NOTE IMDb
6,7/10
11 k
MA NOTE
Ajouter une intrigue dans votre langueA cult deprogrammer is hired to help a couple whose daughter is under the influence of a mysterious cult.A cult deprogrammer is hired to help a couple whose daughter is under the influence of a mysterious cult.A cult deprogrammer is hired to help a couple whose daughter is under the influence of a mysterious cult.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 6 nominations au total
Cindy Buck
- Mother
- (non crédité)
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I was very impressed with this film. We follow a down and out Cult novelist who specializes in understanding the methodology of how cults control individuals. The novelist is divorced, homeless, broke, suicidal and in debt with some very nasty former business partner when we meet him. When two parents approach him desperate for help, he agrees to help them with an extreme intervention with their cult involved daughter. The goal is to deprogram her. Arranging a kidnapping, he abducts the girl and isolates her in a motel room for days attempting to mentally break her down and understand her cult programing. It was engaging and completely unpredictable. I'm not totally satisfied how the story concluded but found the entire ride fun and intriguing.
Seeing the interesting premise as well as being a big fan of Riley Stearns' second feature (The Art of Self-Defense) made me want to check this one out. Comparing the two they have a lot in common, themes like loneliness, being in control of your own life and the need to belong, as well as a good amount of dark humor are all in there. Even though it does slow down a bit midway through, the characters are interesting and the dialogues witty enough to carry the viewer through to a great ending.
P. S. I was really glad to see Leland Orser as a lead after so many supporting/smaller roles and boy did he nail this Ansel character, he absolutely stole the show (Winstead was also great as usual).
P. S. I was really glad to see Leland Orser as a lead after so many supporting/smaller roles and boy did he nail this Ansel character, he absolutely stole the show (Winstead was also great as usual).
Original, well acted, and well produced/edited.
This film is well worth seeing if you like original, well produced movies.
From the beginning you are never really sure where the characters are heading - until the end.
The characters draw you into their world and keep you there. Each event and emotion portrayed by brilliant acting. I had never seen any of the cast in previous movies, so it was refreshing seeing new faces (to me) bring the story to life.
Whatever expectations you have for this film just forget them and let the story telling take you where it is going to go.
This film is well worth seeing if you like original, well produced movies.
From the beginning you are never really sure where the characters are heading - until the end.
The characters draw you into their world and keep you there. Each event and emotion portrayed by brilliant acting. I had never seen any of the cast in previous movies, so it was refreshing seeing new faces (to me) bring the story to life.
Whatever expectations you have for this film just forget them and let the story telling take you where it is going to go.
I thanked myself for watching this movie. Why? Because I simply stumbled into this movie by accident, because another great movie with Mary Elizabeth Winstead got me curious about this seemingly normal looking actress, who has such a mysterious, yet natural looking charisma, that I keep getting mesmerized by her acting performances...
This story is something else. It mistakenly looks like a somewhat silly comedy at the start. But soon I noticed the acting was a lot better than any other average comedy and the jokes were quite dark and painful, yet spot on effective AND FUNNY.
Then the acting and the story got even better half way through, with lots of quirky, mindboggling plot turns.
And then the final part of this movie really convinced me I had just seen one of the best quirky, yet simultaneously uplifting comedies of the last year.
Probably best suited for an arthouse audience, who likes quirky, dark comedies, with brilliant plot turns and subtle acting performances.
Endnote: look at the poster. What do you see?
This story is something else. It mistakenly looks like a somewhat silly comedy at the start. But soon I noticed the acting was a lot better than any other average comedy and the jokes were quite dark and painful, yet spot on effective AND FUNNY.
Then the acting and the story got even better half way through, with lots of quirky, mindboggling plot turns.
And then the final part of this movie really convinced me I had just seen one of the best quirky, yet simultaneously uplifting comedies of the last year.
Probably best suited for an arthouse audience, who likes quirky, dark comedies, with brilliant plot turns and subtle acting performances.
Endnote: look at the poster. What do you see?
I'll always remember Leland Orser for his nervous role as a surviving victim of Se7en's John Doe. I've probably seen him in bit parts since without realizing it's him, but Faults reveals his talent as he steps up to the task of a leading role. He's perfect as the cheap crook and Riley Stearns matches the darkly comic nature of his character with an ideal introduction. Stearns idiosyncratic style borrows from the best of modern cinema - the Coen brothers, Paul Thomas Anderson and Wes Anderson - but it pays off for a surreal, slightly stilted, but hilarious tone. Its premise of cult manipulation is immediately compelling, and it frames its story in a way that's offered skimmed over when it's portrayed on film and never committed to a full 90 minutes. Faults is a very confident debut, but it's a shame that the film wilts in its second half. It trades humour for a psychological thriller, and while it digs deeper into the characters, it loses its way by breaking its world. If only it didn't stumble in this final stretch, the twists in the ending could have had more impact. Still worth the watch.
7/10
7/10
Le saviez-vous
- AnecdotesWriter and director Riley Stearns and star Mary Elizabeth Winstead were married at the time of the film's production.
- GaffesAnsel steals a 9V battery from the remote control in his hotel room, but the open battery compartment on the remote control can be seen to accept two AA cells, not a 9V.
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- How long is Faults?Alimenté par Alexa
Détails
- Durée1 heure 29 minutes
- Couleur
- Rapport de forme
- 2.35 : 1
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