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IMDbPro

Sebastian

  • 2024
  • Unrated
  • 1h 50min
NOTE IMDb
6,7/10
2,2 k
MA NOTE
Sebastian (2024)
Regarder Sebastian - official US trailer
Lire trailer1:57
3 Videos
20 photos
DrameDrame de l’industrie du divertissementLe passage à l'âge adulte

Max, un écrivain en herbe de 25 ans vivant à Londres, commence une double vie en tant que travailleur du sexe afin de faire des recherches pour son premier roman.Max, un écrivain en herbe de 25 ans vivant à Londres, commence une double vie en tant que travailleur du sexe afin de faire des recherches pour son premier roman.Max, un écrivain en herbe de 25 ans vivant à Londres, commence une double vie en tant que travailleur du sexe afin de faire des recherches pour son premier roman.

  • Réalisation
    • Mikko Mäkelä
  • Scénario
    • Mikko Mäkelä
  • Casting principal
    • Ruaridh Mollica
    • Hiftu Quasem
    • Jonathan Hyde
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,7/10
    2,2 k
    MA NOTE
    • Réalisation
      • Mikko Mäkelä
    • Scénario
      • Mikko Mäkelä
    • Casting principal
      • Ruaridh Mollica
      • Hiftu Quasem
      • Jonathan Hyde
    • 21avis d'utilisateurs
    • 47avis des critiques
    • 57Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 2 victoires et 17 nominations au total

    Vidéos3

    Sebastian
    Trailer 1:57
    Sebastian
    Sebastian - official US trailer
    Trailer 1:57
    Sebastian - official US trailer
    Sebastian - official US trailer
    Trailer 1:57
    Sebastian - official US trailer
    Sebastian: Have We Met?
    Clip 1:38
    Sebastian: Have We Met?

    Photos20

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    Rôles principaux51

    Modifier
    Ruaridh Mollica
    Ruaridh Mollica
    • Max Williamson
    Hiftu Quasem
    Hiftu Quasem
    • Amna
    Jonathan Hyde
    Jonathan Hyde
    • Nicholas D'Avray
    Ingvar Sigurdsson
    Ingvar Sigurdsson
    • Daniel Larson
    Dylan Brady
    Dylan Brady
    • Joel
    Pedro Minas
    • Oliver
    Matthias Moret
    • Jacopo
    Akbar Kurtha
    • Samir
    Laurent Maria
    Laurent Maria
    • Carlo
    Lara Rossi
    Lara Rossi
    • Claudia
    Michael Jean-Marain
    Michael Jean-Marain
    • James
    David Nellist
    David Nellist
    • Peter
    Leanne Best
    Leanne Best
    • Dionne
    Stella Gonet
    Stella Gonet
    • Anne
    Jamie Melrose
    • Rebecca
    Tom Hall
    • Derek
    Orlando Norman
    Orlando Norman
    • Theo
    Peter Collins
    • Vernon
    • Réalisation
      • Mikko Mäkelä
    • Scénario
      • Mikko Mäkelä
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs21

    6,72.2K
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    Avis à la une

    6peter0969

    Strange concept for modern queer cinema

    Watched this at the 2024 Sundance Film Festival.

    "Sebastian" is a strange movie as the concept about a queer writer living a double life as a sex worker is pretty bizarre, yet, an interesting concept. This movie has left me with some mixed feelings as I find the movie to have some really strong moments but some not so strong.

    Finnish-British Filmmaker Mikko Makela direction and writing for this story is pretty good as Makela's approach on the themes and characters are strong. Queer cinema hasn't been approached with this form of atmosphere and it was interesting to see Makela taking a new approach on queer cinema with good performances from the cast members, interesting conversations, and challenging aspects on the setting, tone, and character. The production design is good and camerawork was solid.

    The dialogue is interesting as there are some really great dialogue moments but at the same time, some of the dialogue felt clunky and weird. Whether it was intentional or not, it feels a little off-putting. The characters have some investment but as the movie continues, the main character becomes a little difficult to fully connect with and it does cause the movie to feel a little of a drag.

