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Ajouter une intrigue dans votre langueFollowing a mysterious suicide at Niagara Falls, a low-rent detective unravels a conspiracy to build a revolutionary invention by enigmatic scientist, Nikola Tesla.Following a mysterious suicide at Niagara Falls, a low-rent detective unravels a conspiracy to build a revolutionary invention by enigmatic scientist, Nikola Tesla.Following a mysterious suicide at Niagara Falls, a low-rent detective unravels a conspiracy to build a revolutionary invention by enigmatic scientist, Nikola Tesla.
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If there is anyone who loves classic mysteries, but wants something new and exciting, "The American Side" is a must see. When the film starts, you think you know where the story is going, but it quickly becomes something much more complex. Every time you think you've figured out what is going to happen, everything changes and the journey becomes even more compelling. It is thought provoking and suspenseful, and kept me interested from start to finish. Its amazing cast only helped make an already great story wonderful. There were lots of familiar faces, as well as a few new ones, keeping the film well balanced and promising for a great viewing experience. It is a throwback to old classics, while still offering something unique to its viewers.
The big thing was the writing was poor and it ruined to movie. If felt like it was taken from a book and a whole lot of stuff was let out or was pushed through. Lead actor was limited but you felt like there was a good movie there that wanted to get out. % stars might be too high but gave it 5 anyway.
In order for the American Side to work, even a little bit, it's essential that you know nothing about Tesla, the man who developed alternating current. Because if you know of him, you'd know that he had no such dream of creating the mcguffin that drives the movie. Because the premise is ridiculous, the lengths to which various individuals and groups go to acquire the plans is simply not believable. But this movie has other shortcomings besides. To advance the plot, the protagonist, a down-in-the-mouth gumshoe who drives a Dodge Dart, is given entree to daytime cocktail parties and evening soirees where he is able to chat up the rich who for some reason feed him bits and snatches of what they're up to instead of simply calling the cops and having the guy thrown out. The movie is also replete with coincidences and characters whose function is to provide knowledge so as to advance the mystery, but whose fortuitous appearance stretches credulity. For example, the boat owner who hired our hero early in the film and to whom our hero returns in one of his hours of need just happens to teach physics and knows all about Tesla. There's more, but it's just too silly.
God, what this film could have been. Solid actors, good and sometimes great cinematography, extraordinary locations and a plot around Nikola Tesla's secret inventions. And it is even decently produced. But man, why why why did nobody realize the script was not at that same level at all??? Why did nobody stop the film's development until it was??? I don't know the director but the old rule of cinema says that it is almost impossible to make a good film out of a bad script. "The American Side" is a textbook example to that rule. There are plot holes everywhere, the characters are all overdeveloped on some narrow aspects that make them "authentic" in the moments - mostly the scenes that introduce them - but not enough to render them credible. The male protagonist's motivations shift continuously and although we learn about many of his habits, at the end we have no clue who he really is and what makes him tick. The worst is that plot- and story-logic are both awfully flawed in so many places that to call this film a "thriller" would be an insult to the genre. Again, I am not saying this to be mean, but because it made me sad to see so much potential go wasted so badly.
A film about Nicola Tesla's secret inventions would have deserved a better story, a better writer, and probably a better producer (not sure about the director, see above).
There is not much more to say about this. No, this is not an indie, this is unfortunately not a film. And that is REALLY a pity. Really.
A film about Nicola Tesla's secret inventions would have deserved a better story, a better writer, and probably a better producer (not sure about the director, see above).
There is not much more to say about this. No, this is not an indie, this is unfortunately not a film. And that is REALLY a pity. Really.
Well, what can i say, this leading actor has got no charisma, he looks (and is or should be) a tv-movie actor. That's not the only trouble this movie has got though...
More bad: the story is boring. The direction is as well, because there simply is no suspense, no thrill. And Matthew Broderick and Robert Forster only have very short lasting appearances which neither can lift this movie up either anyway.
What a dudd of a movie.
More bad: the story is boring. The direction is as well, because there simply is no suspense, no thrill. And Matthew Broderick and Robert Forster only have very short lasting appearances which neither can lift this movie up either anyway.
What a dudd of a movie.
Le saviez-vous
- AnecdotesFilmed with the support of the New York State Governor's Office for Motion Picture & Television Development.
- Citations
Charlie Paczynski: You had me at "death ray."
- Bandes originalesFollow The Path Of The Stars
Written by Graham Bell (as Bell), Mickey Gallagher (as Gallagher), Joe Smith (as Smith)
Arranged, Music Direction and Conducted byJohn Scott
Performed by Cilla Black
Courtesy of Parlophone Records Ltd.
By arrangement with Warner Music Group Film & TV licensing
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- How long is The American Side?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Американская сторона
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 30min(90 min)
- Couleur
- Rapport de forme
- 2.39 : 1
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