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IMDbPro

Le Procès de Viviane Amsalem

Titre original : Gett
  • 2014
  • Tous publics
  • 1h 55min
NOTE IMDb
7,7/10
7,1 k
MA NOTE
Ronit Elkabetz in Le Procès de Viviane Amsalem (2014)
Trailer for Gett: The Trial of Viviane Amsalem
Lire trailer1:47
2 Videos
20 photos
Drama

Après plus de vingt ans d'un mariage sans amour, une femme fait appel à la compassion de son mari pour obtenir l'acte de divorce tant désiré devant un tribunal, ce qui se révèle plus diffici... Tout lireAprès plus de vingt ans d'un mariage sans amour, une femme fait appel à la compassion de son mari pour obtenir l'acte de divorce tant désiré devant un tribunal, ce qui se révèle plus difficile qu'elle pourrait s'y attendre.Après plus de vingt ans d'un mariage sans amour, une femme fait appel à la compassion de son mari pour obtenir l'acte de divorce tant désiré devant un tribunal, ce qui se révèle plus difficile qu'elle pourrait s'y attendre.

  • Réalisation
    • Ronit Elkabetz
    • Shlomi Elkabetz
  • Scénario
    • Ronit Elkabetz
    • Shlomi Elkabetz
  • Casting principal
    • Ronit Elkabetz
    • Simon Abkarian
    • Gabi Amrani
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,7/10
    7,1 k
    MA NOTE
    • Réalisation
      • Ronit Elkabetz
      • Shlomi Elkabetz
    • Scénario
      • Ronit Elkabetz
      • Shlomi Elkabetz
    • Casting principal
      • Ronit Elkabetz
      • Simon Abkarian
      • Gabi Amrani
    • 26avis d'utilisateurs
    • 97avis des critiques
    • 90Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 15 victoires et 19 nominations au total

    Vidéos2

    Gett: The Trial of Viviane Amsalem
    Trailer 1:47
    Gett: The Trial of Viviane Amsalem
    GETT: The Trial of Viviane Amsalem - Official Trailer
    Trailer 1:45
    GETT: The Trial of Viviane Amsalem - Official Trailer
    GETT: The Trial of Viviane Amsalem - Official Trailer
    Trailer 1:45
    GETT: The Trial of Viviane Amsalem - Official Trailer

    Photos20

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    Rôles principaux17

    Modifier
    Ronit Elkabetz
    Ronit Elkabetz
    • Viviane Amsalem
    Simon Abkarian
    Simon Abkarian
    • Elisha Amsalem
    Gabi Amrani
    Gabi Amrani
    • Haim
    Dalia Beger
    Dalia Beger
    • Donna Aboukassis
    Shmil Ben Ari
    Shmil Ben Ari
    • Ya'akov Ben Harouch
    Abraham Celektar
    Abraham Celektar
    • Shmuel Azoulay
    Rami Danon
    Rami Danon
    • Rabbi Danino
    Sasson Gabay
    Sasson Gabay
    • Rabbi Shimon
    • (as Sasson Gabai)
    Eli Gorenstein
    Eli Gorenstein
    • Head Rabbi Salmion
    • (as Eli Gornstein)
    Evelin Hagoel
    Evelin Hagoel
    • Evelyn Ben Chouchan
    Albert Iluz
    Albert Iluz
    • Meir
    Keren Mor
    Keren Mor
    • Galia
    Menashe Noy
    Menashe Noy
    • Carmel Ben Tovim
    David Ohayon
    • David
    Roberto Pollack
    Roberto Pollack
    • Rabbi Abraham
    • (as Roberto Pollak)
    Ze'ev Revach
    Ze'ev Revach
    • Simo
    Ruby Porat Shoval
    Ruby Porat Shoval
    • Rachel Amzalleg
    • (as Rubi Porat Shoval)
    • Réalisation
      • Ronit Elkabetz
      • Shlomi Elkabetz
    • Scénario
      • Ronit Elkabetz
      • Shlomi Elkabetz
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs26

    7,77K
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    Avis à la une

    8proud_luddite

    A small- budget gem

    The title character is a secular Israeli Jew trying to get a divorce from her devoutly religious Orthodox husband who refuses to comply. As the Israeli court system cannot grant a divorce without the husband's consent, Viviane has a very uphill struggle.

    With the exception of a minute or so, all of this film takes place in a small courtroom with occasional scenes in an adjoining waiting room. As the courtroom looks bland and ordinary, this film deliberately takes on the challenge of maintaining viewers' interest within such constraints. In doing so, it succeeds with flying colours.

    This is due to a detailed script with various surprises and a superb cast especially Ronit Elkabitz in the title role. (She is also the co-director and co-writer with Shlomi Elkabitz, her brother.) She has a couple of explosive scenes that are riveting especially one in which she cathartically expresses the views of many of us in the audience.

    The various accounts of the plaintiff, defendant, witnesses, and lawyers provide all the detail in what could have been a solid movie about a disintegrating marriage, Ingmar Bergman-style. Incidentally, some of the witness accounts from relatives and neighbours are the most revealing aspects of the story and of the culture of a religious community.

