Hardcore Henry

Awesome innovative movie jam-packed with creative, intense and bad-ass action. a purely-fun action movie. lots of great scenes. for the most part this experiment was very successful to me. the villain was pretty goofy but for this type of movie that you can't take too seriously, it kind of makes sense (3 viewings)

Half human and half machine, Henry wakes only to witness the kidnapping of his wife Estelle, by a group of mercenaries. From this moment onward Henry searches and fights for Estelle with every ounce of energy he possesses. He kills and risks being killed himself, by every weapon imaginable. The viewer, through the use of a special camera attached to someone's head, is about as face to face with the violence as anyone can get. Each move that is made by Henry is followed by the viewer. Every throat that is cut seems as if it is done by our own hands. We figure out what is happening only in so much as Henry does, for both viewer and character are in the same shoes. The film is kinetic, bloody and non-stop action. While worn down by the shaky camera work and bad acting, I also appreciated all the zany twists, gore, rawness and laughs to the story. Ann of Green Gables and Little House on the Prairie the film is not, and this is usually a good thing. Seen at the Toronto International Film Festival 2015.

This is a giant guilty pleasure of mine, that's kinda elevated past the point of guilty pleasure thanks to Sharlto Copley' geniunely great performance.

Within a couple of minutes of the opening credits, "Hardcore Henry" takes off on its wild ride, and doesn't stop until the ending credits. It is just a good old fashion action film, with gunfights, explosions, crazy stunts, good guys, bad guys, weird people, twists, turns, and most of all, non-stop action.

The film has no message. There is no propaganda that it tries to push. The films entire purpose is to make its audience forget their problems and just enjoy themselves for a couple of hours (and the filmmakers succeed in that goal).

"Hardcore Henry" is a film to watch.

When is a movie not a movie? How do you rate a movie like this anyway?

Hardcore Henry completely reinvents cinematic language. It's closer to a videogame in streamlined story and brutal, flinch-inducing violence. The sometimes low-res, often choppy POV is ballsy and cleverly conceived, gags and smart editing is commendable, the director's well-honed eye providing a true cinematic breath of fresh air.

It has superbly apt, moody music and good directional sound, it's not nearly as cheap as the marketing led me to believe even though it's clearly on a shoestring, its inventiveness and good blend of stunt performers and FX create a non-nauseous, toe-curling adrenaline rush.

There's admiration to be found in the lack of exposition in the 8-bit paper-thin plot and the gaudy, gonzo characters of a suitable Sharlto Copley. If you're in to videogames or appreciate something different, then Hardcore Henry is a revelatory, avant-garde, art-house action flick with its tongue in its cheek and its balls to the wall. It's also a sadistic, nihilistic over the top collection of video game levels. Insanely creative and in incredibly bad taste. It's a gory riot, blackly comic and tells you exactly what it is upfront and never lets up. Many parts of this film are stupid, ugly, dragging and plain insufferable and then there's equal parts hilarity and visual wit, true kineticism and sheer stuntman balls.

Very Russian. Not for everyone. And wears thin by the end, but very much a one of a kind and relentlessly intent on being it's own beast. And it helps that the ending is so absurdly laugh-out-loud OTT that it puts Crank to shame.