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7,2/10
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Tomlinson s'interroge sur l'équilibre parfait entre travail et amour malgré l'anxiété et l'insomnie, et se demande si l'on peut vraiment "tout avoir".Tomlinson s'interroge sur l'équilibre parfait entre travail et amour malgré l'anxiété et l'insomnie, et se demande si l'on peut vraiment "tout avoir".Tomlinson s'interroge sur l'équilibre parfait entre travail et amour malgré l'anxiété et l'insomnie, et se demande si l'on peut vraiment "tout avoir".
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Of the two blond Taylors who've become super popular in the last few years within their respective fields, I'll take Tomlinson over Swift any day.
Have It All is not quite as good as her previous two specials, and so I think there might have been a little disappointment for me as a result. Quarter-Life Crisis was great, and then Look At You felt like one of the funniest and most insightful/balanced I'd ever heard.
Have It All is still strong. Most of the jokes landed and Tomlinson's honesty and introspection are still compelling to listen to, and probably would be even if there weren't any jokes. Parts of this still hit hard and there was something of an emotional rollercoaster to be had, what with laughing one minute and then feeling despondent the next when she gets very real.
I just don't think the ride was as consistent or thrilling as previous specials, but it still felt like high-quality stuff and I'm still keen to listen to/watch whatever she puts out next.
Have It All is not quite as good as her previous two specials, and so I think there might have been a little disappointment for me as a result. Quarter-Life Crisis was great, and then Look At You felt like one of the funniest and most insightful/balanced I'd ever heard.
Have It All is still strong. Most of the jokes landed and Tomlinson's honesty and introspection are still compelling to listen to, and probably would be even if there weren't any jokes. Parts of this still hit hard and there was something of an emotional rollercoaster to be had, what with laughing one minute and then feeling despondent the next when she gets very real.
I just don't think the ride was as consistent or thrilling as previous specials, but it still felt like high-quality stuff and I'm still keen to listen to/watch whatever she puts out next.
The last special was to 80% great. When Taylor was talking psychology, pharmaceuticals, dead parents etc. It was fun, insightful and very good comedy at the same time. The other 20% was typical mainstream girl stand-up i.e. Relationship, male organs and dating and I found it very boring.
So I said in my review on that special just that, but did she listen? No. Instead she here does the complete opposite; takes the 20% that did not really work and is boring run of the mill girl stand-up and do a full hour of it. Why Taylor? Why?
Taylor Tomlinson is a comedic genius and is so funny, so insightful and can make a sponge laugh but for some reason she is dragging herself into the same corner as all other female comedians end up in. A lot of sex, a lot of phalluses, dating and all the rest. It is like female comedians think they cannot get the audience to listen unless they talk about orgasms. Why?
Talk politics, talk world affairs, make fun of dwarfs, or do anything but this. Taylor can do it for sure, and probably better than anyone else, sad that she does not.
With that said, and me pretending she will read this and listen to my insane ramblings, this is still good. Although she is overusing the tropes and cliches she does it very well and she is still funny, but not as great as this could have been.
Worth a watch, but 5/10 is all I am giving it.
A final advice from me to Taylor: take a break. Travel the world, come to Europe and visit Spain and I will buy you a few beers. Just get out of the comedy business for a while and start writing the insightful hilarious jokes about things that are more fun to listen to. You are on your way to becoming one of the biggest stars of all time, don't get stuck in the female cliches and instead do what you do best.
So I said in my review on that special just that, but did she listen? No. Instead she here does the complete opposite; takes the 20% that did not really work and is boring run of the mill girl stand-up and do a full hour of it. Why Taylor? Why?
Taylor Tomlinson is a comedic genius and is so funny, so insightful and can make a sponge laugh but for some reason she is dragging herself into the same corner as all other female comedians end up in. A lot of sex, a lot of phalluses, dating and all the rest. It is like female comedians think they cannot get the audience to listen unless they talk about orgasms. Why?
Talk politics, talk world affairs, make fun of dwarfs, or do anything but this. Taylor can do it for sure, and probably better than anyone else, sad that she does not.
With that said, and me pretending she will read this and listen to my insane ramblings, this is still good. Although she is overusing the tropes and cliches she does it very well and she is still funny, but not as great as this could have been.
Worth a watch, but 5/10 is all I am giving it.
A final advice from me to Taylor: take a break. Travel the world, come to Europe and visit Spain and I will buy you a few beers. Just get out of the comedy business for a while and start writing the insightful hilarious jokes about things that are more fun to listen to. You are on your way to becoming one of the biggest stars of all time, don't get stuck in the female cliches and instead do what you do best.
