Together

My girlfriend and I went to this movie as part of Landmarks mystery movie night. I found the movie really kept you guessing as to what direction it was going to go. I thought Franco and Brie were great for their respective roles. The movie took a turn halfway through that threw me off, but it brought me back in at the end.

Not a revolutionary horror movie by any means but I quite enjoyed it! Recommend for anyone that's interested in checking out an original and interesting horror movie with some depth. I have found myself thinking about the film over the past few days since I saw it. It has a good mix of themes and had a few good laughs.

A bit outlandish at times (maybe even most of the time) but nonetheless I found it entertaining. Check it out 🙂

It doesn't happen that often that we get genuinely fresh, original ideas in horror - and when it does, it feels so bloody good. 'Together' (2025) is exactly that. A grotesque, clever, and oddly funny little gem that had me cringing, laughing, and totally hooked the entire time.

The concept is unhinged in the best way: a couple moves to the countryside... and starts getting TOO attached. What unfolds is what I can best describe as a rom-com body horror (yes, really) that somehow makes co-dependency literal... and it weirdly works. So well.

Body horror isn't for everyone, but this is so well done. The practical effects are gnarly in the best way - just the right amount of gross to make your stomach turn while keeping you glued to the screen. It leans into the absurdity, but underneath the chaos is a surprisingly honest look at toxic love, compromise, and identity.

Alison Brie and Dave Franco are absolutely fantastic. You totally buy into them as a couple who love each other but maybe shouldn't be together. Or maybe should? I don't even know. That's part of the fun.

And I have to say - any film shot in Melbourne gets an automatic bonus point from me. There's something so satisfying about seeing our suburbs twisted into something this surreal.

Cringey in all the right ways. Disgusting in the best possible sense. 'Together' is one of the most original horror films I've seen in ages - and it will absolutely satisfy genre lovers looking for something bold, grotesque and new.

Together follows Tim and Millie, who find themselves at a crossroads when they move to the countryside, abandoning all that is familiar in their lives except each other. With tensions already flaring, a nightmarish encounter with a mysterious, unnatural force threatens to corrupt their lives, their love, and their flesh.

The film sets everything up well. The characters, the relationship, the setting. I liked all that. The story itself was good, but the overall experience felt a bit flat and underwhelming. Things should have happen faster. When the horror, tension, or weirdness finally shows up, it's good. But it doesn't stay there. It never really sits in the moment. More time should have been spent in those moments once they happened, not necessarily more things to happen. It felt like the film was holding back when it should've leaned in. More should've happened emotionally and visually. It felt like it could've gone deeper or darker, and I was ready for it. That's one of my big issues with the film. The body horror and supernatural elements are there, but they could've gone harder with it.

The trailer gave away a lot, so if you've seen it, you've probably already caught most of the big horror moments. That takes away some of the surprise, which is a shame, because the film does have its own story to tell. It's straightforward and easy to follow.

What worked really well was the emotional side of it. The relationship felt real. You could see yourself in these two people, and what they're going through feels honest. Dave Franco and Alison Brie are great together. You can tell they're a real couple. There's a natural chemistry between them that makes everything feel more believable, especially as things start to fall apart. There are also a few funny little moments between them that break up the tension in a nice way, without messing with the overall vibe.

Overall, Together is a solid but not groundbreaking horror/drama. It explores some interesting ideas. I just wish it had pushed things further emotionally and visually. It had all the right pieces. It just didn't go far enough with them.

Body horror is a genre that can be difficult to nail. At its best, it is anxiety-inducing, disturbing, and off-putting, often beyond the point of enjoyment. It is horror, not because of the scary monsters or hidden nightmares, but because of the natural human unease towards bodies being bent and broken in ways they shouldn't. As a horror genre fan, I have become desensitized to most of the tactics used to scare in movies, but body horror, done right, never fails.

Together is almost that movie. It builds anxiety both through body horror and simple awkwardness, but just as it rises to the point of being unbearable, it breaks the tension, either with humor or romance. It does this well, but I was left feeling too comfortable, too comfortable for a movie purporting to be a genre based on the opposite. If they had leaned into the body horror more, unwilling to break, this could've been exceptional, but as it stands, I was left wanting.

For someone who is easily scared or is new to body horror, this film could be great. The humor and romance make it more approachable, but it also detracts from the horror. Certainly not a waste of time, but it sucks to see a film come so close only to miss the mark.