    The third act does fall apart a little as it feels unsatisfying to the climax. But despite it's flaws, I still found myself interested to see what happens next and I am glad I saw it. As much I wasn't very big on it, I applaud for the new take.
    6CinemaSerf

    Sebastian

    "Max" (Ruaridh Mollica) juggles a career as an aspiring journalist and novelist with charging £200 per hour selling his services as an escort to, mainly, older men. His boyish good looks and obvious inexperience at the latter makes him popular and he proves successful enough to use his varied experiences to form the basis of his book. His publisher likes the freshness and intimacy of the adventures of "Sebastian" but a rather self-induced setback at work forces a change to the dynamic of both his life and his work. Though there is the odd sex scene to enliven the drama, the rest of this is all a rather shallow investigation of the high-end comfort market and whilst Mollica is easy enough on the eye his performance over-relies on that and is quite lacklustre. The story itself has quite a few gaps that don't quite add up; timelines don't quite track and by the conclusion I actually thought that instead of offering us some sort of critical observation of an industry that transcends just about every aspect of society, we ended up with more of a rather exploitative - cruel, even, character about whom I really didn't care so much after a while. Jonathan Hyde brings a bit of (rather sad) nuance to the proceedings but Ingvar Sigurdsson's "Daniel" seemed just to Jekkyl and Hyde to be plausible at quite a crucial juncture in the young man's increasingly light-weight story. Rather than a movie, this might have made for a better three-part drama that could have focussed a little more cohesively on the aspects of his life, love and self-evaluation but as it is, it's all too bitty. Worth a watch, but not what it could have been.
    8justahunch-70549

    Out of the blue!

    Having never heard a single word about this, I thought I was going to see something trashy and lo and behold, it turns out I ended up viewing a good movie! Go figure! But seriously, while this has some imperfections, the quality here came as a great surprise. The writing, direction, cinematography and particularly the acting all have merits of varying degrees. A film about a smart young writer, successful at short stories, who decides to write a novel about gay sex workers and then decides to become one himself for authenticity only to become somewhat addicted to it all to the point that it is getting in the way of his writing about it. He hasn't the time for both! Ruaridh Mollica, who I never heard of prior to this, is really very good. His extremely bold performance is subtle, brave and he never really misses a beat. He's a bit mesmerizing. It would be cool to see how he is in other films, but that might be tricky here in America. All of the other actors are strong, particularly Jonathan Hyde, the only actor in this who might be familiar to the general American public. While he is good, his character's relationship with our young writer is problematic and where the film stumbles a bit. Mollica responds to him in very contradictory ways that are confusing. This has nothing to do with the acting. It's either the writing and/or the directing that falters here. This is not a great film, but it's really interesting film, though it is not for prudes. There are many sex scenes and one in particular is very explicit. It also has a truly lovely ending.
    Kirpianuscus

    a young writer

    A young writer explores sex workers circle for write a novel. But this adventure is not easy or cheep and, in profound manner, transforms him .

    A not original theme , well reminded , well acted- especially Jonathan Hyde contribution represents a serious good point , realistic - the trace of a Julien Sorel in new version - and a good work of Ruaridh Mollica as Max.

    In essence , a clash between editorial world and sex workers one , the reactions , the dialogue, the inspired last scene reminding, in cold - precise manner the laws of a confrontation who gives to young writer chance of significant transformation.

    Great part - the relation with mother as oasis in the circle of chain of tensions.
    7laduqesa

    Real life fictionalised

    Well, I've never used a sex worker in London so had no idea about the huge sums of money to be earned. £300 an hour! That's serious money. No wonder the impoverished students who formed the basis of Max's initial research got into the trade.

    Max's odyssey through the world of escorts engendered tensions. He was earning huge sums while using the clients for his novel but also beginning to form relationships with some of them.

    Max developed personally too in a different way. His initial reluctance to be known disappeared as we saw in the very last line of dialogue in the film.

    I found the characters in the film to have been well rounded and believable. The script was well written and captured the world Max was living in extremely well.

    I'm glad I saw this.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Gaffes
      Chest tattoo switches side to side in many scenes.
    • Connexions
      Features À nos amours (1983)

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    Détails

    Modifier
    • Date de sortie
      • 9 avril 2025 (France)
    • Pays d’origine
      • Royaume-Uni
      • Finlande
      • Belgique
    • Langues
      • Anglais
      • Français
    • Aussi connu sous le nom de
      • 白天的我,夜裡的他
    • Lieux de tournage
      • Londres, Angleterre, Royaume-Uni
    • Sociétés de production
      • British Film Institute (BFI)
      • Bêtes Sauvages
      • Screen Scotland
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 65 636 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 12 876 $US
      • 4 août 2024
    • Montant brut mondial
      • 129 973 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 50min(110 min)
    • Couleur
      • Color
    • Rapport de forme
      • 1.85 : 1

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