Drunktown's Finest

At certain points it seem the movie was trying too hard to prove that Navajos are just like everyone else, but I liked that. You rarely see movies about Native Americans just living their lives day to day. It's mostly their culture being exploited and over- exaggerated to give it the same myth and legend of the Greek Gods or something.

The movie tells three stories of three different Navajos. A street kid who joins uncle Sam's army to help his growing family, financial, but is struggling to stay off the streets. A beautiful tyranny attempting a modeling career, and a adapted Navajo trying to over come the fear of what her parents told her about her own people in order to find her birth parents.

What I love most about this movie was that it was so down to Earth. I feel I got the best portrait of this culture, that I've never seen in any other movie.

We all of the same story, but we all tell it different. absolutely recommend.

'DRUNKTOWN'S FINEST': Three Stars (Out of Five)

Low budget indie drama flick about three troubled Native American youths, living on an Indian reservation, who struggle to build new lives for themselves. The film was written and directed by first time feature filmmaker Sydney Freeland and stars a trio of newcomers; Jeremiah Bitsui, Carmen Moore and Morningstar Angeline. The movie premiered at the 2014 Sundance Film Festival and was later picked up, for release, by the Sundance Film Channel. I found it's mini budget to be very showing at times but I also found the film to be a well-intentioned, and somewhat insightful, character study.

The story revolves around three very different young Native Americans, all living on the same Indian reservation. Sickboy (Bitsui) is a young father-to-be, who's had a decent amount of trouble with the law and excessive alcohol consumption. He's joining the military so he can provide for his family, through an honest living for once. Felixia (Moore) is a transvestite who makes a living selling his body. He desperately wants to leave town and start a modeling career. Nizhoni (Angeline) is an adopted Christian girl, who spends most of her time doing community service and wants nothing more than to learn who her real parents are.

The movie obviously has a lot of heart and seems to be a realistic telling of what life is like for troubled youths, living with a scarce amount of resources, on an Indian reservation. If the filmmaker (Freeland) had more resources himself, I'm sure this could have been a much better movie. As it is, the acting is very weak, sometimes painfully bad, and the script could have used at least a few more rewrites. It's hard not to be at least somewhat impressed with the good intentions of Freeland and the cast and crew, though.

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We contributed to a Kickstarter campaign to help get this movie finished, so last week a DVD of it came in the mail. We were very pleasantly surprised. Three intertwining stories of young people coming of age, nicely handled. The thing that struck me so strongly is that the characters are so American and so Navajo at the same time. They are finding their places as adults, and also along the continuum of acculturation.

Although alcohol plays a pretty big part in this movie, I dislike the title, which belongs to a much grittier and more knowing movie. While bad things are done by and to the characters, the overall mood is almost sweet.

I found DRUNKTOWNS FINEST DVD at the Window Rock flea market and purchased it from Ms. Freeland. I was impressed by the involvement of Robert Redford as the executive producer. I didn't know what to expect and asked Ms. Freeland if this was another genre type of movie about modern Navajos, e.g. TURQUOISE ROSE. After watching the opening of DF movie I found it to be what I expected. What the movie doesn't touch on is the violence and death experienced by young Navajo transgender male and/or females. There are many unsolved beatings and murders of transgender male/females on the Navajo rez and in the border towns and it seems like no one cares to follow up. In closing, it's not your average genre type of movie about modern Navajos.

"Drunktown's Finest" follows the intertwining lives of three young Navajos over the course of three or four days. Nizhoni (MorningStar Angeline), adopted as a child by a white couple and plagued by bad dreams, is trying to find her biological family; 'Sick Boy' (not his given name) is an irresponsible father-to-be who talks the talk about being a provider - he's even enlisted in the army - but who just can't seem to stop getting drunk, smoking weed or snogging unsuitable women at parties; and trans-gender Felixia (Carmen Moore) makes her living as a prostitute but dreams of the big time via a 'Women of the Navajo' calendar.

Although Native American beliefs and rituals are present in the film - at its centre is a young girl's womanhood ceremony - it wears its mysticism lightly, concentrating instead on aspects of life non-Indians can understand. There's also very little, if any, comment about the wrongs done by the white man to the Native American: such sentiments may be justified, but they can come across as one-sided and preachy when heard several times over.

Of the three leads, acting honours go to Jeremiah Bitsui as Sick Boy; he creates a believable, likable yet infuriating character. Angeline's performance may be hampered by her TV movie-like plot; while Moore's limp delivery of her lines may be a good portrayal of queeniness but, on the other hand, may indicate the actress just wasn't that interested in the material. Many of the supporting actors, I'm afraid, need to go back to drama school - too many sound like they're merely reciting their lines, rather than actually *saying* them.

The film has its flaws: I've already mentioned the melodramatic nature of Nizhoni's plot. Then there's the bits where two young characters facing important decisions are told homilies by older, wiser, heads: not so much a signpost as a great big flashing neon sign as to the choices they will make. But overall I really enjoyed this, and not just for the novelty of seeing a film featuring contemporary Native American characters; it's actually pretty engrossing.