Togetherness

The cast of "Togetherness" consists mainly of actors who are known from other comedies, playing secondary roles like Mark Duplass ("The Mindy Project"), Melanie Lynskey ("Two and a Half Men"'s Rose) and Amanda Peet who among other TV shows had a small breakthrough to the big screen with comedies such as "The Whole Nine Yards".

Nothing original about the premise of Togetherness. A married couple with kid(s), a loser (and stereotypically fat) best friend who sleeps on their couch, a sister who doesn't know what she wants to do with her life and her biological clock is ticking for a solid relationship...

So, how is this any different from the thousands other sitcoms of present, past and future? Well...it isn't...by much.

It tries to be more "sexual oriented". The problems of marital sex, secret desires, the need for ...self satisfaction etc.

You even get to see Amanda Peet's naked breasts for at least ...5 Mississippis, and Mark Duplass's ...(well the 3 last letters of his surname)!

Thankfully those nude/sex scenes aren't ridiculous. They didn't went for the laughs. The goal of the producers wasn't (obviously) to make it look "sensual" or "spicy" either. It seems to me like they are trying to bring up the loneliness everyone feels nowadays, even if he or she are surrounded by people. A symbolism of lost hopes too. I think that's why they preferred the title "Togetherness" instead of "Bret & Michelle" or something. Everyone needs someone to be close to.

As I was midway through the first season I was wondering why it didn't create more buzz when it came out, it's one the best shows that are never talked about. It starts out on a lighter note, people laughing and enjoying themselves but as the series progresses it becomes bit more downcast but the progression is natural. It's very real and doesn't feel like the show was written for anything but that, not aesthetics, not for laughs, etcetera; at no point does it feel like they changed the story or dialogue to make it more interesting, deep or funny because it's such a natural flow of events. It was just made to exhibit the struggles of long term relationships, not just romantic, but between best friends, work partners and family as well, when they've each hit lows.

Before I finished the show I already knew HBO called it quits after season 2 and was a little disappointed it'll come to an end but i think they ended it in a good place, a bit rubber stamp but in a good place. Not a happy, but more of a hopeful sign off. I think it'd run its course and a third season would've felt forced after a few episodes in terms of where they were gonna take the show.

This show has exceeded my expectations on every level. It has some hilariously funny moments, but is much, much more than a comedy.

Covering friendships, working relationships and romantic ones, as well as those magical relationships without a label, this show is not afraid to be dark, and delve into the (sometimes) depressing realities of marriage/any long-term relationship.

I found it pulling at my heartstrings more and more each episode, as my understanding of the characters grew organically. None of the situations felt forced or particularly unrealistic, and always relatable.

I can only surmise that any negative reviewers don't have much relationship experience, because to me, there is so much to recognise in these characters and their bonds.

The writing is superb. The acting is even better, all the main characters blew me away. Mark Duplass, with an amazing portrayal of a man struggling with the fallacy of being normal, Melanie Lynskey, as the wife and mother who wants more, and especially manchild Steve Zissis, playing a complex funny man.

Cannot recommend it enough! Would usually leave room in a review for the downsides, but I can't really think of any.. please watch it! (I really want more seasons!!)

Brett (Mark Duplass) and Michelle Pierson (Melanie Lynskey) are an LA couple with kids. Their marriage is a little tired. He takes in his bald chubby unemployed actor friend Alex Pappas (Steve Zissis). Her sister Tina Morris (Amanda Peet) has a troubled love life with rich producer Larry (Peter Gallagher).

This is a relationship sitcom from the Duplass brothers. It has their style and sensibilities. On the surface, Amanda Peet is way out of Steve Zissis' league. The show levels them up by making her a bigger mess and him more lovable than he deserves to be. It's endearing but it strikes me as another version of the slovenly sitcom husband with the inexplicable hot wife. They do drive the show more than the troubled married couple. It's hard to root for the couple that is always on the verge of breaking apart. The four leads are compelling enough to be interesting. The show works best when they are together. In that way, I want more Togetherness.

It's sad that so many people can't appreciate this show. We're apparently miles apart...in sensibility. To my mind there is a unique, original kind of imagination behind it. I see it pointing the way toward a new maturity in pop filmmaking. In fact it brings the best of indie film sensibility to the small screen. It's significant that Nicole Holofcener directed one of the episodes, because her 2001 film "Lovely and Amazing" can be seen as a progenitor of the Duplass brother's capacities and interests here. I also don't think I have ever seen filmmaking that had me laughing so gratefully at such odd moments. The show's comic sensibility is very restrained and subtle. The brothers see a direction thru yearning and frustration that avoids despair and violence at all costs. It's obvious that parenthood has played a major role in getting them to this point. The portraits of the infant, for instance, are stunning.