Rumours, nuit blanche au sommet

Rumours is a surreal, unsettling film that explores the impact of misinformation and societal control filled with dark metaphors, reflects on how power and propaganda can manipulate society, leaving people disoriented and distrustful.

Rumours is a dark, witty political satire with a sharp edge, leaning more into social commentary than typical horror or zombie fare.

It's a twisted comedy that highlights the darker side of our reality -where the "zombies" are actually us, the mindless followers.

Unlike the predictable Hollywood comedy, Rumours delivers biting humor through simple clever dialogue and surreal moments.

Lines like: "You see his pen*s has been severed and hung around his neck.

Sounds like a man to me."

"- Germany caught up into Dramatics. We've seen this before."

"- who is the best swimmer?

Italy: i only can go backwards."

The Huge Brain: symbolizes control over collective knowledge.

The giant brain is a central metaphor representing the source of societal knowledge and collective consciousness. It symbolizes the institutions or entities that control information-potentially a government, media conglomerate, or collective societal mindset. The brain serves as both a keeper of "truth" and a gatekeeper that decides what information reaches the public, emphasizing the idea that whoever controls information holds significant power over people's beliefs and actions.

Where Celestine's connection with the brain leads to an ambiguous fate, symbolizes the dangers and consequences of challenging established systems. Celestine's unique ability to communicate with the brain represents an individual's search for truth in a world clouded by lies, Her fate implies that those who dare to confront the powerful structures behind misinformation or societal manipulation may face suppression or retaliation.

Zombie-like Figures act as eerie representations of the manipulated public,Theys represent society's suppressed or marginalized voices, mindlessly manipulated by higher powers. They are symbolic of how people can be controlled or made to act against their own interests through fear or manipulation.

Rumours can be difficult to watch due to its heavy-handed symbolism and disorienting scenes.

Ending raises important questions about if exposing the truth can truly liberate society or if it merely makes the individual more vulnerable to those in control and how society interprets information and who controls that narrative.

"Rumours" is a Guy Maddin film. So you need to know going in that it will be an absurd, surrealistic, over-the-top festival of craziness.

Maddin's first film came out in 1985. Since then, he has completed twelve feature films and dozens of shorts that are iconic among cinephiles. His work includes a short film starring Isabella Rossellini as a legless matriarch who sponsors a competition to discover which country produces the saddest music in the world. For another film, Maddin stipulated that during its theatrical release an eleven-piece orchestra, a Canadian castrato vocalist and a narrator doing voiceovers must all participate live at each screening. In a related development, the film was never offered in wide release.

In "Rumours," Maddin co-directs with long-time colleagues Evan and Galen Johnson. Evan Johnson wrote the script. The story centers on a meeting of the G7 countries (Canada, France, Germany, Italy, Japan UK, US) to address an unspecified international emergency. The group soon begins to draft a position statement, in lieu of taking actual action. Even this tepid response is sabotaged by the personal agendas of the participants. The Canadian Prime Minister sleeps with the Chancellor of Germany, in part to compensate for the emotional indifference of the UK Prime Minister, a previous paramour. The French President feels the need to emote at every opportunity. The Italian President unctuously offers other G7 members a variety of sausages from the inner pockets of his coat. Eventually, these "leaders" find themselves mysteriously abandoned by the support staff. They stumble around on fog-shrouded terrain, encounter an all-seeing AI tasked with rooting out pedophiles and discover an unbodied brain the size of an SUV.

Several major actors have lent their star power to this endeavor. Of course Australian Cate Blanchett is the Chancellor of Germany. Charles Dance, a quintessential Brit (Tywin Lannister in "Game of Thrones," Lord Mountbatten in "The Crown"), portrays the US President without the inconvenience of eliminating his upper-class British accent. In a refreshing change of pace, the other G7 representatives are all veteran actors native to the countries they represent. Alicia Vikander has an incendiary cameo as an EU functionary/apocalyptic prophet whose predictions of doom are somewhat less effective because they are uttered in Swedish.

Professional critics apparently are contractually obligated to swoon because this is (kneel and genuflect here) Guy Maddin. Regular moviegoers are more likely to just pass out from boredom. While this film makes a fair point about the fecklessness of many of the leaders on the world stage, it's ultimately a one-note tune that becomes tiresome. "Rumours" elongates material would make an inspired, captivating short film. But here, it stretches its content and the moviegoers' patience past the breaking point.

Giving this an 6/10 rating

So bizarre is this film, six of us were in the screen when I watched it, and three walked out about 40 minutes into it, and too be fair, I can understand, this film is horror, comedy, satire and political drama, you get all of that, thanks to Evan Johnson, Galen Johnson and Guy Maddin. All three writing and directing this madness.

This is Guy Maddin, all over, so I expected it weird and arthouse, not making any real sense neither, well ,some kid of plot, which is there, thanks to the acting of Cate Blanchett, Charles Dance, and others with Alicia Vikander doing a some very odd work here. The cast had some real work to do in this, and with the most strangest dialogue and situations this year, it was not a total loss, not one to walk out on, if you knew what to expect, as I did.

Not in the worst film this year, that goes too 'The Crow', not sure if this is one that really will pull in much crowds, which is why it has such a limited showing. Had to travel a bit for this one and find good time as well, was not doing the 9pm slots that most cinemas are showing it.

I really didn't like this film. Fundamentally, almost nothing here worked for me. The satire can be summed up as 'politicians dumb', the photography is super weird and cheap looking, and the surrealist scenes are done without artistic reason. I have so much to say, and somehow this film has left me speechless.

Perhaps we can talk about some of the good? Cate Blanchett is okay in the lead role, but the material is so weak that it's hard to make heads or tails out of her actual performance. There are actually a couple good jokes sprinkled about its runtime. The jokes about trapping pedophiles and protestors attacking the leaders were pretty good, but only ephemeral glimmers of escape in the time warp that was this film. Perhaps another positive is that the characters in the group are all very distinctive, albeit mostly one dimensional.

On the whole, you can tell that this film is drawing from that Monty-Python-esque tradition of dry British satire, but there is so little endearing about the film. The characters are not particularly likeable, and the film makes no effort to make us want to root for the protagonists. The plot should be a straightforward zombie survival plot, but somehow we meander around with few goals or progress through the entire runtime. I'm sorry to say that the photography is awful. In day scenes, there is an ever present, odd cheesy glow. For the rest of the film, all shots are tight, despite being outdoors for virtually the whole film. It seems like just out of frame are the warehouse lights and HVAC system for the cheap and repetitive looking set. Nikki Amuka-Bird had a very poor showing in performance. Truly YouTube level acting.

Shockingly cheap film for a movie with real Hollywood actors in it.

Buñuel's movies might be lacking some zombies (at least I don't recall their presence). But IMHO they're much more to the point when it comes to avant-garde surrealism infused with political commentary. For artful, unconventional, surrealist and political satirical films, Buñuel is probably still the bench mark.

I'd strongly suggest that rather spending your time and money on the quite boring 'Rumours', you try to get your hands on VHS or Disc copy of Buñuel's first movie 'Un Chien Andalou' (The Andalusian Dog) from 1929, an unprecedented collaboration with Salvador Dalí. Or enjoy some of his classics such as 'The Discreet Charm of the Bourgeoisie' (1972) or 'That Obscure Object of Desire' (1977).