Tu me manques

Decent enough Harlan Coben thriller drama set in Manchester and surrounding countryside with a well known and familiar cast, weaving intertwined plot themes, it's well paced and improbable fun, entertaining enough to keep you glued in but definitely a bit far fetched in places - some excellent names in there and well acted but gritty believable realism it ain't. Perhaps that's not the point anyway and if you can turn a blind eye to the very visible plot holes and rather unlikely criminal and police prodecural situations then it's width one's time. But it's a fast food style criminal thriller - enjoyable but ultimately unsatisfying, not a gourmet offering you might be hoping for.

The leading actress was all that kept me hooked, but the rest of the acting was so patchy and unconvincing - even from the bigger names. There were plot lines that led nowhere, explanations not given, superfluous characters that just cluttered things up, and lots of truly incredible events and coincidences. The locations were good, but there was the increasingly annoying and inexplicable decision to use the 'teal and orange' colour scheme throughout - which is SO irritating and crops up all the time (The A Word, Ludwig etc) for no good reason whatsoever - and once you notice it it's SO distracting.

Average.

With less than half a minute into the first episode, the clichés of modern storytelling were served.

The story is riddled with clichés, predictable twists, and underdeveloped characters that make it difficult to become emotionally invested. The protagonist's motivations are shallow, and the supporting cast is mostly reduced to stereotypical archetypes. The pacing feels uneven, with sluggish exposition dragging down the first act and a rushed finale that resolves conflicts too conveniently.

The dialogue is another weak point. Many lines feel forced and to some extent unnatural. The cast's performances are hindered by a script that fails to provide depth or nuance.

That's all I have about this one.

Here's a proofread and polished version of your update:

Just binge-watched all five episodes. I wasn't really feeling it by episode two but decided to see it through.

Cohen adaptations seem to follow a pattern of largely unrelated or overly complicated story threads that all neatly come together in the final episode. While previous ones have been quite good, this one felt really weak in comparison.

There wasn't much of a storyline in this one, and all the "aha" moments were crammed into the last episode-typical Cohen from what I've seen.

The acting was okay, and the characters weren't terrible, but the story just wasn't compelling or engaging. It felt more like a matter of simply getting through to the end.

I wouldn't say don't watch it, but if you have other options in your queue, I'd definitely put those ahead of this one.

Let me know if there's anything you'd like adjusted further!

I'm going to be blunt with this one. Just don't bother. With so many other shows and movies to watch, don't add this one to your playlist.

The characters are disconnected from one another and whomever wrote the script needs to find another profession.

The characters don't care about each other so why should the audience? I enjoyed Harlan Coben's early series like "Safe" and "The Five", unfortunately he's struck out on his more recent work. This is a very bizarre, far-fetched plot and requires not only stellar acting, but a strong script.

I agree with other reviews that stated it was only 5 episodes and felt like 10. I think a great word to sum this up is "disappointment".