When real-life couples star together, the resulting film can take on a fascinating meta-layer. Although their offscreen bond doesn't necessarily blur into their characters, it inevitably hovers in the background. Mike Nichols' 'Who's Afraid of Virginia Woolf?' wasn't simply a searing portrait of marital warfare; it was also Elizabeth Taylor and Richard Burton, cinema's most famous spouses, sparring with a ferocity that audiences couldn't help but connect to their tempestuous private lives.

Likewise, Stanley Kubrick's 'Eyes Wide Shut' wasn't just a puzzle about desire and fidelity. Echoed against the backdrop of Tom Cruise and Nicole Kidman's highly publicized marriage, the couple's casting lent an extra layer of voyeuristic intrigue to the film. That extra-textual dimension doesn't alter the story, but it makes the fiction feel charged in ways it otherwise wouldn't.

This is also the case with Michael Shanks' 'Together,' starring the real-life couple Dave Franco and Alison Brie. A body-horror à la Coralie Fargeat's 'The Substance,' the film follows long-time partners Tim and Millie, who have been drifting apart. After relocating to the countryside, they encounter a mysterious force that starts to reshape their lives, forcing them closer than ever. Soon, their romance becomes a macabre affair, as the boundaries between co-dependence and monstrosity irrevocably blur.

Atmospheric, visceral and laced with dark humour, Shanks' film grips from start to finish. Essentially a Cronenbergian romantic comedy, it's bloody good fun, with some thematic weight. Shanks' narrative cleverly uses the language of body-horror to externalize the often-unspoken dynamics undermining relationships. More than an external threat, the disgusting entity that binds Tim and Millie embodies their neediness for, and resentment towards, one another.

Horror has always excelled at making the abstract tangible- whether it be desire as parasite, or intimacy as contagion- and Shanks leans into that tradition with gory relish. In 'Together', the spectacle of skin and sinew isn't there for shock alone, but as a metaphor for how love can devour, how co-dependence can trap partners in a suffocating cycle of intimacy. As proceedings intensify, the couple's bond is forced into a crucible, revealing both the strength and fragility of their connection.

Shanks' strong characterisation emphasises this point, especially when it comes to Tim. He is far from a traditional macho protagonist, being a vulnerable, tentative man marked by trauma. He can't work a compass or start a fire, and relies heavily on Millie in everyday situations. His hesitancy and fragility ground the film, making the couple's descent into grotesquerie more affecting than it otherwise might be.

Millie, too, is drawn with nuance; a smart young teacher who loves Tim and wants the best for him, but whose patience sometimes frays under the weight of his insecurities. Together, they feel less like genre archetypes and more a realistic couple. Their exchanges throughout are natural, laced with a dry wit that feels true to life. At its core, the film is a love story, which works because one believes in Tim and Millie's bond- the tenderness beneath the terror.

Visually, the film is as striking as it is unsettling. Germain McMicking's cinematography cloaks the rural setting in a pall of damp greys and muted greens, evoking both isolation and decay. Further, Nicholas Dare's production design makes the world feel intimate yet suffocating, deeply alive- disquietingly breathing.

In addition, the effects work is impressively tactile, leaning on practical gore and prosthetics rather than CGI, giving things a raw, clammy immediacy. Shanks doesn't flinch from grotesque detail, yet the imagery never tips into gratuity. Just as crucial are the sound design and score: the former wringing dread from creaks, squelches and silences, the latter pulsing uneasily beneath the action without overwhelming it. Further, Sean Lahiff's editing is sharp and economical, ensuring every shock lands with precision.

As Tim and Millie, Dave Franco and Alison Brie's real-life marriage lends their on-screen intimacy a raw authenticity, making Shanks' vision of closeness-turning-hideous even more disturbing. Both deliver powerhouse performances- Franco in particular, showing a vulnerability and range rarely glimpsed in his comedic work. Brie, meanwhile, plays Millie with a sharp mix of exasperation and tenderness, anchoring the film's emotional core. Damon Herriman also does fine work in a supporting role as Millie's work colleague Jamie, whose personable demeanour belies a hidden darkness.

In conclusion, Michael Shanks' 'Together' is bloody great: a grisly reflection of intimacy, co-dependence and the messy realities of love. Dave Franco and Alison Brie work wonderfully together, grounding Shanks' Cronenbergian vision in something startlingly human. With tactile effects, evocative cinematography and a keen ear for dread, the film shows how passion can curdle into possession, with devastating consequences. In short, in the realm of body-horror, 'Together' stands apart.