David Brent: Life on the Road

Continuing his unique brand of horribly awkward humour that made The Office such a success (with remakes in the USA, France, Germany, Canada, Chile, Sweden, and Israel), Ricky Gervais resurrects the phenomenon that is David Brent, idiosyncrasies and all. Following on from the Christmas specials, the hapless eponymous character is still a sales rep for a cleaning supplies company, yet still harbours dreams of going on tour with his band, a resurrected Foregone Conclusion.

This film feels a little unnecessary, but that certainly doesn't detract from its enjoyment levels. After the perfect ending given to us by the Christmas specials back in 2003, the character was at peace and it felt like he had achieved some sort of catharsis. Nonetheless, this is premium Gervais - it probably helps that I binge watched all of The Office in the week before watching this, so was in a real Office-y mood. The humour is on point, from Brent's tics (the perfectly judged nervous laugh, the shifty grins to the camera) to his own form of inadvertently offending people. There's a good amount of pathos, too, with Brent really sinking to new lows over the course of the film. The plot is well-suited to the character, and another highlight is the songs - the standout being 'Please Don't Make Fun of the Disabled' - which are just hilarious when delivered by Gervais.

Ultimately, though, it won't stick in the memory for long and it didn't need to be made - nor are the side characters as compelling as the likes of Tim Canterbury, Gareth Keenan, Dawn Tinsley, and Keith Bishop. It also feels a little sweetened and watered down at times, especially towards the end. It feels a little too perfect and not bittersweet enough. Still, an enjoyable 90 minute diversion for any Office fan, and good fun. 66/100.

13 years after the end of the beloved sitcom, The Office, David Brent is still stuck in an office, but a documentary crew is filming him again and he decides to go on tour with a band in a last-ditch attempt to live his dreams of being a rock-star. Like most films connected to TV shows, this is annoying since it doesn't connect to the show enough, with Gareth, Tim and Dawn disappointingly absent. Ricky Gervais was never the most impressive actor in The Office, but he gives a good (If often irritating) tragicomic performance here. This film serves as an interesting exploration of the character and has many good laughs and touching character moments along the way; it humanizes David Brent, though don't worry it also embarrasses him and every opportunity. The trouble is, there's a line between comedy and sadism and after a funny first half, the film just gets extremely uncomfortable and stops being enjoyable. The Office was quite depressing. Extras was incredibly depressing. But this- wow. Be warned: you will cringe. A lot. The original show had enough realism and honesty to pull off the cringe, as it felt so truthful but here the uncomfortable stuff goes too far. I can tell Stephen Merchant was the one who added the nuance that made the sitcom so good. With Gervais on his own, there's no-one to stop him from taking the cringe comedy too far. Even so, while he's clearly not as good as he was, there's no denying that this is a funny and often enjoyable road movie with some nice bits of drama.

6/10

Filmed in the same style as the TV Series this is a fly-on-the-wall documentary about everyone's favourite cringe-inducing boss David Brent as he attempts to hit the big time as a rock star with his band Foregone Conclusion.

The Office was like a breath of fresh air when it first arrived back in 2001 and it is a TV Series that I adore and can watch over and over again - I believe this was one of the first comedy series that brought about what can only be described as 'cringe-humour'. Life On The Road is presumably intended as a swan song for the character of David Brent and predictably the film as a whole falls short of the TV Series, but does still produce plenty of laughs....

In essence taking Brent out of the office and having him go on tour basically gives him the opportunity to showcase his delusions and social awkwardness to a much larger group of people. This does provide plenty of laughs and there are many scenes that do provide us with some classic Brent cringe moments. Whilst there are lots of funny scenes and lots of jokes that do work there are occasions when the comedy feels a bit forced (the joke about the Chinese was a bit awkward) and the continual jokes about Doc Brown being black are overused and start to wear thin - although many of the jokes are quite funny.

The film is generally funny when Brent is out on tour with his band, but sadly the same can't really be said for the scenes within the office; in fairness it was always going to be difficult to substitute the likes of Dawn, Gareth and Tim, but something just didn't feel right with many of Brent's co-workers. In the TV Series pretty much everyone in the Office disliked Brent, but you never felt that they held any kind of deep felt hatred or resentment towards him I personally just felt that a lot of his colleagues were sort of indifferent towards him. In Life on the road, his co-workers either really hate him (which sometimes gives the film a rather nasty tone) or they really like him (which sort of negates everything that his character is about). Having one of the characters being as cringe-inducing as Brent himself was a misstep in my book as part of what made Brent funny in the Office is that he thought he was funny, but no-one else did. I found Brent's behaviour in the Office 'funny-awkward' whereas his scenes with his workers in this film were more 'awkward-awkward'.