HUGE fan of the last two Taylor Tomlinson specials. I've been an evangelist for her cause. This special, I don't know what happened! It's like she suddenly has so much vitriol for men! I hate to sound like I'm partaking in the "everybody hates straight white men" conspiracy, because I generally shush people that tell me that the world is out to get us, but she makes generalizations of swm that are really bizarre. It's like she's had a habit of dating REALLY obnoxious guys and somehow crystallized this into a man bashing special. Really disappointing because I was HYPED for this and her late night special! Taylor! Where did you go!? What happened!? Honestly feels a little betraying. It makes me wonder if maybe some demographics really do feel like it's open season on swm. I generally ignore such sentiment, but there is a difference between equal and playful stereotyping, and full on disgracing.
Taylor Tomlinson's previous specials were comedic genius, were Taylor used her history of anxiety, depression and her growing up ever so brilliantly to create a show that wasn't only relatable as she touched many aspects of every-day life, but was also hilarious and comedy gold.
But unfortunately, this third special doesn't even come close to their predecessors. Taylor uses old jokes and repeats them endlessly, and it doesn't take long before you realize that her entire special is about one thing only: dating. And the dating jokes are not even good ones as she rehashes old material. There are very few new jokes thrown in there, but they're not really good.
Interaction with audience was also awkward and weird. I've seen her interact with audiences in many YouTube videos of shows she's done in clubs, and she's actually very good. She wasn't trying too hard and was real, genuine and funny. But in "Have it All" it's scripted and it's painfully shows. There's nothing natural about the interactions, and for some reason Taylor resorts to "insulting" the ones she interacts with, and not in a smart and funny way.
For someone who films their third special, she also seemed very uncomfortable and nervous. She was talking way too fast like she was hurrying or trying to do as much jokes as she can, which also hurt her delivery- which is usually very good.
If there'll be a fourth special, I'd probably watch. I still believe Taylor is very talented and very funny, but she needs to come with new material and be more herself. That's what made her previous shows so good. Here it felt like she's trying too hard, and the end result has left a lot to be desired.
I guess we truly can't have it all sometimes.
But unfortunately, this third special doesn't even come close to their predecessors. Taylor uses old jokes and repeats them endlessly, and it doesn't take long before you realize that her entire special is about one thing only: dating. And the dating jokes are not even good ones as she rehashes old material. There are very few new jokes thrown in there, but they're not really good.
Interaction with audience was also awkward and weird. I've seen her interact with audiences in many YouTube videos of shows she's done in clubs, and she's actually very good. She wasn't trying too hard and was real, genuine and funny. But in "Have it All" it's scripted and it's painfully shows. There's nothing natural about the interactions, and for some reason Taylor resorts to "insulting" the ones she interacts with, and not in a smart and funny way.
For someone who films their third special, she also seemed very uncomfortable and nervous. She was talking way too fast like she was hurrying or trying to do as much jokes as she can, which also hurt her delivery- which is usually very good.
If there'll be a fourth special, I'd probably watch. I still believe Taylor is very talented and very funny, but she needs to come with new material and be more herself. That's what made her previous shows so good. Here it felt like she's trying too hard, and the end result has left a lot to be desired.
I guess we truly can't have it all sometimes.
Taylor is very talented, quick witted comedian (commedienne?) and she have proven this already in her last two Netflix specials where she briliantly crafted her stories with impecable delivery.
This one, not so much. Recycled, reused jokes, repackaged to assemble the special at any cost, shows forced performance from the very begining. It was a compilation of her previous jokes with few new/old ones and that's about it.
It looks like new comedians cannot last more than two specials, (Iliza Shlesinger, taking about you).
So what now? Taylor will be used and abused for that abomination of After Midnight, until she crashes and hopefuly comes back to stand up with new and fresh material. Or, maybe not. We'll see.
Huge talent and natural comedy genius is going to waste in real time. At least it was good while it lasted.
This one, not so much. Recycled, reused jokes, repackaged to assemble the special at any cost, shows forced performance from the very begining. It was a compilation of her previous jokes with few new/old ones and that's about it.
It looks like new comedians cannot last more than two specials, (Iliza Shlesinger, taking about you).
So what now? Taylor will be used and abused for that abomination of After Midnight, until she crashes and hopefuly comes back to stand up with new and fresh material. Or, maybe not. We'll see.
Huge talent and natural comedy genius is going to waste in real time. At least it was good while it lasted.
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What was the official certification given to Taylor Tomlinson: Have It All (2024) in Brazil?
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