Insaisissables 2

As a film this really is poor. On practically every level it falls down… Now You See Me 2 picks up directly where the first film left off and the film follows a similar pattern – The 4 (or 5?) horsemen, performing larger-than-life magic with the aim of providing for those less fortunate or exposing those who do wrong. However, unlike the first, their motivations behind each of these stunts are a little less clear and certainly less meaningful. In fact inconsistent or unlikely character motivations and actions are a problem throughout the film (with supporting characters as well as the leads).Then there's the fact that this plot is so unrealistic and beyond the realms of possibility that it makes the first script look practically normal. The script in itself is a problem… it's messy, incongruent and forced – "well we need to have a shootout/car chase, otherwise it won't be cool enough".

Then there's the fact that Isla Fisher's character has left the gang and although briefly explained at the beginning of the film, is never mentioned again. Yet her replacement (played by Lizzy Caplan) is not only treated as if she's been there since the beginning, but also held responsible for all the actions she wasn't around for in the first film. I get the feeling it might have been easier for her just to play Isla Fisher's character (Katie Holmes-Maggie Gyllenhaal in Batman style) rather than trying to shoehorn in a different character. And talking of characters – Daniel Radcliffe's character is atrocious. I don't want to give anything away but he is such a stereotypical, spoilt, British man it's untrue. Moreover his acting in this was reminiscent of all his appalling, wooden performances from the early Harry Potter films… And just I was starting to believe that maybe he could act!

And then there are issues around plot holes, speech which is purely for the viewers' benefit, seemingly irrelevant sub-plots and a ridiculously backwards ending which doesn't appear to make much sense.

So how the hell, given all these problems, does it give it get a 6 I hear you cry? Well, as with the first, it is still thoroughly entertaining. It's light-hearted fun, which isn't really tackling any of the world's serious topics and as a spectacle is still great. Sure I found myself thinking of several occasions 'my god this is garbage', but it didn't annoy me. It's the kind of film where you can laugh off the issues and appreciate the fun parts.

In summary, if you liked the first one, I certainly wouldn't discourage you from seeing NYSM2. I'd just go in with limited expectations and an acceptance that many aspects of it aren't going to be very good. If you have those two things you'll probably enjoy it thoroughly, despite all its flaws.

I could have written this review for 'Now You See Me I', as my appreciation for Tyler's work started there, but I thought I'd skip it, as he outdid himself in the second part. Yes, the NYSM films are arguably one of the most plot hole ridden franchises in Hollywood (not speaking about the non-decision if magic now is actually an existing thing or not), but strangely I found that after watching the first one and simply accepting the aforementioned fact I was able to really enjoy the second one. And I will re-view the first one as well with this attitude. Those are simply enjoyable films with good actors, nice scenery and lighthearted stories. But I want to direct your focus on something else I rarely read about here: The music by Brian Tyler. You may say about him what you want, but he really created an exception here. In our times, real pop-rock drums (I am not talking programmed drums and loops) as addition to orchestral music have fallen out of grace - Tyler was one of the first to bring them back. And boy, he knows how. In my world, the NYSM score is one of the most inventive soundtracks of our time. Not only does Tyler create a really powerful combination of orchestral and pop/rock music, he also manages to deliver a theme (or leitmotif) one is able to whistle after leaving the theater - also something that is not standard anymore, as soundtracks have become more like acoustic wallpaper these days. The music is really versatile in the most profound way. Just listen to 'The Setup' as a prime example. He morphs through all kinds of style from pop, rock, soul, swing and jazz in one single piece. And his real drums lend a power to the music that is unprecedented. Others have also started to incorporate this style of drumming in their music, but never as virtuosic as Tyler does here. If you like popcorn flicks, give the NYSMs try, and if you're into movie scores, keep your ears open. An oh, by the way: Listen to 'Can you dig it', his end title version of 'Iron Man 3' - it's right up there on the same level.

I really enjoyed the first NOW YOU SEE ME film. I thought that film's premise "magicians robbing a bank" was original and the execution of the unique script by Ed Solomon and Boaz Yakin by director Louis Leterrier was strong. Add to that the casting - Jesse Eisenberg, Woody Harrelson, Isla Fisher and Dave Franco as "The Four Horseman", Melanie Laurent, Common and (especially) Mark Ruffalo as the cops who were chasing them and sprinkle in good ol' Michael Caine and Morgan Freeman into a plot that kept you guessing to the end and you had a fun ride.

