Ajouter une intrigue dans votre langueA curious group of friends sneak into an abandoned spinach canning factory to investigate the legend of the "Sailor Man," who is said to haunt the factory and local docks.A curious group of friends sneak into an abandoned spinach canning factory to investigate the legend of the "Sailor Man," who is said to haunt the factory and local docks.A curious group of friends sneak into an abandoned spinach canning factory to investigate the legend of the "Sailor Man," who is said to haunt the factory and local docks.
- Réalisation
- Scénario
- Casting principal
Christian Elán Ortiz
- Vincent
- (as Christian Elan Ortiz)
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Popeyes Revenge was a decently charming flick, that had some history, tension building and creative scares. The predecessor was more of the same, however his history, design and creepiness is much improved here, instead of being a moronic killing-machine, atleast here he's scary and doesn't easily get-out-of-breath. The slowness makes him more creepy here, and his slow grovelled voice makes him even more eerie and scary as you don't know what to expect next.
The low-budget film isn't a total ROTTEN APPLE, although the deaths are. There's a mixture of positives and negatives. Let's start with it's history. The focus of the pictures made it more heart-felt, and the connection felt better suited here, as it explained briefly, and shown it more so that's why it stood out, as the family dynamic was heavily hinted throughout the story even with the re-occuring characters. So it definitely felt slightly more natural and grounded in that respect. Although, I'd of liked to of seen the history progress further, as it does feel slightly rushed as it is mostly at the middle or the end, I feel as if the commentary on the last film gave it the edge in terms of overall character story and journey, this felt better at explaining his evil-side and family dilemma.
The editing is perfectly swift and crisp, with no over-reliance on CGI, most of the film is practical effects, and that makes it feel more natural, and that's why I think this is more scarier then the other tale. I feel as I'd they used the building and the darker effects well, as the creepiness and the tension was built up by his equipment, the movement, and the dark atmosphere did give it that air of unpredictability and sofisticated twists and turns that were unpredictable for humans and movie-goers alike. I feel like the film could've also used the lighter-effect, as that was also very well executed I must say.
The characters weren't bad, they were standard teenagers that made insanely bad decisions you may of hit them with a TV Remote. However the build up to the premise is quick, which sort of works, but not so much for development and expandability for the characters. But them wanting to take shots and film the abandoned place did give it the realism and add to the surrealism of their situation.
It was like watching a fever dream, the deaths were creative, although they weren't as creative as could be, as some were fairly predictable and formulaic, it was the slowness that added to the thrills and the spooks of their surroundings. And the ending felt slightly rushed, I feel like it could of been a better moment If shorter, although I don't want to spoil anything.
The characters acting was mostly fine too, nothing particularly noteworthy, and likewise with the script, mostly hauny teenagers in a dangerous environment, putting themselves at risk, although the rear family moments, emotional beats did add the dramatisation and the creativeness the film flawlessly managed.
I'd rate this a 4 out of 10 Because it isn't terrible, it Isn't special, But there's also some fun to be had, call me stupid but this film was a Decent enough 'B' Movie. Not bad, 4/10.
The low-budget film isn't a total ROTTEN APPLE, although the deaths are. There's a mixture of positives and negatives. Let's start with it's history. The focus of the pictures made it more heart-felt, and the connection felt better suited here, as it explained briefly, and shown it more so that's why it stood out, as the family dynamic was heavily hinted throughout the story even with the re-occuring characters. So it definitely felt slightly more natural and grounded in that respect. Although, I'd of liked to of seen the history progress further, as it does feel slightly rushed as it is mostly at the middle or the end, I feel as if the commentary on the last film gave it the edge in terms of overall character story and journey, this felt better at explaining his evil-side and family dilemma.
The editing is perfectly swift and crisp, with no over-reliance on CGI, most of the film is practical effects, and that makes it feel more natural, and that's why I think this is more scarier then the other tale. I feel as I'd they used the building and the darker effects well, as the creepiness and the tension was built up by his equipment, the movement, and the dark atmosphere did give it that air of unpredictability and sofisticated twists and turns that were unpredictable for humans and movie-goers alike. I feel like the film could've also used the lighter-effect, as that was also very well executed I must say.
The characters weren't bad, they were standard teenagers that made insanely bad decisions you may of hit them with a TV Remote. However the build up to the premise is quick, which sort of works, but not so much for development and expandability for the characters. But them wanting to take shots and film the abandoned place did give it the realism and add to the surrealism of their situation.
It was like watching a fever dream, the deaths were creative, although they weren't as creative as could be, as some were fairly predictable and formulaic, it was the slowness that added to the thrills and the spooks of their surroundings. And the ending felt slightly rushed, I feel like it could of been a better moment If shorter, although I don't want to spoil anything.
