Henry est ramené à la vie sans aucun souvenir et il doit sauver sa femme d'un seigneur de guerre télékinétique dont le plan est de créer des soldats biologiquement modifiés.Henry est ramené à la vie sans aucun souvenir et il doit sauver sa femme d'un seigneur de guerre télékinétique dont le plan est de créer des soldats biologiquement modifiés.Henry est ramené à la vie sans aucun souvenir et il doit sauver sa femme d'un seigneur de guerre télékinétique dont le plan est de créer des soldats biologiquement modifiés.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 1 nomination au total
Danila Kozlovsky
- Akan
- (as Danila Kozlovskiy)
Andrei Dementiev
- Slick Dimitry
- (as Andrey Dementyev)
- …
Svetlana Ustinova
- Olga the Dominatrix
- (as Sveta Ustinova)
Darya Charusha
- Katya the Dominatrix
- (as Dasha Charusha)
Oleg Poddubnyy
- Yuri
- (as Oleg Poddubniy)
Martin Cooke
- Marty
- (as Martin J. Cooke)
Sergey Chekrygin
- Parking Lot Security
- (as Sergei Chikrigin)
Vladimir Lukyanchikov
- Windshield Merc
- (as Vladimir Lukianchikov)
Andrey Beryozkin
- Police Officer #1
- (as Andrey Berezkin)
Avis à la une
Half human and half machine, Henry wakes only to witness the kidnapping of his wife Estelle, by a group of mercenaries. From this moment onward Henry searches and fights for Estelle with every ounce of energy he possesses. He kills and risks being killed himself, by every weapon imaginable. The viewer, through the use of a special camera attached to someone's head, is about as face to face with the violence as anyone can get. Each move that is made by Henry is followed by the viewer. Every throat that is cut seems as if it is done by our own hands. We figure out what is happening only in so much as Henry does, for both viewer and character are in the same shoes. The film is kinetic, bloody and non-stop action. While worn down by the shaky camera work and bad acting, I also appreciated all the zany twists, gore, rawness and laughs to the story. Ann of Green Gables and Little House on the Prairie the film is not, and this is usually a good thing. Seen at the Toronto International Film Festival 2015.
This film tells the story of a man who is resurrected from the dead by technology. He is a hybrid of man and technology, and is trained to kill efficiently.
There is a lot of buzz around "Hardcore Henry" being the first film to be filmed in a first person perspective. To me, the film looks more like a video game, because Henry is moves so fast and is so good at killing. People around him just die so easily. Scenes move very quickly from one to another, and the location of the story moves very quickly as well. One second he is on the roof and then the next second he is in a car. I can hardly keep up with the pace and the story! Towards the end, I felt dizzy from all the constant motion, and I was lost by the plot. At least, it was cool to have watched Henry doing daredevil jumps from one floor to another as if he was walking on grass.
There is a lot of buzz around "Hardcore Henry" being the first film to be filmed in a first person perspective. To me, the film looks more like a video game, because Henry is moves so fast and is so good at killing. People around him just die so easily. Scenes move very quickly from one to another, and the location of the story moves very quickly as well. One second he is on the roof and then the next second he is in a car. I can hardly keep up with the pace and the story! Towards the end, I felt dizzy from all the constant motion, and I was lost by the plot. At least, it was cool to have watched Henry doing daredevil jumps from one floor to another as if he was walking on grass.
10Brap-2
'Hardcore' is the riveting story of a newly-made cyborg who must save his wife from evil tyrants and...wait a minute. Who cares?? The whole movie is a blast!!
Ilya Naishuller is a young director who had a very cool idea to shoot an action film from a first-person perspective using a GoPro Hero3 Black Edition camera. The proof of concept was released as "Biting Elbows: Bad Motherf***er". It was pitched publicly and helped to successfully crowd-fund the feature, 'Hardcore'.
It's better to keep this short and sweet: the film is extraordinarily violent; not for the squeamish. It has plenty of action, free-running, stunts, and plenty of room for comedic elements. Even the opening titles give you a taste of what's to come!
Sharlto Copley (District 9, and other Neill Blomkamp projects) plays the main POV's assistant throughout the film. Copley definitely gives a range of character performances and is quality. Wearing many hats, he guides you along as if you were needing assistance in a video game, which, by the way, this film makes several references to. In particular, the Chernobyl level in Call of Duty 4 with Capt. MacMillian. Even the opening scenes are reminiscent of Half-Life, and a lot of the free-running scenes are inspired by Mirror's Edge.
For those who are wondering, no. You likely won't get dizzy watching a 90-minute action film from an FP perspective. Well, maybe you shouldn't sit in the front row. Otherwise, you will have a blast.
'Hardcore' is an all-around fun time. Just be okay with the violence. It's only 90 minutes of your time that you'll likely want to experience over and over again. Or, you'll just want to plug in a play a few games.
Either way, it's bloody fun!
Ilya Naishuller is a young director who had a very cool idea to shoot an action film from a first-person perspective using a GoPro Hero3 Black Edition camera. The proof of concept was released as "Biting Elbows: Bad Motherf***er". It was pitched publicly and helped to successfully crowd-fund the feature, 'Hardcore'.
It's better to keep this short and sweet: the film is extraordinarily violent; not for the squeamish. It has plenty of action, free-running, stunts, and plenty of room for comedic elements. Even the opening titles give you a taste of what's to come!
