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6,3/10
2,3 k
MA NOTE
Ajouter une intrigue dans votre langueAn ex punk rocker who recently became a suburban homemaker/mom befriends a recently paralyzed high-school boy in a wheelchair.An ex punk rocker who recently became a suburban homemaker/mom befriends a recently paralyzed high-school boy in a wheelchair.An ex punk rocker who recently became a suburban homemaker/mom befriends a recently paralyzed high-school boy in a wheelchair.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 1 nomination au total
Yumi Iwama
- Doctor
- (voix)
Anna Kuchma
- Girl with a Dog
- (non crédité)
Charles J. Rosa
- Art Gallery Patron
- (non crédité)
Avis à la une
"Kelly and Cal" is mature-exploration drama with satire comedy and forbidden-and-hidden romance. First question, is this family genre like being noted in many film website? Definitely, not! In first 15 minutes, this film has promising opening, In the middle, when relationship between the older woman (Kelly) and the younger man (Cal) starts weaving, please, It almost disgust me, but thank God, in last 30 minutes it turns out to be it should be. This film has a good and authentic message for you, a new-turned mother, to keep behave. And in this film, it's a real show. But it wouldn't be good if Juliette Lewis and Jonny Weston didn't do their best in this movie.
This movie is like finding and enjoying a perfectly ripened piece of fruit, then taking a step forward, slipping on the peel, falling backwards and cracking your head on the pavement! Now what do I mean by that statement?
It's very simple to understand - the film starts with Kelly meeting Cal, both are highly spirited and living lives very out of place for their charged up personalities. Kelly is confined by her new role as a mother living in a very American suburban middle class neighborhood after her punk rocker all girl band background. Cal is young, handsome, and full of the capacity to experience the ecstasy of life, but he too is confined in life by his disability, wheelchair, and a bitter outlook toward his future. After they discover each other a glorious friendship develops with some of the finest dialog you can find in a movie. Kelly sees in Cal her youth which she obviously misses. Cal sees in Kelly everything he wants to experience in life but cannot or (more likely) is afraid to do because he fears failure more than his disability. Through Kelly, Cal breaks out of his shell and at the same time Kelly develops an empathy for Cal because he has projected his feelings toward her in sexual advances and his willingness to get back into his artistic abilities. Then reality strikes, and Kelly must step back from this complex and needy friendship. At this point the story starts to fall apart.
The movie turns into a ridiculous melodrama of Cal discarding everything Kelly helped him through both psychologically and physically. Kelly goes running after him as if she can save him from himself. Why the writer and director did this I do not understand because they took the relationship of a disabled youth and a frustrated older woman who both found an inner fulfillment in each other that could have been so compelling and bold this movie would have possibly been real box office material. Why not have the suburban housewife have an affair with a disabled youth? Could it possibly be that it was a 'too European' idea?
Either way I encourage watching this story because it is good and that good part makes the bad part not so bruising to watch.
It's very simple to understand - the film starts with Kelly meeting Cal, both are highly spirited and living lives very out of place for their charged up personalities. Kelly is confined by her new role as a mother living in a very American suburban middle class neighborhood after her punk rocker all girl band background. Cal is young, handsome, and full of the capacity to experience the ecstasy of life, but he too is confined in life by his disability, wheelchair, and a bitter outlook toward his future. After they discover each other a glorious friendship develops with some of the finest dialog you can find in a movie. Kelly sees in Cal her youth which she obviously misses. Cal sees in Kelly everything he wants to experience in life but cannot or (more likely) is afraid to do because he fears failure more than his disability. Through Kelly, Cal breaks out of his shell and at the same time Kelly develops an empathy for Cal because he has projected his feelings toward her in sexual advances and his willingness to get back into his artistic abilities. Then reality strikes, and Kelly must step back from this complex and needy friendship. At this point the story starts to fall apart.
The movie turns into a ridiculous melodrama of Cal discarding everything Kelly helped him through both psychologically and physically. Kelly goes running after him as if she can save him from himself. Why the writer and director did this I do not understand because they took the relationship of a disabled youth and a frustrated older woman who both found an inner fulfillment in each other that could have been so compelling and bold this movie would have possibly been real box office material. Why not have the suburban housewife have an affair with a disabled youth? Could it possibly be that it was a 'too European' idea?
Either way I encourage watching this story because it is good and that good part makes the bad part not so bruising to watch.
An excellent "little" movie.
The story of a friendship between a new mother and a young neighbor in a wheelchair.
The trailer gives a much brighter image than it actually is. And it's better than the trailer. It gives a bittersweet atmosphere all along that takes guts. A film that speaks to young parents, first love, the passing of time, the mourning to do.
Simple and touching.
Kelly (Juliette Lewis) is a former musician turned suburban mom. She hasn't had sex with husband Josh (Josh Hopkins) for 6 months since the birth of their baby. She is uncertain about her new life and struggling as a new mom. She befriends wheelchair-bound flirtatious neighborhood teen Cal McCullen (Jonny Weston). She's hounded by her in-laws Bev (Cybill Shepherd) and Julie (Lucy Owen).
There are some funny moments like her friends with pictures of a dog. There are poignant moments. There are tough moments. There are awkward moments. It all adds up to an uneven movie. Juliette Lewis is terrific transitioning between the emotional turmoils. I wish this was something simply with Kelly & Cal starting a band. The filmmaker seems intent on going for a higher degree of difficulty and don't quite make it.
There are some funny moments like her friends with pictures of a dog. There are poignant moments. There are tough moments. There are awkward moments. It all adds up to an uneven movie. Juliette Lewis is terrific transitioning between the emotional turmoils. I wish this was something simply with Kelly & Cal starting a band. The filmmaker seems intent on going for a higher degree of difficulty and don't quite make it.
I liked the movie. Lewis does a fine job of bringing the post-baby struggles to life and Weston who is not actually a spinal cord injured person put in a strong performance that brought the post-injury fears and acting out to the screen. Still not sure why the movie companies don't actually hire disabled actors to play those roles but instead spend hours of training to get an able-bodied actor to fake it. There are people with disabilities who seek to act and often when they land a role there is acclaim heaped on them. There are certainly some gaps in the film but overall the girlfriend and I enjoyed it.
Le saviez-vous
- AnecdotesJonny Weston, who played the 17-year-old Cal, was approximately 25 years old at the time of filming. Whereas Juliette Lewis, who played the suburban housewife Kelly, was about 40 years old.
- GaffesKelly pronounces the band name Sleater-Kinney as "SLEEter-Kinney" when it should be pronounced "SLAYter-Kinney".
- ConnexionsFeatures Bryan Adams: (Everything I Do) I Do It for You (1991)
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- How long is Kelly & Cal?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 17 702 $US
- Week-end de sortie aux États-Unis et au Canada
- 5 387 $US
- 7 sept. 2014
- Montant brut mondial
- 17 702 $US
- Durée
- 1h 51min(111 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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