Jamaica Inn

I greatly enjoyed this adaption of Jamaica Inn.

It was dark and grubby, just like the monstrous crime at the heart of this tale.

For me the key to Jamaica Inn is the portrayal of the extremely compromised characters. The production excelled at this.

The only character who is not compromised is the evil fiend at the centre of it all of course. That person has abandoned morals and has found a form of liberation.

The most compromised of all, Joss Merlyn was played by Sean Harris superbly. He is ensnared in something extremely nasty indeed. His attempt to drag the heroin into the evil cesspool he inhabits was really a first class piece of drama.

Thank goodness today we have Formica worktops, dettol, vinyl floors and suchlike. We still have monstrous criminals but at least we have nice clean living environments for them.

I love Cornwall, I go there all the time, and I have never had any trouble understanding the delightful Cornish accent. So what in God's name is the language they're speaking in BBC1′s new adaptation of Jamaica Inn? I began by turning up the volume, thinking I simply had the TV on too quietly. When I still couldn't catch what most of the cast were trying to say I tried listening on headphones like a language student struggling to revise for a forthcoming aural exam.But however much I concentrated, rewound on TiVo, or adjusted the audio controls I could only manage to pick out about one word in fifty.

Most inaccessible of all was the dialogue uttered by Sean Harris, as violent, drink-soaked smuggler Joss.

Joss produced a baffling array of mumbles, whispers and grunts, delivered through the upper nasal cavity in a West Country accent so thick it might as well have been first generation Klingon.

Even headstrong barmaid Mary – played by Jessica Brown Findlay off Downton Abbey – had trouble understanding the ramblings of her thuggish, inebriated uncle, and pointed out as much on more than one occasion.

"I don't understand," she said at one point, and Britain breathed a huge sigh of relief that not every viewer in the country had simultaneously gone deaf.

Uncle Joss turned out to be a bit of a nineteenth century Basil Fawlty – a reluctant innkeeper who "don't like people staying," and would rather go down to the beach and crush people's heads with his bare hands. He also had a nasty habit of grabbing people around the throat and shoving them up against walls – a style of behaviour that was also reminiscent of Mr Fawlty at his least hospitable.

Matthew McNulty was in it, of course. He's in all the BBC costume dramas and probably hasn't had a day off work in about 7 years. Poor old Matthew must be sick to the back teeth of heavily colour-corrected, windswept moors full of clattering stage coaches and women wading up to their knees in muddy bogs. He looks like he could do with a couple of weeks in the Canaries. Maybe his agent needs to learn how to say "no" from time to time.

Finally giving up on trying to follow the dialogue, I turned my attentions to Mary's heavy, full length velvet dress. This character's fondness for bog wading at a variety of different depths meant that in every scene the dark stain around the hem of this garment moved up and down, up and down, like the rise and fall of the tidal Thames at Teddington. I eventually found myself trying to guess at which level the watermark would appear next, and I have every intention of turning this pastime into a drinking game while I am watching episode 3 of Jamaica Inn (with the subtitles turned on.)

Orphaned young woman Mary has to move in with her aunt and uncle after the death of her parents, she arrives at Jamaica Inn, Bodmin Moor, and quickly discovers dark goings on at Jamaica Inn.

In many respects this is a pretty decent adaptation, I've only just completed the book, and wanted to watch this, before the film. It's a fairly faithful adaptation, the tone (bleak) of the book is very much captured, and Jamaica Inn itself feels right.

It starts off pretty well, the second episode is good, the third and final episode is fantastic, the best of the lot.

The visuals are striking, it looks wonderful, scenes on The Moor, on the coast and inside Jamaica Inn, the costumes are spot on.

Very good acting for the main part, Jessica Brown Findlay, Matthew McNulty, Joanne Whalley and Ben Daniels were all spot on.

I absolutely adore Sean Harris, I'd go so far as to say he's a favourite of mine, but there are times where every word he says, is almost inaudible, is it my hearing, or was he mumbling? I want to say he was amazing here, and you can't deny he had a powerful presence as Joss, I just needed the subtitles on.

The lighting, sadly is also an issue, most of the interior shots are hard to make out, it's a pity a few extra light bulbs weren't plugged in.

Better than I remembered it being.

8/10.

A very good adaptation, and it's good to see a British period film that doesn't romanticize the characters and setting (well, not TOO much!). "Smugglers" have been so often romanticized in books and films, that it was good to see a film that showed just how crude, violent and evil they probably were.

OK so first things first the sound is a bit dodgy, but persevere because the screen crackles with tension. The writing is good and the filming style doesn't disappoint. It's suitably dark, and no one, not even out our heroine Mary Yellen, looks pretty in that vapid way that some costume dramas enjoy. She's a bit grubby, but still attractive, so she seems more realistic, because she isn't portrayed like Anne of Green Shipwrecks. The locations are treated like another character in the story. The acting is exciting, with huge amounts of magnetism. Each character has an interesting back story that is sometimes hinted at, sometimes explained. The thing I noticed first is that everyone is dirty, their hands, their hair, their clothes, and of they would be. Smuggling is a dirty business, this production lets you see just how dangerous and desperate it is.