NOTE IMDb
5,7/10
13 k
MA NOTE
Ajouter une intrigue dans votre langueA down-on-his-luck former high school basketball coach will do anything to win, which in this case means leading his team of men to don wigs and brutally dominate in multiple women's sports.A down-on-his-luck former high school basketball coach will do anything to win, which in this case means leading his team of men to don wigs and brutally dominate in multiple women's sports.A down-on-his-luck former high school basketball coach will do anything to win, which in this case means leading his team of men to don wigs and brutally dominate in multiple women's sports.
- Réalisation
- Scénario
- Casting principal
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You pretty much know exactly what you are going to get when you turn on this movie. It delivers exactly what it promises - crass humor pointing out and mocking the absurdity of biological men participating in women's sports. If you agree with the message of the movie, you will likely get some laughs out it. If you don't agree with the message, you will definitely hate it. It is glaringly obvious in its message, but no moreso than what you get from Hollywood on the other side of the fence. While this is certainly not gonna win any writing, acting, or directing awards, it is nice to see an attempt to provide an alternative to the left-leaning material that is currently being served up by Hollywood. Hopefully, enough people watch this movie that The Daily Wire and other conservative outlets will continue to provide an alternative to Hollywood's content and will slowly increase both the quality and quantity of content.
Look, I'm not gonna come in and give it a 10/10. It's no Baseketball or Dodgeball, but it's got some genuinely funny jokes. More than a few times I had genuine hardy laughs. There's a few times it gets sincere and those parts are great. The ending is a little weak, but there's not a lot they could do with it and still is wrapped up pretty well. My least favorite part is a shameless ad thrown in which got a smile, but moreover a deep rolling of my eyes. They hit the audience with a lot of very true statistics, (just because you don't like what you hear doesn't make it propaganda). For their first attempt at a comedy this was pretty good, and makes me look forward to more from the DW. In a world where Hollywood is too afraid to make a decent comedy for fear of offending even one person this was refreshing. Like a glass of water in the desert. Maybe not an ice cold glass of water, but still very refreshing,
Ladyballers exceeded expectations. I expected a very pointed message with some weak comedy and production flaws.
The Daily Wire probably can't get many Hollywood actors onto a project b/c the actors would be afraid of backlash, even if the film had no political leanings--but still, they managed to find some good talent. Jeremy Boreing and Billie Rae Brandt both have star-quality. Fischer and Cone also great, but really the whole team worked. I was looking for weak links in the cast and didn't find any.
The cameos were okay, not bad. The best being B. Cooper and M. Knowles as the news anchors. Their arc was hilarious and their delivery was perfect. And quite fearless with the costumes, I love that.
The humor landed pretty well, some parts better than others. Most comedies are like this. I didn't find the "how much" guy very funny. I loved the badger stuff, that made me laugh pretty hard. I also enjoyed all the shots they're taking at the journalist class. That's long overdue. The Jeremy's razor commercial in the middle of the movie was very funny, pulled off in just the right way.
And obviously the satire's message is spot on. Everybody knows these things are true, everybody knows the emperor is naked, but everyone's afraid to speak up.
Satire isn't just preaching. There are definitely some preachy moments in the movie (and I didn't mind them probably b/c I agree with the sentiments), but this still works as satire b/c the ideas are embodied well by the story on the whole.
It also had better production value than I was expecting. They definitely dropped some money on all the extras in the last game. The score/soundtrack was a highlight, very good music, which is important. The tone was consistent. The cinematic elements were all competent. Lighting was good. I'm not a fan of the murky "realistic" lighting movies are obsessed with now. Just make it look good.
And the end delivered. It was perfect to see the lady ballers get their comeuppance and get a taste of their own medicine. I loved how they worked in the coach giving "inspirational" speech trope and played with it in various ways.
And I liked how genuinely heartwarming the ending was with the little girls team. The old comedies usually try to pull some heart-strings in the end and typically fail, but here it definitely worked. The father-daughter relationship was very lovely.
I expected a movie I would be a little amused with and probably have to endure, but we ended up enjoying it thoroughly and we didn't interrupt watching it once.
I'd give the humor a B+. The heart/feeling an A-.
And the satire an A.
The Daily Wire probably can't get many Hollywood actors onto a project b/c the actors would be afraid of backlash, even if the film had no political leanings--but still, they managed to find some good talent. Jeremy Boreing and Billie Rae Brandt both have star-quality. Fischer and Cone also great, but really the whole team worked. I was looking for weak links in the cast and didn't find any.
The cameos were okay, not bad. The best being B. Cooper and M. Knowles as the news anchors. Their arc was hilarious and their delivery was perfect. And quite fearless with the costumes, I love that.
The humor landed pretty well, some parts better than others. Most comedies are like this. I didn't find the "how much" guy very funny. I loved the badger stuff, that made me laugh pretty hard. I also enjoyed all the shots they're taking at the journalist class. That's long overdue. The Jeremy's razor commercial in the middle of the movie was very funny, pulled off in just the right way.
And obviously the satire's message is spot on. Everybody knows these things are true, everybody knows the emperor is naked, but everyone's afraid to speak up.
Satire isn't just preaching. There are definitely some preachy moments in the movie (and I didn't mind them probably b/c I agree with the sentiments), but this still works as satire b/c the ideas are embodied well by the story on the whole.