    In the end, it is the audience who are the true witnesses and judges of a legal system that is absurd and harshly unfair to women.
    7Nozz

    An unusual balance

    The Israeli system of divorce is out of whack, a lot of Israeli women are "anchored" (as the Hebrew language puts it) in marriages they don't want, and a lot of people are angry, so as a male Israeli I'm pleased that this divorce drama doesn't turn the husband into a sneering villain to symbolize the balefulness of the system. Instead the husband is a woebegone sort of Bartleby who is emotionally unable to say "yes" to a divorce and he seems very alone. A parade of witnesses are played flamboyantly by top Israeli character actors, and the husband's isolation is emphasized by the fact that the actor playing him is a foreigner little known in Israel. (In fact, and unrealistically, the dialogue tends to lapse into French and after an initial protest the judges tend to tolerate the departure.) So while the movie certainly presents the woman as the aggrieved party-- she was married too young, and to a man whose expectations of religious observance she couldn't bring herself to meet-- the balance is not against an evil or deeply vindictive husband but against a bruised and defensive one, and it works well.
    8jakob13

    A Beit Din in disarray

    Determined in its aim, the brother and sister Elkabetz have brought to the screen to much acclaim 'Gett: the Trial of Viviane Amsalem'. Like many Israeli film that attacks Israel's sacred cows, 'Gett' takes place in a closed universe of a courtroom, as though we are in a theater. Viviane Amsalem sues for divorce--a 'Gett'Only a religious court can dissolve the marriage, but Elisha Amsalem refuses to allow it, to the extent he at first refuses to appear in court; then does but remains firm in his refusal. Israel like most Muslim and Arab countries leaves issues such as divorce and inheritance and other matter touching the personal sphere in the hands of religious authorities. A practice that goes far back in time. So during five years, Viviane Amsalem suffers abuse by the rabbis and the contempt of her accusers for not being a good Jewish wife. Her husband initially is seen as a model spouse, but mittendrin it turns out that Elisha is intolerant, intransigent and contentious. So, after 30 years of marriage, Viviane files for divorce; she has moved out of the house, gone to her sister's. Nonetheless, she prepares food daily for husband and her only son who remains at home. She is a hairdresser with her own business and a will of her own. On the other hand, Elisha treats her as his property--professing undying love--but won't let go until at the end he signs the divorce, but at a price which prejudices Viviane's happiness. Yet, she is free of him. It is good to see Simon Abkarian in the role of Elisha. This seasoned actor gave a good turn in Michel Deville's 'Almost Peaceful'. Ronit Elkabetz us a study in wifely suffering, and absolutely beautiful. The Hebrew is peppered with words of Moroccan Arabic, and moments of French since the protagonists are of Moroccan origin settled in Israel of long date. 'Gett' is a blow for women's rights. And a winner. In Europe and North America say Beit Dins exist to grant divorce for Orthodox Jews. (In Israel only Orthodox practices are allowed for a gett.) Luckily, divorce exists in the civil sphere, but in the eyes of the pious Jews, a woman without a gett is wayward and nothing better than a prostitute. A word or two, on the presence of Arab Jews in Israeli cinema and stage, although they are not considered the equal of Jews of European ancestry. Isn't Israel a European construct, with non-European Jews for the numbers to take possession of land?
    8paul-allaer

    Deeply disturbing divorce court drama from Israel

    "Gett: The Trial of Viviane Amsalem" (2014 release from Israel; 115 min.) brings the story of Viviane and Elisha Amsalem's divorce trial. As the movie opens, we are informed that Viviane left her husband three years ago, and that she is now trying to get a divorce (or "gett" in Hebrew). Viviane and her lawyer are in court, but Elisha refuses to appear, and we are then quickly informed "six months later", "two months later", "three months later", with no end in sight. Will Viviane be able to get a divorce? To tell you more would spoil your viewing experience, you'll just have to see for yourself how it all plays out.

    Several comments: first, this movie is co-written and co-directed by Ronit Elkabetz (who also plays the role of Viviane) and Shlomi Elkabetz (whom I believe is her real-life husband). Second, 95% of the movie plays out in the court room, and as such is really more of a filmed stage play than it is a movie in the traditional sense. The movie consists is various family members and friends testifying as to why the divorce should, or should not, be granted. Third, most importantly, this movie spotlights the many absurdities of the Israeli court system, at least how it relates to divorce matters. The judges are rabbis and, most appallingly, the true power is held by the husband, who apparently must consent to granting the divorce. Without the husband's consent, not even the court can impose the divorce. In that sense, this movie demonstrates how a husband can abuse his wife psychologically, and there is nothing anyone can do about it. For that reason, I found the movie deeply disturbing, although I am also aware that, sadly, Israel is far from the only country where women are treated in this manner. Bottom line: "Gett: The Trial of Viviane Amsalem" is very much worth seeing, but let the viewer be aware: you may likely be pretty upset about what plays out in this Israeli divorce court drama.