Inevitably trying to make a character who we're used to seeing in 30 minute segments and making him funny for 90 minutes is a tall order and it shows here; there were gaps in the film where I wasn't laughing whereas in the TV Series I was nearly always laughing. This result in a film that is mostly funny rather than being consistently funny.

Gervais wrote, directed and starred in this film so I suppose it's to be expected that he is front and centre in the picture, but he does make the film feel like a one-man show far too often; he doesn't really allow many of the characters much room to develop and I also felt it was a pity that poor Doc Brown was reduced to little more than being a barrage of jokes about his race and a straight man to Brent's character (though the film does allow Brown to showcase his talents - he's actually a decent rapper).

The film does get a little sappy at the end and some of the character shifts towards the end are also a little questionable, but in the main there are enough amusing moments to keep fans of the TV Series happy. Yes it's a flawed film, but it's a pretty funny one too.

"Life on the Road" is a mockumentary sequel to the classic British version of the TV comedy "The Office" (obviously later remade for the US market and featuring Steve Carrell). Ricky Gervais played the ego-centric David Brent, a monster of a character who exercised what little control he had in his managerial role at a Slough paper company.

Here in "Life on the Road" we join Brent 15 years later where he has taken a rung or two down the career ladder and is working as a sales rep for Lavachem, a sanitary goods manufacturer, also based in Slough.

But Brent still harbors a dream of making it big in the rock world with his middle-of-the-road band called 'Foregone Conclusion (2)'. Gathering around him his ethnic rapper 'friend' Dom Johnson (Doc Brown) and a band of session musicians (who can't stand him), Brent cashes in "several pensions" to fund a tour of the venues of Berkshire... or at least, those that will give stage time over to a "shite band". As the tour delivers predictably diminishing returns, and no record-company interest (at least, not in him) Brent is forced to face his inner demons and some uncomfortable truths.

Bringing TV comedy characters to screen is fraught with difficulty, and few have successfully done it. Even legends like Morecambe and Wise struggled with a series of lacklustre films. Perhaps in recent times Steve Coogan's Alan Partridge has come closest with "Alan Partridge - Alpha Papa" and indeed there are a lot of similarities visible between Partridge and Brent: both have extreme ego issues and self-centredness. But there are significant differences as well, for while Partridge is just an irritatingly loud and obnoxious minor-celebrity Brent - as this film makes much clearer - has real mental illness.

Is this therefore a comedy at all? Well, yes, but in a very black way. There are certainly moments of excellent humor, with the tattooing scene being a high-point. But the result of watching Brent's progressive decline, with his nervous laugh as a constant 'fingernails on chalk board' reminder of his insecurity, results in a level of audience squirming that is palpable. Everything he does is perverse, from describing in excruciating detail every song before singing it, to spending his money on multiple hotel rooms when every gig is within the County of Berkshire.

As a black comedy its important that it doesn't outstay its welcome, and at 96 minutes it doesn't. However, the film lacks the courage of its own dark convictions, and unnecessarily switches tack in the last reel to provide a degree of redemption for Brent. Whilst 'sweet', it is also implausible given what's happened before and I would have suspected the interference of the director in lightening the mood of the writer's original intent. However, as Gervais is both writer and director, there is no such excuse. That's a shame.

So, in summary, an uncomfortable watch that aligns appropriately with the high squirm factor of the original TV show. Prepare to laugh, but feel a bit guilty in doing so.

(Please visit http://bob-the-movie-man.com for the graphical version of this review, and to provide feedback).

I liked this comedy and i find it sad that many people are bashing it. It has many funny moments throughout and it is also giving a message at the same time. Probably those who didn't like it were comparing it to the Office and there are similarities of course but this is different it is a movie and it is a romantic comedy actually. I do recommend it especially for people who like Ricky and his style it's all there all what you need to get the best of him. Even the songs are nice and catchy.