Inheritance

I enjoyed how the camera was weld for this film. Other reviewers I've read seem displeased by the "held camcorder" style, however I found this attempt to be a different and fresh way to use it. For instance, the shots of how pedestrians looked at the main character as she's walking through the streets. It focused on how others perceive her rather than how she perceived her surroundings. Which for the India sequences was true to form. The men are known to gawk at American women and cat call them profusely. Also, never have I felt like an actual tourist to to the many different countries visited in the movie. The tone, pace, shots, extras, and all together vibe made me feel as if I was actually visiting the pyramids in Egypt, travels a train through India, and walked the streets of South Korea. I watch a lot of film and never have felt what it must be like to be a tourist in the locations the movie was at.

The movie is pretty good for an indy film. The story is meh, you pretty much got it figured out. The action sequence is also meh. But what really made this film incredible is the filming style. I don't believe I've ever seen a film this way.

The camera is like a person going along with the character. It is not a found footage, which I hate, or like a 1st person view. It is just different and it worked. I find the camera work smooth and immersive. It literally feels like you are there with the character. It is even better because the film takes place in multiple locations in the world.

In sense it feels like you are taking a vacation to Egypt, India, and South Korea, literally the camera is on the street level and you get to see everything around you like you are actually there.

Overall I enjoyed it. 5/10.

I'm surprised by the number of mediocre reviews for this film-I thought it was quite good. The central relationship between the father and daughter felt believable and emotionally genuine to me.

The film focuses primarily on these two characters, so those looking for nonstop action might find it slow. However, I appreciated the solid writing, acting, and storytelling. While it is a story that has been told before, it still felt fresh and engaging.

Interestingly, I didn't realize the entire film was shot on iPhones until I read about it afterward. The cinematography was engaging without drawing unnecessary attention to itself. In contrast to something like the Bourne series-which often overuses a shaky, pseudo-documentary style-this film employed a similar technique with far more subtlety and purpose.

Overall, this is a quiet, understated, but satisfying suspense thriller-sensitive in its themes and effective in its delivery.

I thought the filming of the movie was very interesting. It had a decent plot and an interesting twist. I think it's a unique independent movie. It was fun to watch people's reactions to them filming, they just filmed in the streets of Cairo and Mumbai (not a closed set). I felt like I was really there in the scenes with the character.

I also felt like the dialogue wasn't that bad. They had a decent script that wasn't cheesy.

It's a good movie to sit back and enjoy when you can't find anything else to watch. Also interesting to see Phoebe Dynevor in this type of action film. I think it's worth the watch.

Forgettable film from start to finish , besides being in Egypt, India and South Korea. It is true that there is no tension sauf a little in Egypt and more of it in India. I don't know why this movie was made considering what happens in the end.

Is it iPhone filming prowess advertisement? Does it bear a hidden message? Is it a sort of wicked encouragement?

At least, I got to travel without a visa to three beautiful countries glued to Maya.

• Screenplay/storyline/plots: 5
• Production value/impact: 4.5
• Development: 6.5
• Realism: 5
• Entertainment: 6
• Acting: 6
• Filming/photography/cinematography: 7
• VFX: 7.5
• Music/score/sound: 6
• Depth: 3
• Logic: 2
• Flow: 7
• Drama/mini thriller/conspiracy/mini action: 5
• Ending: 3.