    I saw this movie recently at the Silverspot Cinema in Naples, FL. The early evening screening where I saw this at was quite nicely attended, which surprised me, given not only the nature of the movie, but also the theater-like style of the movie. If you are in the mood for a top-notch foreign divorce court drama that will challenge you in more ways than one, you cannot go wrong with this. "Gett: The Trial of Viviane Amsalem" is HIGHLY RECOMMENDED!
    10Red-125

    A great film about a greatly flawed system

    Gett: The Trial of Viviane Amsalem (2014) is an Israeli film written and directed by the sister-and-brother team of Ronit Elkabetz and Shlomi Elkabetz. Ronkit Elkabetz also stars in the movie. She plays Viviane Amsalem, who is married to Elisha Amsalem (Simon Abkarian), from who she wants a divorce. In order to be divorced from Elisha, Viviane must obtain a Gett--the approval of her husband for the divorce. That is the basic plot of the movie. In fact, it's the only plot of the movie. Can Viviane obtain the divorce that she so desperately wants.

    I learned--after watching the film--that Gett is actually the third movie in a trilogy about this couple. Although it would probably make sense to watch the trilogy in chronological order, Gett stands on its own as a powerful and complete film. The script contains references to earlier events, but they are presented clearly enough to allow us to understand them.

    All of the actions take place in the rabbinical courtroom in Israel, and in the waiting room of the courtroom. There's not a single shot of anything outside the courtroom. It's a truly claustrophobic setting, especially because the courtroom and waiting room are devoid of any color or any objects of interest, other than the actors.

    Both of the leading actors are superb. Our heart goes out to Viviane Amselem, who simply wants a divorce. She appears to be a fine person--honest, honorable, and someone who has made a real effort to be and remain a good wife. However, the marriage for her is dead, and she wants to leave the marriage and move on with her life. She has wanted this for five years, and still she is not divorced.

    Her husband, Elisha, is not a cardboard cutout villain, which would actually make things easier for us as viewers. He is a handsome, intelligent, well-spoken man. However, he appears emotionally cold and aloof. I wonder if he might have a condition somewhere along the autism spectrum. Certainly, his interactions with others--the judges, his wife, the witnesses--are uniformly cold and almost robotic.

    What we learn is that there is no such thing as a "civil court" for divorces in Israel. The rabbinical court is the only court. In the United States, a highly observant Jewish woman might go to a rabbinical court to obtain a Gett. If her husband refuses to give her a Gett, she can't be divorced from a religious point of view. However, if she is desperate enough, she has the choice of going to a civil court and getting a legal divorce. (This may not be considered an option by a highly observant woman, but she has the legal option, whether she chooses to use it or not. In Israel, she doesn't have the legal option.)

    What I took away from this film is that the Israeli legal system is broken in respect to divorce. The rabbis can ponder. They can quote from the Talmud. They can subpoena witnesses, they can freeze someone's bank account or credit cards. They can cajole, they can reason, they can fume. What they can't do is make a husband give his wife a Gett.

    This film was shown at the excellent Dryden Theatre in Rochester, NY as part of the matchless Rochester International Jewish Film Festival. Unfortunately, we were unable to be at the theater that night, so we bought the movie on DVD. It worked very well on DVD--it's basically a courtroom drama, so there's not any scenery or action shots that would do better on a large screen.

    Note: A booklet was Included in the DVD, which contained commentary about the film. That's how I learned about the two earlier movies: To Take a Wife (2004) and Seven Days (2008).

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Ronit Elkabetz's final film before her death.
    • Gaffes
      Vivian wears only one big ring on her forth finger of her left hand throughout most of the movie. Somewhere in the middle of the movie, Vivian is shown sitting at the bench in the "court" and there is also a second ring on her second finger.
    • Citations

      Viviane Amsalem: Why are you making me run around in circles? Why, Your Honor? Why? Why have I come in and out for years now and nothing's changed? Why? You can't force him to divorce nor to appear, and you can't this or that, and what about me? When will you see me? When I'm too exhausted to stand before you? When? If it were up to you, it could go on for 10 years. I could drop dead in front of you and all you'd see was him! But nobody is above the law. There's a God and there's justice and He'll judge you as you judge me. Mercilessly. You don't care about me!

    • Connexions
      Featured in 72nd Golden Globe Awards (2015)

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    FAQ

    • How long is Gett?
      Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 25 juin 2014 (France)
    • Pays d’origine
      • Israël
      • France
      • Allemagne
    • Langues
      • Hébreu
      • Français
      • Arabe
    • Aussi connu sous le nom de
      • Gett
    • Lieux de tournage
      • Israël
    • Sociétés de production
      • Arte France Cinéma
      • Canal+
      • DBG / deux beaux garçons
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 988 150 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 24 210 $US
      • 15 févr. 2015
    • Montant brut mondial
      • 1 259 160 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 55 minutes
    • Couleur
      • Color
    • Rapport de forme
      • 1.85 : 1

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