Craig, un père de famille de banlieue, tombe sous le charme de son nouveau voisin charismatique, mais ses tentatives pour qu'ils deviennent amis menacent de ruiner leurs vies.Craig, un père de famille de banlieue, tombe sous le charme de son nouveau voisin charismatique, mais ses tentatives pour qu'ils deviennent amis menacent de ruiner leurs vies.Craig, un père de famille de banlieue, tombe sous le charme de son nouveau voisin charismatique, mais ses tentatives pour qu'ils deviennent amis menacent de ruiner leurs vies.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 2 nominations au total
Avis à la une
I, admittedly, cringe very easily. I can't watch reality shows because the awkward conflict makes me uncomfortable. I like Tim Robinson sometimes when his outrageousness is so over the top that it's just separate from reality. In this film, he is great, as is Paul Rudd, and frankly everyone. The cringe is low key enough in most scenes to make you truly squirm. I found myself squirming far more than laughing in this movie. It was weird, wild, and unique. I liked it and it stuck with me. I am sure that the discomfort I felt watching it was the point. If you like that cringey feeling, you will really like this movie.
My husband and I can't stop talking about this film and what different scenes meant. We laughed throughout it with a theater of people, but were surprised about its philosophical message and provoking themes in what it means to be an American man in 2025. I know the middle-aged men portrayed in this film, many of them used to not married to my friends, and a few still can't seem to figure out how to connect to the people in their lives. I hate how this platform forces you to use a minimum number of words, but I'm going to do it because this film is a solid 8+ and I hate that it's currently at 7.7 when it's so much better than that if you're a thinking person.
I imagine some people have a lot of trouble explaining Tim Robinson. I think I can. He is the new champion of anti-comedy. Anti-comedy is almost a performance art unto itself and would suggest a uniquely higher level of understanding of what is funny and what is not, and then taking what is not funny and making it funny. It feels almost accidental, but it isn't. The original master was Andy Kaufman, and since his untimely death in 1984, he's had many unsuccessful imitators. We very nearly had a second-coming in Tom Green, until he took things completely over the line with Freddy Got Fingered, a film that strived to be a surrealist masterpiece and ended up being the Pink Flamingos of the 21st century. But now, in 2025, we have Tim Robinson and I think he's just about mastered this difficult technique. Perhaps by sheer virtue of the fact that he looks supremely uncomfortable at all times. He's the human embodiment of a caged rat being poked incessantly with a stick. There's a level of fear and confusion, mixed with a hair-triggered rage that could ignite at any moment. He looks and behaves like the most maladjusted human on earth. Then you take that person and make him a full-fledged comedian. Perhaps this is part of his comedic routine, but whatever it is, he's got that Kaufman "It" factor that's needed.
Enter, Friendship. If ever you needed to know what a Tim Robinson movie would be like, this is what it is. Some would say it's a 90-minute I Think You Should Leave skit, and you'd very much be right. This is a dark comedy about why grown men shouldn't have bromances. That said, it's 97 minutes of exactly how far Tim Robinson can take that premise. The sky isn't even the limit here. Robinson explores obsession and insecurity through the eyes of a man who has zero control over his impulsive thoughts. The rest of the cast looks on in terror, especially Paul Rudd, who approaches the role similarly to how he did in I Love You, Man. But a classic Judd Apatow-universe comedy this isn't. This is Tim Robinson's unhinged world and we are all held hostage.
I haven't laughed this hard in a movie theater in a decade. Studio comedies are dead. Comedy movies, in general, have dried up worse than the Mojave Desert. A24, I can attest, might be about to change that, and they have the right man to do it. If we could get a Tim Robinson comedy movie once a year, I'd be very happy.
Enter, Friendship. If ever you needed to know what a Tim Robinson movie would be like, this is what it is. Some would say it's a 90-minute I Think You Should Leave skit, and you'd very much be right. This is a dark comedy about why grown men shouldn't have bromances. That said, it's 97 minutes of exactly how far Tim Robinson can take that premise. The sky isn't even the limit here. Robinson explores obsession and insecurity through the eyes of a man who has zero control over his impulsive thoughts. The rest of the cast looks on in terror, especially Paul Rudd, who approaches the role similarly to how he did in I Love You, Man. But a classic Judd Apatow-universe comedy this isn't. This is Tim Robinson's unhinged world and we are all held hostage.
I haven't laughed this hard in a movie theater in a decade. Studio comedies are dead. Comedy movies, in general, have dried up worse than the Mojave Desert. A24, I can attest, might be about to change that, and they have the right man to do it. If we could get a Tim Robinson comedy movie once a year, I'd be very happy.
On the one hand, it's got moments of genuine hilarity and ingenuity. Rare these days in movie theaters - it seems only stand-up has any guts and originality. I laughed hard in places and so did the first-weekend LA crowd. On the other hand, the story is without much momentum and lacks a sense of inevitability. Feels random and without clear purpose/meaning. As though the whole thing were a series of sketches strung together with no driving thematic goal. Another way of putting it is that it does not get more interesting as it goes. But the acting and casting is superb. Very well directed. Bravo!
Friendship is an absolute gem of a movie. The film is laugh out loud funny during its entire runtime. Tim Robinson and Paul Rudd are both hilarious and everyone else in the ensemble is very funny as well. The movie balances physical humor, funny situations, and well written jokes very well. The movie has some great set up and pay off jokes. Andrew DeYoung wrote and directed this movie and he did a great job in both of those aspects. The film is also shot very well, especially for a comedy, the cinematography here is fantastic. The movie is also very well edited and uses typical comedic editing tropes usually found in older movies or cartoons to full effect in this movie. I highly recommend this one if you like comedies.
2025 SXSW Film & TV Festival Cheat Sheet
2025 SXSW Film & TV Festival Cheat Sheet
Get the lowdown on the buzziest films we screened in Austin, including Jenna Ortega in Death of a Unicorn, the dark comedy Friendship, and more movies you'll want to add to your Watchlist.
Le saviez-vous
- AnecdotesAndrew DeYoung claimed in an interview that the movie was inspired from his own experience of getting iced out of a friend group.
- GaffesTony the phone salesman refers to his Toad as the "Buffalo River Toad" but it's actually called the "Colorado River Toad.
- ConnexionsReferenced in Film Junk Podcast: Episode 994: Mission: Impossible - The Final Reckoning (2025)
- Bandes originalesMARIGOLDS
Written by Donny Dykowsky
Performed by MIRRORS ON THE MOON
Courtesy of THE SKI TEAM AND DONNY DYKOWSKY
By arrangement with SOSTEREO
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Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 16 065 495 $US
- Week-end de sortie aux États-Unis et au Canada
- 444 759 $US
- 11 mai 2025
- Montant brut mondial
- 16 065 495 $US
- Durée1 heure 40 minutes
- Couleur
- Rapport de forme
- 1.66 : 1
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