My only question was, could the sequel capture the...wait for it...MAGIC (yes I went there) of the original?

And my answer is...sort of.

Kind of like seeing a magic show for the 2nd time, the spark of originality and wonderment was mostly missing this time around, consequently NOW YOU SEE ME 2 turned into a fairly standard crime/action caper - but with magic instead of guns, cars or fights.

All that said, I was still entertained by this film, but that enjoyment was filled with an undercurrent of disappointment as I wanted to by "wowed" like I was with the first film.

The script - written by Ed Solomon, one of the writers of the original, struck me as a "job script", that is, a script written for money from the studio vs. a "passion script" where the author has an idea they are passionate about and that passion is shown on the screen. Add to that the fact that Jon M.Chu - director of GI JOE: RETALIATION (not exactly CITIZEN KANE) - helmed this film and you have a movie that feels professional, competent and workman-like.

What saves this movie is the performances. Three of the horsemen are back (Isla Fisher had to bow out due to a pregnancy) and the bi- play and the interaction between Eisenberg, Harrelson and Franco fits like an old glove. They get to interact with Ruffalo more in this film and that's a plus. Freeman and Caine return and are as dependable as ever and newcomers Daniel Radcliffe, Tsai Chin and (especially) Jay Chou were fun. Only Lizzy Caplan's Lula didn't really work for me - I thought she was trying to hard to fill in for Fisher.

Interestingly enough, I could shake the feeling, as I was watching this film, that I was watching the 2nd chapter in a trilogy, even though this one did NOT end in a cliffhanger. Sure enough, upon further review, NOW YOU SEE ME 3 is currently filming.

All in all, I enjoyed this film, I just wish I could have been surprised more, like I was in the first film.

7 (out of 10) stars and you can take that to the Bank (of Marquis)

The 1980s-inspired sequel reimagines the original blockbuster by emphasizing the individuals and their distinctive features. Both new converts and admirers of the original should find the revisit enjoyable.

The grand illusion thriller "Now You See Me" borrowed ideas from Soderbergh's "Ocean's" series and Christopher Nolan's "The Prestige". With a convoluted plot and a chatty, fiercely competitive group of renegade magician heroes, the film was both witty and bordering on ridiculous.

The movie features a number of jaw-dropping moments, fake-outs, and teases. The film's denouement is always focused on the audience, with the Horsemen-a troupe of illusionists-stranded on a private jet. The movie is an exhilarating and suspenseful roller coaster since it never stops winking.

"Now You See Me" was a personal guilty pleasure of 2013, it was absolutely unpretentious and unbelievable but it knew it was so and with the help of a talented cast and a couple of good characters and story beats it turned out as a fine time at the theater. Its sequel starts out with the same unpretentious and fun vibe of the first only to slowly escalate up to what becomes one of the most lifeless and visually painful experiences of the year.

As I said the movie started out really fine, in the sense that it was doing what I wanted it to do. Nobody should or would walk into this film expecting the new "Heat", I just wanted to have some dumb fun, with a self referential film that doesn't take anything seriously and up to the fist two set-pieces of the film that's what I was getting. The cast was working the best they could and the action felt fluent and visually pleasing, there was a rhythm to it and a reason for it in particular.

Yet, as soon as we start getting into this film's second act things fall apart to a mind numbing degree and I mean that literally, my mind went blank with the level of stupidity and inconsequentially of what was going on, I watched this film in a state of trance where I couldn't tell if I was dozing off or simply bored to death.

"Now You See Me 2" takes the levels of suspense of disbelief to a whole new world where not even laughing at the film proves to be of any kind of satisfaction, everything going on is just visual noise and other than being filmed in the most uninteresting and unstylish way possible, it has no momentum, no character, it's just there for the sake of extravaganza and it keeps going on for unbelievable amounts of time and it never proves to be any kind of pleasant.

And we haven't even taken into consideration the logistical implications of what happens. It is just crazy. There is no grit of grounding of actions, stuff just keeps happening on top of other stuff and without any kind of character or story implications the film becomes more of a showcase of dull visual tricks. Not to mention the story twists it spices in which are preposterous to even think about and sprinkled with silly clichés and dialogue that not even Ruffalo or Freeman, two of the greatest actors, manage to make even passable.

I got a head ache from this movie, it was a terrible experience, I don't recommend it and the shortness of my review is reflective of how lost with words I am about it.