De Zéro à I Love You

Frankly, I could watch anything with the apparently ageless, engaging and charming Darryl Stephens in it, so I'll try to get through this review with as little bias as possible. But in truth, Spearman has assembled a talented cast that delights from beginning to end. Stephens has palpable chemistry with his handsome co-star, Scott Bailey. Keili Lefkovitz is effervescent in the potentially thankless role of the down-low guy's wife, and Stephen Bowman is a ton of fun as Stephen's best friend. Veteran Richard Lawson - trivia: his first credited role, in 1971, was "Homosexual", in Dirty Harry. He went on to appear in pretty much everything, including Dynasty (1986) and Angry Boys (2011) - plays Stephen's father, who, in a refreshing twist, is a black father who doesn't have a problem with his gay son.

Good gay rom-coms don't come along very often. From Zero To I Love You manages to be hopelessly romantic, a hoot, and genuinely insightful (the damage wrought by Pete and Jack's affair isn't merely brushed under the carpet).

Surprising, enchanting, and sexy, From Zero To I Love You is a winner. Doug Spearman: what's next?

Since the first moment I saw this picture I knew it was going to be a big compromise from me to not jump to conclusions that it was going to be a Hollywood Fake Movie. And it was! I didn't believe in the acting of any involved in this drama story where i found everything very insipid and so predictable specially from the the cast of this film! Everything sounded so annoying and honestly for me it was only a gay story where production, direction and acting was just a Big try from rescuing some Dramatic Love (Unbelievable) Scenes that did not make the movie any better!

I grew up resenting being taught to be paranoid. The folks in this story could have benefitted somewhat from a pinch more paranoia than they exercised. My only resistance in the movie was my inner counselor kept doing therapy on all the characters. OF course I know if they all made consistently good decisions there would be no plot and no movie. Well, not a problem; they were all screwed up enough to make a damned good, impressive movie! My time was well spent.

I'm dying to see all the new gay romance movies, but this one fell flat for me. Seemed all contrived and not real. The married gay guy had this annoying nasal voice and his black squeeze was too feminine acting. Sorry, I like perfection on the screen....ain't that the main reason drop dead gorgeous guys get picked to become actors? And then the pseudo macho gay guy with tatts was just a typical urban gay clone. Acting was OK. The actress playing the dumber than dumb wife was good. Near the end, the pace slowed too much. The climax scene in the street was just too Hollywoodesque. Didn't buy any of this film for a minute.

Is it your standard "Will he or won't he come out" story? Or is it more about the "other man's" fear of commitment? Or his struggle with his black identity amidst a sea of affluent white people. Even the starving artist is affluent to a certain extent.

And then there's the "Where do we stand on monogamy?" Even though most of the male characters are promiscuous. And at one point, they even touch on the crystal meth epidemic in the gay community.

That's too much to unpack. It could be made into at least three different movies.

I would love to see one centered around the black man and the potential complex intersections of his fear of commitment and how that might be related to his growing up as an affluent African American. Directed by a black director, please!

I'll leave you with one of my biggest pet peeves in movies like this. As a New Yorker who visits Philadelphia frequently, I can assure you a magazine copywriter could never afford a quaint apartment.t in Rittenhouse Square - much less move to the newly gentrified meat packing district adjacent to the West Village. Decorated with a Noguchi coffee table and a Barcelona chair!