Sharlto Copley (District 9, and other Neill Blomkamp projects) plays the main POV's assistant throughout the film. Copley definitely gives a range of character performances and is quality. Wearing many hats, he guides you along as if you were needing assistance in a video game, which, by the way, this film makes several references to. In particular, the Chernobyl level in Call of Duty 4 with Capt. MacMillian. Even the opening scenes are reminiscent of Half-Life, and a lot of the free-running scenes are inspired by Mirror's Edge.
For those who are wondering, no. You likely won't get dizzy watching a 90-minute action film from an FP perspective. Well, maybe you shouldn't sit in the front row. Otherwise, you will have a blast.
'Hardcore' is an all-around fun time. Just be okay with the violence. It's only 90 minutes of your time that you'll likely want to experience over and over again. Or, you'll just want to plug in a play a few games.
Either way, it's bloody fun!
Awesome innovative movie jam-packed with creative, intense and bad-ass action. a purely-fun action movie. lots of great scenes. for the most part this experiment was very successful to me. the villain was pretty goofy but for this type of movie that you can't take too seriously, it kind of makes sense (3 viewings)
When is a movie not a movie? How do you rate a movie like this anyway?
Hardcore Henry completely reinvents cinematic language. It's closer to a videogame in streamlined story and brutal, flinch-inducing violence. The sometimes low-res, often choppy POV is ballsy and cleverly conceived, gags and smart editing is commendable, the director's well-honed eye providing a true cinematic breath of fresh air.
It has superbly apt, moody music and good directional sound, it's not nearly as cheap as the marketing led me to believe even though it's clearly on a shoestring, its inventiveness and good blend of stunt performers and FX create a non-nauseous, toe-curling adrenaline rush.
There's admiration to be found in the lack of exposition in the 8-bit paper-thin plot and the gaudy, gonzo characters of a suitable Sharlto Copley. If you're in to videogames or appreciate something different, then Hardcore Henry is a revelatory, avant-garde, art-house action flick with its tongue in its cheek and its balls to the wall. It's also a sadistic, nihilistic over the top collection of video game levels. Insanely creative and in incredibly bad taste. It's a gory riot, blackly comic and tells you exactly what it is upfront and never lets up. Many parts of this film are stupid, ugly, dragging and plain insufferable and then there's equal parts hilarity and visual wit, true kineticism and sheer stuntman balls.
Very Russian. Not for everyone. And wears thin by the end, but very much a one of a kind and relentlessly intent on being it's own beast. And it helps that the ending is so absurdly laugh-out-loud OTT that it puts Crank to shame.
Hardcore Henry completely reinvents cinematic language. It's closer to a videogame in streamlined story and brutal, flinch-inducing violence. The sometimes low-res, often choppy POV is ballsy and cleverly conceived, gags and smart editing is commendable, the director's well-honed eye providing a true cinematic breath of fresh air.
It has superbly apt, moody music and good directional sound, it's not nearly as cheap as the marketing led me to believe even though it's clearly on a shoestring, its inventiveness and good blend of stunt performers and FX create a non-nauseous, toe-curling adrenaline rush.
There's admiration to be found in the lack of exposition in the 8-bit paper-thin plot and the gaudy, gonzo characters of a suitable Sharlto Copley. If you're in to videogames or appreciate something different, then Hardcore Henry is a revelatory, avant-garde, art-house action flick with its tongue in its cheek and its balls to the wall. It's also a sadistic, nihilistic over the top collection of video game levels. Insanely creative and in incredibly bad taste. It's a gory riot, blackly comic and tells you exactly what it is upfront and never lets up. Many parts of this film are stupid, ugly, dragging and plain insufferable and then there's equal parts hilarity and visual wit, true kineticism and sheer stuntman balls.
Very Russian. Not for everyone. And wears thin by the end, but very much a one of a kind and relentlessly intent on being it's own beast. And it helps that the ending is so absurdly laugh-out-loud OTT that it puts Crank to shame.
Le saviez-vous
- AnecdotesHenry was played by ten different stuntmen and cameramen including director Ilya Naishuller. He was originally played by Russian stuntman/camera operator Sergey Valyaev but the camera rig used in production eventually caused him severe neck pain and the role was given to Andrei Dementiev--who also suffered neck pain as well in addition to losing a tooth after being struck by a stuntman. In the scenes where Danila Kozlovsky and Sharlto Copley talked directly to Henry, Valyaev and Dementiev wore shades to prevent the actors or actresses from looking at them instead of the camera.
- GaffesWhile chasing the Slick Dmitry on the roof in first Jimmy quest, Henry jumps the building via a sling rope; he first holds a black rope, but when he lands in the rubbish box in the street, the rope is pink.
- Crédits fousTowards the end of the end credits, while they're still rolling, a beep from an answering machine comes on and it's Jimmy. The message says, "Hello, Henry. Well, if you're hearing this, there's one more thing I need you to do."
- ConnexionsFeatured in Half in the Bag: Hardcore Henry (2016)
- Bandes originalesLet Me Down Easy
Words and Music by Hugh Cornwell, Jean-Jacques Burnel (as Jean Jacques Burnel), Jet Black (as Brian John Duffy) and Dave Greenfield (as David Greenfield)
Performed by The Stranglers
Courtesy of Sony Music Entertainment (UK) Ltd
By arrangement with Sony Music Licensing
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- How long is Hardcore Henry?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Hardcore: Misión extrema
- Lieux de tournage
- Moscow International Business Center, Moscou, Russie(skyscrapers)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 2 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 9 252 038 $US
- Week-end de sortie aux États-Unis et au Canada
- 5 107 604 $US
- 10 avr. 2016
- Montant brut mondial
- 16 810 562 $US
- Durée1 heure 36 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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