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5,7/10
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Ajouter une intrigue dans votre langueA down-on-his-luck former high school basketball coach will do anything to win, which in this case means leading his team of men to don wigs and brutally dominate in multiple women's sports.A down-on-his-luck former high school basketball coach will do anything to win, which in this case means leading his team of men to don wigs and brutally dominate in multiple women's sports.A down-on-his-luck former high school basketball coach will do anything to win, which in this case means leading his team of men to don wigs and brutally dominate in multiple women's sports.
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"Lady Ballers" was a film I approached with some anticipation, given its intriguing premise. However, I found it to be disappointingly shallow and pedantic. The acting across the board was underwhelming, contributing to the film's overall lack of depth and engagement.
A critical drawback of the movie was its humor, or the lack thereof. The jokes felt forced and failed to elicit the intended laughter, detracting from the viewing experience. This issue could partly be attributed to the script, which seemed to need more refinement. The potential for a successful comedy was there, but it required a sharper and more experienced comedic writer to bring it to life.
The film appeared to serve more as a vehicle for promoting Jeremy Boreing's businesses than as a piece of entertainment. This focus undermined the story's authenticity and the characters' relatability.
Tyler Fischer's presence in the film was a lone bright spot. His natural comedic talent shone through, despite the limitations of his role. Fischer's performance gives me hope for his future projects, as he clearly has the potential to excel with better material.
In conclusion, "Lady Ballers" misses the mark in several key areas, making it a less than satisfying watch. The concept was promising but was let down by lackluster execution and a script in need of a few more rewrites. It's a 4 out of 10 for me, primarily saved from a lower score by Fischer's brief moments of comedic relief.
A critical drawback of the movie was its humor, or the lack thereof. The jokes felt forced and failed to elicit the intended laughter, detracting from the viewing experience. This issue could partly be attributed to the script, which seemed to need more refinement. The potential for a successful comedy was there, but it required a sharper and more experienced comedic writer to bring it to life.
The film appeared to serve more as a vehicle for promoting Jeremy Boreing's businesses than as a piece of entertainment. This focus undermined the story's authenticity and the characters' relatability.
Tyler Fischer's presence in the film was a lone bright spot. His natural comedic talent shone through, despite the limitations of his role. Fischer's performance gives me hope for his future projects, as he clearly has the potential to excel with better material.
In conclusion, "Lady Ballers" misses the mark in several key areas, making it a less than satisfying watch. The concept was promising but was let down by lackluster execution and a script in need of a few more rewrites. It's a 4 out of 10 for me, primarily saved from a lower score by Fischer's brief moments of comedic relief.
You pretty much know exactly what you are going to get when you turn on this movie. It delivers exactly what it promises - crass humor pointing out and mocking the absurdity of biological men participating in women's sports. If you agree with the message of the movie, you will likely get some laughs out it. If you don't agree with the message, you will definitely hate it. It is glaringly obvious in its message, but no moreso than what you get from Hollywood on the other side of the fence. While this is certainly not gonna win any writing, acting, or directing awards, it is nice to see an attempt to provide an alternative to the left-leaning material that is currently being served up by Hollywood. Hopefully, enough people watch this movie that The Daily Wire and other conservative outlets will continue to provide an alternative to Hollywood's content and will slowly increase both the quality and quantity of content.
DW promised a goofy, early 2000s comedy with a message and I believe, overall, in landed. I enjoyed it and laughed at the slapstick goofiness and appreciated the meaningful bits. I can see and understand where it fails a little too.
As a stand alone comedy, it's a popcorn movie and doesn't overstay it's welcome with it's pacing, comedy, and plot. The general movie goer (who isn't wildly liberal) would still have a good enough time if one likes movies such as the The Hot Chick, White Chicks, Scary Movie, Wayne's World, and other such on-the-nose, wacky, dumb movies that would have a difficult time being made today. It is true that a DW fan would find the movie more enjoyable due to the cameos - which were extra hysterical if you're "in the know."
If I could only change one thing as someone who loves the idea of this comedy shedding light on an important issue, I would have either removed the ending cameo entirely, or shifted it to after credits.
The general public would also enjoy it even more if they are aware of the western nations' culture war; if the viewer is unaware, the hopeful goal of the movie would be to make people aware of conservative concerns.
That said, the movie does not ride on the backs of DW and conservative cast members; it scratches the old comedy itch millennials have, makes gen x roll their eyes, and can show gen z what comedy used to be.
As a stand alone comedy, it's a popcorn movie and doesn't overstay it's welcome with it's pacing, comedy, and plot. The general movie goer (who isn't wildly liberal) would still have a good enough time if one likes movies such as the The Hot Chick, White Chicks, Scary Movie, Wayne's World, and other such on-the-nose, wacky, dumb movies that would have a difficult time being made today. It is true that a DW fan would find the movie more enjoyable due to the cameos - which were extra hysterical if you're "in the know."
If I could only change one thing as someone who loves the idea of this comedy shedding light on an important issue, I would have either removed the ending cameo entirely, or shifted it to after credits.
