can tell work went into it and though some parts were a little annoying - i think that's forgiveable - It's actually a smarter movie than i expected - I was impressed with the latter part of the movie. I also wanted to mention that i gave it 6 but maybe that's just bc I am very harsh - don't know - Most movies are a 2 to me, so this getting a 6 is actually very good.
I dont have anything bad to say about this movie - I think it was careful handling the topic of depression and it was pg13 which was amazing bc it is very dark matter for such a rating. I've struggled a LOT with depression and I felt this movie honored it - while still having a story and entertaining horror elements.
I wasnt scared but i felt the dread of the main star and there is horror in that dread. I think they kept the story simple but yet it is psychological - and again it's pg13 so good on them for doing a good job. I dont know how anyone can call this a bad movie. Sure it wasn't some big huge iconic thing but it wasn't bad.
I can tell work went into it and though some parts were a little annoying - i think that's forgiveable - It's actually a smarter movie than i expected - I was impressed with the latter part of the movie. I also wanted to mention that i gave it 6 but maybe that's just bc I am very harsh - don't know - Most movies are a 2 to me, so this getting a 6 is actually very good.
Jaume Collet-Serra may not be a perfect director but I have enjoyed his fun popcorn flicks like The Shallows, The Commuter and underrated horror Orphan. While it's messy script and structure does suffer from uneven directions and tone, it's interesting concept and solid thrills offer a good fun horror movie.
Placed with some interesting themes and good camerawork, the slow-burn tension and atmosphere does offer some good build up throughout. Including sound designs and colors used throughout. I do wish the writing does explore some different territories and ways, especially it's third act being pretty rough. Undoubtably, the concept was pretty interesting. Once again, Danielle Deadwyler shines with a strong performance and keeps the characters somewhat interesting, even if it doesn't always work.
For 87 minutes, the movie does feel as if it would work as a short film or a short episode. But as a whole, it's a decent horror flick.
Placed with some interesting themes and good camerawork, the slow-burn tension and atmosphere does offer some good build up throughout. Including sound designs and colors used throughout. I do wish the writing does explore some different territories and ways, especially it's third act being pretty rough. Undoubtably, the concept was pretty interesting. Once again, Danielle Deadwyler shines with a strong performance and keeps the characters somewhat interesting, even if it doesn't always work.
For 87 minutes, the movie does feel as if it would work as a short film or a short episode. But as a whole, it's a decent horror flick.
Blumhouse CAN be good or decent, but this is yet another one that makes me feel like they put meticulous research into finding out what are the most critically panned and disliked ingredients of their catalogue & then make new films out of them.
Sure, it's a competent enough film with one or two potentially compelling albeit overused themes, but it's also tiring, uninspired, tedious, flat, predictable, lukewarm & ultimately pointless and empty feeling.
It's rare for a movie that's under 90 minutes long to feel this very stretched out, and it's a damn shame that such weak scripts get greenlit with casts & crews that are too good for it.
The worst Jaume Collet-Serra flick, can only compete with "Black Adam" maybe.
Sure, it's a competent enough film with one or two potentially compelling albeit overused themes, but it's also tiring, uninspired, tedious, flat, predictable, lukewarm & ultimately pointless and empty feeling.
It's rare for a movie that's under 90 minutes long to feel this very stretched out, and it's a damn shame that such weak scripts get greenlit with casts & crews that are too good for it.
The worst Jaume Collet-Serra flick, can only compete with "Black Adam" maybe.
So I just watched The Woman in the Yard, and wow, it's got this creepy, slow burn vibe that really pulls you in, even if it doesn't totally nail the finish. It's about a mom trying to keep it together for her two kids in this beat up farmhouse after a rough loss. They're barely scraping by, with no power, an empty fridge, and a ton of tension. Then this mysterious woman in black shows up in their yard out of nowhere, just sitting there, giving off major eerie energy with these cryptic one liners that'll make your skin crawl.