It also had better production value than I was expecting. They definitely dropped some money on all the extras in the last game. The score/soundtrack was a highlight, very good music, which is important. The tone was consistent. The cinematic elements were all competent. Lighting was good. I'm not a fan of the murky "realistic" lighting movies are obsessed with now. Just make it look good.
And the end delivered. It was perfect to see the lady ballers get their comeuppance and get a taste of their own medicine. I loved how they worked in the coach giving "inspirational" speech trope and played with it in various ways.
And I liked how genuinely heartwarming the ending was with the little girls team. The old comedies usually try to pull some heart-strings in the end and typically fail, but here it definitely worked. The father-daughter relationship was very lovely.
I expected a movie I would be a little amused with and probably have to endure, but we ended up enjoying it thoroughly and we didn't interrupt watching it once.
I'd give the humor a B+. The heart/feeling an A-.
And the satire an A.
I'm a DW supporter, and I want them to produce great content. This is only OK.
Run hide fight was good, not great.
Terror on the prairie was ok, Shut in was rough What is a woman was great doc Convicting a murderer was great doc
First of all. 1h52m is way too long for a comedy, unless it is absolutely amazing. Should have been 80 minutes. We found ourselves struggling to get to the end. It's a comedy, get in there, make the jokes, get out on a high point, fill it with a story with a remotely plausible plot.
I like them using DW folks for some of the actors, but Boreing as a lead fell pretty short. Some parts of his acting was fine, most was not. Didn't seem natural. Probably keep him to cameos only going forward.
The plot was weak on the whole. The idea was great, but execution is tough I guess. Comedies are not supposed to be the most cerebral of genres, but if all you're standing on is the jokes, they better bring the heat.
The writing/dialogue was fine for the most part.
Jokes were okay without being excessively mean spirited.
They are a new studio, so I am hopeful they will improve.
Run hide fight was good, not great.
Terror on the prairie was ok, Shut in was rough What is a woman was great doc Convicting a murderer was great doc
First of all. 1h52m is way too long for a comedy, unless it is absolutely amazing. Should have been 80 minutes. We found ourselves struggling to get to the end. It's a comedy, get in there, make the jokes, get out on a high point, fill it with a story with a remotely plausible plot.
I like them using DW folks for some of the actors, but Boreing as a lead fell pretty short. Some parts of his acting was fine, most was not. Didn't seem natural. Probably keep him to cameos only going forward.
The plot was weak on the whole. The idea was great, but execution is tough I guess. Comedies are not supposed to be the most cerebral of genres, but if all you're standing on is the jokes, they better bring the heat.
The writing/dialogue was fine for the most part.
Jokes were okay without being excessively mean spirited.
They are a new studio, so I am hopeful they will improve.
I wanted to like it. I get what they were going for, and it's worthy of praise coming from such a small studio with such a low budget. I hope this isn't the last in this genre from DW.
That said - wow. Not up to par of the classics it was marketed as. Airplane, Dodgeball, Blazing Saddles, Topic Thunder: it's none of those things. I think it could've been with some extra elbow grease and less confirmation bias in the studio.
The criticism that many Christian movies get is that they focus too much on the message and not on the core story and quality of the film. Same issue here. I get they had some quality limitations, but I wish they would've waited to really hone in the story and make sure the lines packed a punch.
Best parts are all the cameos. These are genuinely good and appreciated.
Not sure why we needed the subtle dominatrix thing. Just another example of something that made me cock my head sideways and ask, "Really? Necessary?"
Overall, I know I'll make some people mad for not absolutely loving it, but it is what it is. They want quality content? I'm happy to be the critic for the next future success. I'm aware I'm not the man in the arena, but I don't care.
That said - wow. Not up to par of the classics it was marketed as. Airplane, Dodgeball, Blazing Saddles, Topic Thunder: it's none of those things. I think it could've been with some extra elbow grease and less confirmation bias in the studio.
The criticism that many Christian movies get is that they focus too much on the message and not on the core story and quality of the film. Same issue here. I get they had some quality limitations, but I wish they would've waited to really hone in the story and make sure the lines packed a punch.
Best parts are all the cameos. These are genuinely good and appreciated.
Not sure why we needed the subtle dominatrix thing. Just another example of something that made me cock my head sideways and ask, "Really? Necessary?"
Overall, I know I'll make some people mad for not absolutely loving it, but it is what it is. They want quality content? I'm happy to be the critic for the next future success. I'm aware I'm not the man in the arena, but I don't care.
Le saviez-vous
- AnecdotesThis is the first "comedy" made and produced by the Daily Wire.
- GaffesCoach Bob Gibson enters his home at night only to be surprised by the journalist, Billie Rae Brandt, who broke into Bob's home. She is sitting in a chair waiting for him. As they talk, a small sign hangs on the wall next to the front door, behind the coach's head. When the scene transitions away from the front door to the room's interior, the sign disappears.
- Citations
Gwen Wilde: I'm a journalist. I literally can't be shamed.
- Bandes originalesIt Ain't Over
Written by Will Boreing & Lindsay Boreing
Performed by Will Boreing
By arrangement with William Boreing
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Lieux de tournage
- Nashville, Tennessee, États-Unis(Nashville Municipal Auditorium)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 7 000 000 $US (estimé)
- Durée1 heure 52 minutes
- Couleur
- Rapport de forme
- 2:1
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