The general public would also enjoy it even more if they are aware of the western nations' culture war; if the viewer is unaware, the hopeful goal of the movie would be to make people aware of conservative concerns.
That said, the movie does not ride on the backs of DW and conservative cast members; it scratches the old comedy itch millennials have, makes gen x roll their eyes, and can show gen z what comedy used to be.
Watched Lady Ballers this morning. It's available only on Daily Wire+. The movie reminds me of comedies from the 80's or 90's; silly and irreverent. No nudity, but there are some racy jokes about body parts and bedroom acts.
Jeremy Boreing plays the head coach of a men's basketball team who all decide to identify as female to win a women's tournament. The jokes practically write themselves. To be honest, some land and some don't. Enough land, however, to rank LB at 7/10.
Matt Walsh playing against type as "Kris" the hippie was delightful. Couldn't stop laughing whenever he was on screen. And, the actress who plays coach's daughter is very sweet. She steals the opening scene.
What I didn't expect to be so wow-ed by was the musical score and beautiful drone shots of Nashville. The opening theme song is earnest and oh-so cheesy; a la American Flyers. Love it! There were lots of musical changes of pace, too, like the switch to an old-worldy accordion tune for the scene where coach is getting roughly handled by the dominatrix reporter. "Furnace burn!"
I've also got some quibbles. For example, the final, fade-to-black image was totally unrelated to the rest the movie. Just oddly edited. Also, the players were too often either fighting or high fiving. That got old quick; as if dudes can't just sit and chill without punching each other.
Overall, it was fun.
Jeremy Boreing plays the head coach of a men's basketball team who all decide to identify as female to win a women's tournament. The jokes practically write themselves. To be honest, some land and some don't. Enough land, however, to rank LB at 7/10.
Matt Walsh playing against type as "Kris" the hippie was delightful. Couldn't stop laughing whenever he was on screen. And, the actress who plays coach's daughter is very sweet. She steals the opening scene.
What I didn't expect to be so wow-ed by was the musical score and beautiful drone shots of Nashville. The opening theme song is earnest and oh-so cheesy; a la American Flyers. Love it! There were lots of musical changes of pace, too, like the switch to an old-worldy accordion tune for the scene where coach is getting roughly handled by the dominatrix reporter. "Furnace burn!"
I've also got some quibbles. For example, the final, fade-to-black image was totally unrelated to the rest the movie. Just oddly edited. Also, the players were too often either fighting or high fiving. That got old quick; as if dudes can't just sit and chill without punching each other.
Overall, it was fun.
I wanted to like it. I get what they were going for, and it's worthy of praise coming from such a small studio with such a low budget. I hope this isn't the last in this genre from DW.
That said - wow. Not up to par of the classics it was marketed as. Airplane, Dodgeball, Blazing Saddles, Topic Thunder: it's none of those things. I think it could've been with some extra elbow grease and less confirmation bias in the studio.
The criticism that many Christian movies get is that they focus too much on the message and not on the core story and quality of the film. Same issue here. I get they had some quality limitations, but I wish they would've waited to really hone in the story and make sure the lines packed a punch.
Best parts are all the cameos. These are genuinely good and appreciated.
Not sure why we needed the subtle dominatrix thing. Just another example of something that made me cock my head sideways and ask, "Really? Necessary?"
Overall, I know I'll make some people mad for not absolutely loving it, but it is what it is. They want quality content? I'm happy to be the critic for the next future success. I'm aware I'm not the man in the arena, but I don't care.
That said - wow. Not up to par of the classics it was marketed as. Airplane, Dodgeball, Blazing Saddles, Topic Thunder: it's none of those things. I think it could've been with some extra elbow grease and less confirmation bias in the studio.
The criticism that many Christian movies get is that they focus too much on the message and not on the core story and quality of the film. Same issue here. I get they had some quality limitations, but I wish they would've waited to really hone in the story and make sure the lines packed a punch.
Best parts are all the cameos. These are genuinely good and appreciated.
Not sure why we needed the subtle dominatrix thing. Just another example of something that made me cock my head sideways and ask, "Really? Necessary?"
Overall, I know I'll make some people mad for not absolutely loving it, but it is what it is. They want quality content? I'm happy to be the critic for the next future success. I'm aware I'm not the man in the arena, but I don't care.
Le saviez-vous
- AnecdotesThis is the first "comedy" made and produced by the Daily Wire.
- GaffesCoach Bob Gibson enters his home at night only to be surprised by the journalist, Billie Rae Brandt, who broke into Bob's home. She is sitting in a chair waiting for him. As they talk, a small sign hangs on the wall next to the front door, behind the coach's head. When the scene transitions away from the front door to the room's interior, the sign disappears.
- Citations
Gwen Wilde: I'm a journalist. I literally can't be shamed.
- Bandes originalesIt Ain't Over
Written by Will Boreing & Lindsay Boreing
Performed by Will Boreing
By arrangement with William Boreing
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Lieux de tournage
- Nashville, Tennessee, États-Unis(Nashville Municipal Auditorium)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 7 000 000 $US (estimé)
- Durée1 heure 52 minutes
- Couleur
- Rapport de forme
- 2:1
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