The Editor

It is pretty clear that much fun was had in making this but perhaps more effort was put into emulating previous affects and scenarios and less on creating a coherent story within which to set them. There are marvellous sequences like the homage to Black Belly of the Tarantula and Hitch-Hike but maybe things go a little far with the inclusion of Videodrome and Poltergeist. Fantastic though much of the gore and re-enactments and jokes are, we simply don't care about the main protagonists here and the flat, almost bored performing (intentional?) at times is off putting. Again references to gays and disabled - referring to the main guy with fingers missing once as a cripple was startling and maybe vaguely amusing but again and again? Similarly the face slapping gets a bit much but I suppose somewhat salutary especially where used prior to sex. Mixed bag but maybe more fun after a few drinks especially if you only have a very rudimentary awareness of gialli.

'THE EDITOR': Four Stars (Out of Five)

An extremely odd horror-comedy/mystery flick, from directors Adam Brooks and Matthew Kennedy; the two also co-wrote the film, with actor Conor Sweeney. Brooks, Kennedy and Sweeney also star in the movie; along with Paz de la Huerta, Samantha Hill, Kevin Anderson, Udo Kier and Laurence R. Harvey (of 'THE HUMAN CENTIPEDE II' and 'III' fame). It tells the story of a veteran film editor; that becomes the prime suspect in a series of grisly murders. The movie is hilarious, quirky and packed with gruesome shocks and bloody thrills!

Rey Ciso (Brooks) was once considered one of the best film editors in the world. After a horrific accident, and a mental breakdown, left him disfigured; he now only works on low budget B-movies. When the lead actors, on his latest film, are brutally murdered, Rey becomes the lead suspect. He still struggles to complete the movie; while also dealing with a mentally ill wife (la Huerta), a new love interest (Hill), a moronic actor (Sweeney) and an incompetent police detective (Kennedy). The killer continues to viciously murder people, at the same time.

The movie is really weird (which I respect), and surprisingly funny; not to mention shockingly gruesome. Going into it, I didn't know quite what to expect (I kind of assumed it was just a poorly made B- horror flick); so I was pleasantly surprised. The filmmakers definitely have a lot of talent, and the film is packed with nostalgic style and wit; I can't wait to see what they do next. I've also recently became a fan of Paz de la Huerta; so seeing her (in a lead role) was a nice, added touch!

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Rey Ciso (Adam Brooks) was once a top film editor. Then a nasty accident resulted in the loss of some fingers, and he ends up cutting trashy horror pictures. Murders begin to plague the production of his current film, and the inspector on the case (Matthew Kennedy) is sure he's responsible.

There's a fair amount of suspects in this very knowing, dead-on parody of the Italian murder mysteries known as Gialli. The Canadian filmmaking collective Astron-6 (including Brooks, Kennedy, and co-star Conor Sweeney, who plays untalented actor Cal Konitz) obviously took a fair amount of care with this one, and had a bigger budget than usual. They also shot it in 2.35:1 to keep it stylishly connected to Gialli of the past. The story has its share of twists (among them, the ending), and it keeps viewers amused and interested. The gore is delightfully way over the top, and nicely realized. The film is not always terribly funny, but when it hits, it hits HARD. Among the brightest gags are references to both Dario Argento and Lucio Fulci; Fulci's body of work in particular gets a frequent shout-out. The music is great - among the composers credited is Claudio Simonetti, so it's no surprise that the score is Goblin-esque at times.

The acting is much like what one would see in a vintage Giallo. Brooks actually does a passable Italian accent, and is a likeable hero. Kennedy is fun as the bumbling inspector. Paz de la Huerta ("Nurse 3-D") vamps it up something fierce as Rey's wife, a faded former film star. Laurence R. Harvey ("Human Centipede" 2 and 3) is a flustered priest, Tristan Risk ("American Mary") the sexy Veronica, but German legend Udo Kier is rather wasted as the briefly seen head of an asylum. Still, it's always nice to see him in anything.

Overall, a good, respectable effort, worth a look for any fan of the Gialli genre.

Seven out of 10.

This only makes sense if you are a fan of Italian "giallo" movies (Argento, Fulci, Bava etc.) If you have watched a lot of these then you will immediately feel familiar with the visual style, the soundtrack, the acting, the bad dialogue overdubs, the often wooden acting. Production-wise, this is a faithful recreation of the originals, and generally competently executed.

The problem is that it somewhat stops there. It wants to be both a homage and a prohibited-by-IMDb-term-for-urine-take at the same time, but for me failed at both. There are plenty of good scenes, but the number of direct quotes and allusions to old movies means that it is stylistically to uneven to fully enjoy as a homage, and the jokes mostly fell flat for me.

My advice: Give this a try if you're a giallo fan, but have one of the originals ready in case the joke runs out halfway for you. Otherwise: Stay well away - this will be completely incomprehensible to you.

As the other reviews have stated this was a tongue and cheek spoof on some older horror genre films. It was well done, and once the movie started the whole theater (Ryerson during TIFF) was in stitches. The acting was on point, the lighting was perfect and the script was right in live with what you would expect. And the effects. What can I say about the effects. they did the job and then some.

I really felt like I was watching a movie from the good old days of horror just like I used to watch on Sci Fi theater, and Creature Features on Saturday afternoons.

I am pretty sure that if you watch this while having a few drinks and with a couple of friends you guys will have a hoot.