I, Jack Wright

From the first few minutes you can tell that this is a quality series. Besides some of the better known cast, it is apparent in the plotting. You don't realize it at first, but the talking head in the side documentary is Sally Wright, from what seems like one of those prison interviews you seeing murder docs or 60 minutes, or such. And then we see Sally before hand in life. The gist is this...Elder statesman Jack Wright is dead. Speculation of suicide turns to murder investigation, where almost everyone seems to have motive for doing so. Jack has a third wife with 2 children (fantastic Sally played by Nikki Amuka-Bird), 2 sons from first wife (excellent John Simm & Daniel Rigby), some in-laws from hell and grandchild Emily. Everyone is vying for a large chunk of his will, which, was re-written 2 weeks prior to his death. In 6 VERY fast moving episodes, just as all the momentum is building, and think we might be near a resolution, we get a To be continued banner. I'm not mad at this. The acting is all top notch. Shout out to Harry Lloyd as the DCI & his partner. This series is smart, funny, sad and I look forward to picking it up when it returns for the finale.

I feel insulted! The ending of season 1 was a slap in the face. I love a British who done it shows, and this one was pretty good! It held my attention throughout. But to leave us hanging in the last episode was really uncalled for!!! This was not even a good cliffhanger! The actors are fabulous, but the writing could have been better. Character development overall was good, pace good, and it kept me coming back week to week! But that last episode ... over the top cruel! I won't be coming back next season! 😡 I just can't believe they ending it this way! What were they thinking????? If I were the producer, I would have demanded a rewrite!

I really liked this show. It grabs your attention from the start. Great acting and plot. I watched all 6 episodes in one sitting. Daniel Rigby was so good and had his part down. His facial expressions were priceless in showing his anguish. The huge downfall is the PROFANITY that all these shows think they need for absolutely no reason. It is so offensive and normal people don't use profanity in everyday life. This is the new push the button in all these new shows and in politics. I start so many shows and have to turn off. I tried to ignore it here because the plot was good. Hope there is a season 2! They leave so many unanswered questions in the end.

The producers did a weird and selfish ending by providing no ending. It's all a cliff hanger til season 2. Yes, many series end with a new and unresolved cliff to hang from, but this is nearly all untied. Stupid idea. The series was top notch however. Script very good and acting spot on. If only more shows could be this high quality - except for the greedily commercialized final minute.

The producers did a weird and selfish ending by providing no ending. It's all a cliff hanger til season 2. Yes, many series end with a new and unresolved cliff to hang from, but this is nearly all untied. Stupid idea. The series was top notch however. Script very good and acting spot on. If only more shows could be this high quality - except for the greedily commercialized final minute.

The producers did a weird and selfish ending by providing no ending. It's all a cliff hanger til season 2. Yes, many series end with a new and unresolved cliff to hang from, but this is nearly all untied. Stupid idea. The series was top notch however. Script very good and acting spot on. If only more shows could be this high quality - except for the greedily commercialized final minute.

Murder, Money, and Mayhem: "I, Jack Wright" delivers a deliciously pulpy thriller that revels in its soapy, greed-fueled chaos. A wealthy patriarch's murky death sparks a vicious family feud over his £100m fortune, echoing Succession and Knives Out with a dash of Agatha Christie.

Chris Lang's writing delivers a fast-paced, hammy romp packed with unlikeable, yet magnetic characters-Trevor Eve's gruff Jack, John Simm's desperate Gray, and Ruby Ashbourne-Serkis' cunning Emily - shine. While not as sharp as Lang's Unforgotten, the slick production and twisty murder mystery make it a guilty pleasure. Perfect for fans of melodramatic whodunits, this is escapist fun MOSTLY done right.

While a couple of characters lose some of their lustre in later episodes, overall, the acting is good throughout. Directing, editing, all good. Parts of the script lose the mystery a bit, for the most part, the script is good, even if you work out what the ending is likely to be.