The movie starts strong. The director knows how to crank up the unease, with those shots of the woman chilling in the yard while the family watches from inside being pure suspense gold. It looks gorgeous too; the sunny days somehow feel unsettling, which is a neat trick. The mom carries the whole thing, feeling raw and real as someone on the edge, wrestling with depression that's just palpable. The kids are solid too, especially the teenage son who's got that moody vibe down. And the woman in black is quietly terrifying, like she's hiding something big without even trying.
It's got this haunting, almost dreamlike feel with some freaky moments that'll stick with you, focusing more on "what's going on" than gore. The tension builds nicely for most of it, but toward the end, it kinda stumbles. It's going for something deep about grief and depression, which I respect, but it doesn't fully tie everything together as smoothly as it could. Still, it's a solid watch if you're into horror that's more about atmosphere than cheap scares. Pop some popcorn, dim the lights, and dive in; it's not perfect, but it's got enough chills and standout performances to make it worth your time.
The movie starts strong. The director knows how to crank up the unease, with those shots of the woman chilling in the yard while the family watches from inside being pure suspense gold. It looks gorgeous too; the sunny days somehow feel unsettling, which is a neat trick. The mom carries the whole thing, feeling raw and real as someone on the edge, wrestling with depression that's just palpable. The kids are solid too, especially the teenage son who's got that moody vibe down. And the woman in black is quietly terrifying, like she's hiding something big without even trying.
It's got this haunting, almost dreamlike feel with some freaky moments that'll stick with you, focusing more on "what's going on" than gore. The tension builds nicely for most of it, but toward the end, it kinda stumbles. It's going for something deep about grief and depression, which I respect, but it doesn't fully tie everything together as smoothly as it could. Still, it's a solid watch if you're into horror that's more about atmosphere than cheap scares. Pop some popcorn, dim the lights, and dive in; it's not perfect, but it's got enough chills and standout performances to make it worth your time.
3 out of 5 stars.
The Woman in the Yard is a fair psychological horror film that has a creepy concept but as the story goes on it loses its steam.
Pros:
The plot is okay. About a family going through grief and living at a farm house. Until a creepy lady all in black sits out in the yard. And gets closer and closer with creepy messages.
It has a great cast ensemble and great performances.
The direction can be creepy as the lady gets closer and going after the family by the shadows.
Cons:
The film does lack scared, jump scares, or any thrills. I feel like the direction missed out on that opportunity.
As the plot starts unraveling during the climax, the real horror loses itself. Also making it difficult to even care for the film without going into spoiler territory. The climax and ending was a little disappointing.
Overall, it is an okay film that starts out great but falls apart too quickly as it gets to the end.
The Woman in the Yard is a fair psychological horror film that has a creepy concept but as the story goes on it loses its steam.
Pros:
The plot is okay. About a family going through grief and living at a farm house. Until a creepy lady all in black sits out in the yard. And gets closer and closer with creepy messages.
It has a great cast ensemble and great performances.
The direction can be creepy as the lady gets closer and going after the family by the shadows.
Cons:
The film does lack scared, jump scares, or any thrills. I feel like the direction missed out on that opportunity.
As the plot starts unraveling during the climax, the real horror loses itself. Also making it difficult to even care for the film without going into spoiler territory. The climax and ending was a little disappointing.
Overall, it is an okay film that starts out great but falls apart too quickly as it gets to the end.
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Le saviez-vous
- AnecdotesToutes les informations contiennent des spoilers
- GaffesWhen Annie is in the kitchen cutting the block of cheese its size changes dramatically when her mom comes to help her. (Time: 8:43)
- ConnexionsReferences Le miroir à deux faces (1958)
- Bandes originalesMiddle of This Storm
Written by Lorne Balfe & Ayanna Witter-Johnson
Performed by Ayanna Witter-Johnson
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- La mujer de las sombras
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 12 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 22 405 985 $US
- Week-end de sortie aux États-Unis et au Canada
- 9 395 255 $US
- 30 mars 2025
- Montant brut mondial
- 23 311 502 $US
- Durée
- 1h 28min(88 min)
- Couleur
- Rapport de forme
- 2.39 : 1
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