The Surface

Sean Astin and Chris Mukley provide fine performances in director Gil Cates Jr. suspenseful film centered on two desperate men who have a chance meeting in the middle of Lake Michigan. Mitch (Astin) is determined to kill himself because he blames himself for his father's death in a factory accident. Kelly Enright (Mulkey) crashes his plane into the Lake while on a delivery of a backpack with $125,000 for either drugs or black market human body parts. Both men are desperately searching for hope and identity in their lives. The videography is stunning, and the writing creates a realistic give and take of hostility until each man realizes he must depend upon the other for survival. The film begins with a dream-like sequence of Mitch preparing for his trip out onto Lake Michigan (and his eventual suicide). He meticulously preps for his day, fills a bird feeder with enough seed to last several weeks, then visits his mother (who is suffering from Alzheimer's disease) in a nursing home. After making certain that everything he is leaving behind is in order, Mitch motors his father's small fishing boat out into the lake. Soon Mitch discovers the wreckage of a small plane and pulls the pilot (Kelly), who had been clinging to part of one of the wings, into his craft. The remainder of the film entails Mitch and Kelly discussing bleaker anecdotes of life that all of us experience and, often, keep to ourselves. Mitch has suffered the loss of his girlfriend through a skate boarding accident, the death of his father through the warehouse accident, and his mother to Alzheimer's. Through a chance cell phone call from the men who are awaiting Kelly's arrival with the money, Mitch is able to contact 911 and both men are rescued by the Coast Guard stationed in Milwaukee, Wisconsin. By the time of the rescue both men have helped each discover that hope survives. As Kelly said to Mitch during one of Mitch's self-indulgent diatribes, "...don't do that to yourself [...] people have choices...". This is a must see Indy film. The acting is sound, the writing is crisp and honest, the directing is insightful, and the videography is stunning and haunting.

Definitely not a thriller as claimed.

The description mentions that they are stuck in "unpredictable waters" and the DVD cover looks like the movie might be a little exciting... as far as rough winds, waves or heavy rain goes there is absolutely none of that, it's just 2 losers in a boat talking about how pathetic their lives are. Half way through the film you start to feel like you don't even care if they get rescued or die. I was hoping towards the end a rogue wave would hit the boat and they'd both head-butt each other knocking each other out and drowning. One of the worst movies I've seen this year.

Definitely a movie to avoid unless you're under the age of 10.

I normally love survival and man vs. nature films. I think you can break down events in these kinds of movies into several categories:

*Man vs. Craft - Troubles with the mode of transportation (a small boat in this case) *Man vs. Nature - Troubles with weather, predators, etc. *Man vs. Man - Troubles with the other survivors *Man vs. Potential Rescuers - Often not seen by potential rescuers or they can be hostile

This movie offered up very few interactions within these categories, settling instead for some average dialog.

Another big problem is that the movie failed to make you care about the characters enough to really root for their survival. Also the dialog between the two suddenly became more intimate and personal with no transition to ease the viewer along.

The dialog between the two characters covered some decent ground but was not well-written. The characters will not built out enough for you to sympathize or even fully understand their issues soon enough to cement your interest in their survival.

It's a shame because survival movies are generally a good watch.

Reasonably well filmed.

Read some Jack London to experience the genre at its peak.

I was starting to watch Martin Scorsese's star-studded Hollywood blockbuster_The Departed_, and I turned it off after about 30 minutes. I was sick of all the tough guy talk and violence. I just can't relate to mafia gangsters, never have, never will. Sorry, Marty.

I was in mood for a simple, straightforward movie about real, relatable people. I found that in _The Surface_, a hidden gem of a movie that undoubtedly made no money.

It's a low budget indie film, and it's certainly not perfect. Some of the dialog is stilted, the acting is sometimes uneven, and the camera work is not particularly creative. But it tells a good story, partly through flashbacks, but mostly through the dialog of two men stranded in a small boat miles offshore from Milwaukee in Lake Michigan.

Mitch (Sean Astin) is a nerdy type who has suffered so much loss in his life that he decides to take his late father's boat out on the lake and commit suicide. The boat runs into some debris from a crashed small plane, whose pilot, Kelly (Chris Mulkey), is desperately hanging on to the wing. Mitch rescues him, but his boat has been damaged, and the two men are adrift. Kelly is badly injured. There is no cell phone service, and Mitch has not bothered to bring a ship to shore radio since he never intends to return home.

This not a _Perfect Storm_ / man vs. nature action film. The majority of the scenes consist of the two men conversing, and in those conversations, along with a few flashbacks, we learn their backstories. Mitch is young; Kelly is older and wiser, which makes for an interesting dynamic.

Sounds simple, and it is--sometimes bordering on simplistic. There are some implausibilities: As far as I know, you can't slam around a jar of nitroglycerin around without it blowing up. Mitch's backstory is so tragic, it's a bit over the top. And why is there suddenly a cell phone signal at a critical moment toward the end? But aside from that, there is something about the stories of the two men that's keeps us watching--and, of course wondering if they will be rescued.

Some indie films try to impress us with weirdness or jarring camera work. This one eschews all of that and just tells a straightforward story.

No spoilers here concerning the ending, but the simple message of this movie is that if you can't control fate, you can at least control what you choose to do with your life.

It's worth a watch if you're in a thoughtful frame of mind. Not a colossal, mind-blowing film, but it suited my rather introspective mood, and it might suit yours.

Greetings again from the darkness. Survival movies come in many shapes and styles. There are classy ones like All is Lost (with Robert Redford) and Life of Pi (Academy Award nominee). There are thrilling ones like The Edge (with Alec Baldwin and Anthony Hopkins). And of course there are the kinda trashy ones that usually feature beautiful and clueless people stuck on an island somewhere like in Turistas (with Josh Duhamel).

What we rarely see are survival movies that just don't have much going on. Open Water is about the closest to this latest from director Gil Cates, Jr and writer Jeff Gendelman, but at least that one offered the constant threat of a shark attack.

Sad sack Mitch (Sean Astin) visits his Alzheimer's-stricken mom in the nursing home before heading out to the middle of Lake Michigan in what he plans as his final voyage in life. At the most inopportune time – given his goal – it's his boat that is rendered lifeless thanks to the scattered pieces of a plane crash. Mitch drags the survivor (Chris Mulkey) aboard and the two fellows proceed to prove that their philosophizing and reminiscing are no match for the conversational skills of a boy and his tiger (Life of Pi).

Flashbacks are the key to us understanding the reasons these two crossed paths in such an unusual manner. We see Mitch's guilt and inability to be a worthy partner in a relationship, and we see pilot Kelly's desperation in trying to making ends meet for his family and regaining his confidence as a man.

There are a couple of funny "guy" moments (the poet comment made me laugh), yet somehow the conversation of these two men in a life-threatening situation pales in comparison to the exchanges of two gents over a meal in My Dinner with Andre. Where is the danger? Where is the stress? Where is the soul-searching? It's unfortunate that the extended periods of two guys in a boat just don't have much to offer for the 86 minute run time, because the stage was set for much more than melodrama.