Spy
Un analyste de la CIA en déplacement se porte volontaire pour infiltrer le monde d'un marchand d'armes et prévenir un désastre mondial et diabolique.Un analyste de la CIA en déplacement se porte volontaire pour infiltrer le monde d'un marchand d'armes et prévenir un désastre mondial et diabolique.Un analyste de la CIA en déplacement se porte volontaire pour infiltrer le monde d'un marchand d'armes et prévenir un désastre mondial et diabolique.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 6 victoires et 31 nominations au total
Avis à la une
This movie is action in a comedy way.
I don't know how to describe it, but it was a good time I spent on it.
Every scene that Jason appears in I just laugh.
Great acting from all of the actors, no more to say.
I don't know how to describe it, but it was a good time I spent on it.
Every scene that Jason appears in I just laugh.
Great acting from all of the actors, no more to say.
In the late 1930s through early 1940s ('38-'40 to be precise), there was a barrage of slick comedies characterized by witty, cheeky, rapid-fire dialogues between characters without so much as a breath between jokes, let alone hold for audience reaction. To me, the pinnacle of this achievement was the pairing of Katherine Hepburn and Cary Grant, both fast-talking sultans of sarcasm, in films like "Bringing Up Baby", "Holiday" and "The Philadelphia Story". Here, nearly a century later, we revisit that style but ramped up on crack, to the point where, after seeing the movie, I had to google the script to see what I missed while laughing my arse off--and laughing it off all over again.
Let me give you an example. The following exchange between "Ford" (Jason Statham) and "Susan" (Melissa McCarthy) is crammed into the space of probably 10 seconds at most, with Jason firing off his lines like a Chicago Gangster with a cockney accent and Melissa quietly interjecting, unnoticed, barely giving him time to reload before his next strafing.
FORD: You really think you're ready for the field? I once used defibrillators on myself! I put shards of glass in my fn' eye! I've jumped from a high-rise building using only a raincoat as a parachute and broke both legs upon landing; I still had to pretend I was in a fing Cirque du Soleil show! I've swallowed enough microchips and s*** them back out again to make a computer. This arm has been ripped off completely and re-attached ...with THIS fing' arm..!
SUSAN: I don't know that that's possible... I mean medically...
FORD: During the threat of an assassination attempt, I appeared convincingly in front of congress as Barack Obama..!
SUSAN: In blackface? That's not appropriate.
FORD: I watched the woman I love get tossed from a plane ...and hit by another plane mid-air! I drove a car off a freeway on top of a train while it was on fire. Not the car, *I* was on fire..!
SUSAN: Jesus you're intense.
I don't think I need to say much more in my review; if you like that style of banter (not so much banter as jackhammer) comedy, don't miss "Spy". Written and directed by Paul Feig who brought us many episodes of The Office before his big screen breakthrough "Bridesmades" and worthy follow-up "The Heat", here in "Spy" we get the third of his brilliant comedies starring the incomparable Melissa McCarthy. In this case, the script is amped up the most of all with so many hilarious lines that you really have to check out the imdb quotes section afterwards to see what you missed, then watch it again.
The plot? Who cares. Something about spies and nukes and hot Bulgarian villains played by Rose Byrne who really channels her inner Cruella Deville only without the dog skin furs, instead opting to dress, as one character points out, "like a slutty dolphin trainer".
If it's possible, EVERY character steals the show. From Melissa (obviousy) down to the bit part of the villain's blonde male henchman who has only 6 lines (and whom Melissa taunts: "I don't see a man. I see a reject from The Sound of Music.")
So watch this movie while you can. I don't know if witty, snappy, script-driven comedies like this will follow but I'd love to see. In the same way Hepburn/Grant defined the comedic style of the 1940s, or in the same way the Zucker-Abraham-Zucker team defined comedy of the 1980s ("Airplane!", "Top Secret!"), here another 40 years later we get a smart, stylish, characteristic brand of comedy that I think our generation can be proud to laugh hysterically to.
Let me give you an example. The following exchange between "Ford" (Jason Statham) and "Susan" (Melissa McCarthy) is crammed into the space of probably 10 seconds at most, with Jason firing off his lines like a Chicago Gangster with a cockney accent and Melissa quietly interjecting, unnoticed, barely giving him time to reload before his next strafing.
FORD: You really think you're ready for the field? I once used defibrillators on myself! I put shards of glass in my fn' eye! I've jumped from a high-rise building using only a raincoat as a parachute and broke both legs upon landing; I still had to pretend I was in a fing Cirque du Soleil show! I've swallowed enough microchips and s*** them back out again to make a computer. This arm has been ripped off completely and re-attached ...with THIS fing' arm..!
SUSAN: I don't know that that's possible... I mean medically...
FORD: During the threat of an assassination attempt, I appeared convincingly in front of congress as Barack Obama..!
SUSAN: In blackface? That's not appropriate.
FORD: I watched the woman I love get tossed from a plane ...and hit by another plane mid-air! I drove a car off a freeway on top of a train while it was on fire. Not the car, *I* was on fire..!
SUSAN: Jesus you're intense.
I don't think I need to say much more in my review; if you like that style of banter (not so much banter as jackhammer) comedy, don't miss "Spy". Written and directed by Paul Feig who brought us many episodes of The Office before his big screen breakthrough "Bridesmades" and worthy follow-up "The Heat", here in "Spy" we get the third of his brilliant comedies starring the incomparable Melissa McCarthy. In this case, the script is amped up the most of all with so many hilarious lines that you really have to check out the imdb quotes section afterwards to see what you missed, then watch it again.
The plot? Who cares. Something about spies and nukes and hot Bulgarian villains played by Rose Byrne who really channels her inner Cruella Deville only without the dog skin furs, instead opting to dress, as one character points out, "like a slutty dolphin trainer".