The characters acting was mostly fine too, nothing particularly noteworthy, and likewise with the script, mostly hauny teenagers in a dangerous environment, putting themselves at risk, although the rear family moments, emotional beats did add the dramatisation and the creativeness the film flawlessly managed.
I'd rate this a 4 out of 10 Because it isn't terrible, it Isn't special, But there's also some fun to be had, call me stupid but this film was a Decent enough 'B' Movie. Not bad, 4/10.
B movies can be great fun! This is not that type of B movie. A few giggles that were certainly not intended aside (as it was because it was so stupid in parts), the script is bland. Acting is, again, what you expect from nobody in particular casting. Writing/Direction is nothing to write home about either. Not fun, bland, and derivative. I wanted so much to have fun with this, but I simply couldn't. No replay value. It is just a bad move. Glad to see practical effects, and they are fine. Nothing special about them, and the camera work helps hide the effects flaws for the most part. Static mask, but you don't see "Popeye" all that much (and it is always dark anyway).
I don't understand all the negative reviews. When watching this movie, I was reminded of many 80's horror B-movies, many of which would never win any awards but had a charm all their own-"Superstition" (1985), "The Slayer" (1982), "Slaughter High" (1986), etc. What do all these movies have in common? Low budget (check), Elaborate death scenes (check), Young people making all the wrong choices (check), A rather elementary plot (check). It is a common formula, but the sum of which serves as the hallmark of many B-movies in the Horror genre since Hollywood's inception. Moreover, the writer and director paid homage to the original cartoon through many creative tropes. What more could you ask for? My advice: enjoy the movie for what it is-a modern day "Dr. Giggles" (1992) and don't expect a classic like "A Nightmare on Elm Street" (1984). If you do that, you won't be disappointed.
A group of youngsters break in to a spinach factory, desperate to figure out whether the fabled old Sailor exists.
It's definitely better than Popeye's Revenge, a bit more cohesive, and I'd argue that the acting, though far from perfect, isn't actually that bad.
Is it good, absolutely not, but if does fall into that category of so bad it's watchable, one of those movies that going could put on after a night out, have a pizza and a giggle over.
Popeye, all I keep thinking of is The Goonies, imagine if Sloth has been on the roids, had some cosmetic surgery, some Botox and developed a love of spinach instead of chocolate.
The death scenes are really poor, and at times you can see bits and bobs I'm sure you're not meant to.
Every cliché under the sun, the film starts exactly the same way as Pooh and Mickey, a woman running for her life in some sort of warehouse, if you're wanting originality, think again.
I eagerly await the new Snow White from these guys, but until then, Slayer Man provides some unexpected entertainment.
5/10.
It's definitely better than Popeye's Revenge, a bit more cohesive, and I'd argue that the acting, though far from perfect, isn't actually that bad.
Is it good, absolutely not, but if does fall into that category of so bad it's watchable, one of those movies that going could put on after a night out, have a pizza and a giggle over.
Popeye, all I keep thinking of is The Goonies, imagine if Sloth has been on the roids, had some cosmetic surgery, some Botox and developed a love of spinach instead of chocolate.
The death scenes are really poor, and at times you can see bits and bobs I'm sure you're not meant to.
Every cliché under the sun, the film starts exactly the same way as Pooh and Mickey, a woman running for her life in some sort of warehouse, if you're wanting originality, think again.
I eagerly await the new Snow White from these guys, but until then, Slayer Man provides some unexpected entertainment.
5/10.
So I went into this movie knowing it was obviously going to be bad. But how bad you ask? Well, pretty darned bad. The first thirty to forty five minutes are somewhat laughable and slightly on a so bad it's good scale, but then it just drags on. The cast is awful, the acting is horrendous. I will say that I thought that the Popeye mask and get up was somewhat interesting to look at as they keep him in the light most of the film. Lots of close ups, which I'm not sure how I feel about. It's interesting, but bad. The charm was lost halfway through and like so many "so bad it's good" movies it doesn't live up to the standards. The plot was interesting also, I'll give it that. But it truly goes nowhere. This film was made for what reason exactly? Who are the people this is made for? I'm left really pondering these questions. Can't recommed.
Le saviez-vous
- AnecdotesProducer Jeff Miller said they went old-school and focused on using real practical effects instead of relying on CG for the gore.
- ConnexionsFeatured in The Cinema Snob: Popeye the Slayer Man (2025)
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- 大力水手:血腥菠菜
- Lieux de tournage
- Oneonta, New York, États-Unis(location)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 7 134 $US
- Week-end de sortie aux États-Unis et au Canada
- 7 018 $US
- 23 mars 2025
- Montant brut mondial
- 48 280 $US
- Durée1 heure 28 minutes
- Couleur
- Rapport de forme
- 2.39:1
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