La niña de fuego

Obsession and desperation lead disparate characters to commit heinous acts in this dark, thrilling, quirky and Almodovorish tale. A father infatuated with purchasing a $15,000 "magical girl" dress for his cancer stricken daughter, a rigid, forceful teacher with a secret and simplistic weakness at being mocked, and a rich, sensitive, impulsive and unstable young woman who takes almost any kind of pain so long as she maintains her facade and knows of someone more miserable than herself, are each transformed by their obsessions into abusive creatures incapable of empathy.

Passions and fears float like ghosts in the recesses of each character's mind until delusions become more real to them than a simple fact or equation like "two plus two equals four." It is as if each character reaches a magical realm or gains a super power of their own choosing, where they may stay insulated from the world and those around them. Their isolation and avarice is emblematic of what is happening in Spain. Simple acts of kindness, fairness and empathy that could do a world of good for people are withheld for fear of some contagion. This thriller is, as I love, loaded with depth, metaphors and significance. The story line, acting and orchestration are exceptional for such a minimal budget. I only wish it had more support and funding. Four and a half of five stars. Seen at the Miami International Film Festival.

Magical girl follows three people who each lead drastically different lives. Yet their fates are all determined by one and other. The way all of the stories told interweave with each other feels so natural which is no easy feat.

This is down to the brilliant screenplay and realistic nature of the events that take place. I would believe it if these events took place. Some of it could seem a bit extreme, particularly with Barbara's story, but I didn't feel it was too over the top at any moment.

Technically magical girl is also brilliant. The cinematography was beautiful and Stationary shots are almost exclusively used which worked like a treat. The framing and shot composition we're absolutely great as well.

Themes of Selfishness and humanity are conveyed thoughtfully and in a way that, again, felt very real. I loved seeing how one person's selfish actions can affect so many others in truly hideous ways.

I think the thing that makes magical girl so great is the fact it treats the audience with respect. Quite a lot of left up to interpretation which works to great effect, if certain things were shown they wouldn't seem so revolting and disturbing.

Just a couple more points I want to make. The acting is all fantastic, Lucia Pollan gives one of the greatest child performances I've ever seen. And the reincorporation doesn't feel unnecessary and it makes for an excellent emotional moment.

I urge everyone reading this to watch magical girl. Even if you don't love the stories being told you can't deny the technical brilliance. I can not wait to watch this film again.

This is my first review, it'll be quick and to the point.

There has never been a movie that has changed my emotion and played with my mind and I congratulate the director/writer "Carlos Vermunt" for doing so.

First of all the thing I really love about this movie is how almost every scene is empty in terms of colors. Almost every wall, clothes, and lighting is sort of pale which gives the movie a sort of dark/empty feel to it.

Nothing could have prepared me for this movie, emotionally speaking.I give this a 7 due to my personal feelings of the climax, you may love it or you may hate it based on how it all ends. Needless to say, this movie is art.

Magical Girl was a very interesting film. I went to the movie with the idea of looking at a cold drama, and was very surprised to see things take a completely different turn and keep me at the edge of my seat. (Not getting much into details so you check it out!)

For one, I loved the plot. While a good chunk of the exposition is clearly set, we only get the stories and motivations we need to keep the action going. I found that extremely refreshing, specially for Barbara Lennie's character. I can understand that might ruin the movie for some people craving for a closed narration, but to me It's kinda brilliant and much more intriguing and suspenseful to follow the rest of the characters as they are right now without flashbacks or dream sequences to guide the audience through history lane.

The Cinematography was neat, all actors were competent, and apart from an unnecessary monologue on why bullfighting represents the spirit of Spain, Most scenes where well constructed and intriguing.

Overall I loved this, and I honestly would have given 9 stars if leuchemia girl had more fun inappropriate things to do than asking for gin-tonics and cigarrettes. She is the only sane person there and our titular girl, goddamit!

While the direction of this film was too cold and distant to resonate with me as much as it could've, I still enjoyed enough about it to give it a recommendation. For one, I enjoyed Barbara as the emotional core. Most films would have her start off in good health and have her mental health decline more and more throughout the film. In this film though, she was already unstable and Luis's behavior made her go from bad to worse. For instance, after she intentionally cuts her head on a mirror, Javier comments on it being another scar and later in the film when she's asked to disrobe, we see that her body is full of scars. Given those scenes, it's clear she had been suffering long before she encountered Luis. While Luis's control over Barbara is quite apparent though, Javier, her husband, is guilty of this as well. His monitoring of whether she takes her pills starts out as seemingly innocuous. The more he escalates though, the more paranoid he seems (a scene where he feels inside her mouth to make sure she swallowed a pill is super uncomfortable to watch). Another interesting thing about the film is the struggle which several characters face at finding closure or satisfaction. To list examples of this theme would involve spoiling major parts of the film, but that extensions of it pop up in smaller moments, like Luis missing an important radio broadcast from his daughter, or some unexplainable moments, like the final scene, is quite impressive. As mentioned at the start, the coldness of this film kept me from loving it, but while I'm not sure I'll revisit it again, I did enjoy my time with it.