If it's possible, EVERY character steals the show. From Melissa (obviousy) down to the bit part of the villain's blonde male henchman who has only 6 lines (and whom Melissa taunts: "I don't see a man. I see a reject from The Sound of Music.")
So watch this movie while you can. I don't know if witty, snappy, script-driven comedies like this will follow but I'd love to see. In the same way Hepburn/Grant defined the comedic style of the 1940s, or in the same way the Zucker-Abraham-Zucker team defined comedy of the 1980s ("Airplane!", "Top Secret!"), here another 40 years later we get a smart, stylish, characteristic brand of comedy that I think our generation can be proud to laugh hysterically to.
While Melissa McCarthy's investigator in "The Heat" was both a fine cop and a sexual dynamo, inspiring many heartbroken men, she has made a thriving career by playing boisterous and irresponsible characters with high-level security clearance.
The actress' abilities are enhanced by Paul Feig's "Spy," which gives her the opportunity to travel the globe as CIA operative Susan Cooper while surprising both those around her and herself. Bradley Fine, a stylish super-spy, is guided through perilous situations by Susan, a ten-year veteran of the organization.
The only CIA agent who can find Rayna DeLuca, who wants to buy a renegade nuclear weapon from the DeLuca family, is Susan. She is given drab undercover identities and gadgets that are disguised as stool softener, toe-fungus spray, and hemorrhoid wipes by her boss despite her proficiency with a headset and computer screen.
Rayna is the subject of Susan's tracking and reporting, but she ends up getting close and personal with her. The scenes between McCarthy and Byrne are brutally funny and full of insult comedy. Feig gives McCarthy a comic foil in the form of Peter Serafinowicz, Jason Statham, and Miranda Hart while also treating the spy narrative seriously enough to keep us interested.
While "Spy" contains more blood and violence than typical espionage films, the humour is never compromised. It serves as a reminder of the peril Susan faces while also demonstrating how cartoonish many modern espionage dramas have turned out to be. The movie "Spy" by McCarthy and Feig stands out because it managed to keep me smiling while simultaneously making me wonder who was actually pulling the strings.
The actress' abilities are enhanced by Paul Feig's "Spy," which gives her the opportunity to travel the globe as CIA operative Susan Cooper while surprising both those around her and herself. Bradley Fine, a stylish super-spy, is guided through perilous situations by Susan, a ten-year veteran of the organization.
The only CIA agent who can find Rayna DeLuca, who wants to buy a renegade nuclear weapon from the DeLuca family, is Susan. She is given drab undercover identities and gadgets that are disguised as stool softener, toe-fungus spray, and hemorrhoid wipes by her boss despite her proficiency with a headset and computer screen.
Rayna is the subject of Susan's tracking and reporting, but she ends up getting close and personal with her. The scenes between McCarthy and Byrne are brutally funny and full of insult comedy. Feig gives McCarthy a comic foil in the form of Peter Serafinowicz, Jason Statham, and Miranda Hart while also treating the spy narrative seriously enough to keep us interested.
While "Spy" contains more blood and violence than typical espionage films, the humour is never compromised. It serves as a reminder of the peril Susan faces while also demonstrating how cartoonish many modern espionage dramas have turned out to be. The movie "Spy" by McCarthy and Feig stands out because it managed to keep me smiling while simultaneously making me wonder who was actually pulling the strings.
This is hardly the first or last spy parody movie. Some nail it (Johnny English), and some miss badly (the Austin Powers sequels). This one was just plain perfect. There's nothing original, but every cast member - McCarthy especially - nails every part. Comedies like this work best with real characters and unreal plots. Paul Feig clearly gets that. I laughed. A lot.
I enjoyed this for some stress-relief. Yes, it is very vulgar quite often. But I adore Miranda Hart, Jude Law is some suave damn eye-candy, Melissa is funny as always and it was nice seeing her take on an action role. Stratham must have needed something as light relief from his usual British crime seriousness; he does idiot well, it turns out. And Rose Byrne was an adorable, lethal, spoilt brat.
Just some fun. Maybe I could have done without male porn bits. That 'thing', I don't know if it was real but it was repulsive. Eww.
Just some fun. Maybe I could have done without male porn bits. That 'thing', I don't know if it was real but it was repulsive. Eww.
Le saviez-vous
- AnecdotesScreenwriter Paul Feig, who once was an aspiring stuntman himself, is a fan of Jason Statham's action movies. Feig tailored Statham's Rick Ford character in the film especially for the actor to play.
- GaffesWhen Susan Cooper steals a moped she is wearing black stilettos. However when she tries to jump from the ramp and the moped lands in the bed of wet concrete the camera angle from the waist down shows she is wearing a pair of flat black shoes obviously indicating where the stunt performer has been substituted for Melissa McCarthy. As the camera cuts back to a medium shot of McCarthy driving through the concrete the stiletto's then reappear.
- Crédits fousActor Mitch Silpa's character is credited as "Colin (name stricken) Fredrick!"
- Versions alternativesThe Blu-ray contains an extended cut with 10 minutes of extra footage.
- Bandes originalesWho Can You Trust
Written by Theodore Shapiro and Craig Wedren
Performed by Ivy Levan
Produced by Theodore Shapiro and Craig Wedren
Vocal production by Patrick Nissley
Ivy Levan performs courtesy of Cherrytree/Interscope Records
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Spy: una espía despistada
- Lieux de tournage
- Lake Balaton, Hongrie(as itself & at the beginning as Varna, Bulgaria)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 65 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 110 825 712 $US
- Week-end de sortie aux États-Unis et au Canada
- 29 085 719 $US
- 7 juin 2015
- Montant brut mondial
- 235 666 219 $US
- Durée2 heures
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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