Kenshin Kyoto Inferno

The Chief of Police Hajime Saito (Yôsuke Eguchi) and a team of policemen hunt down the outlaw Makoto Shishio (Tatsuya Fujiwara), who was betrayed by the government after defeating the Tokugawa shogunate; however Shishio and his men slaughter the police officers and only Hajime survives. Kenshin Himura (Takeru Satô) is summoned by the government to help them to find Shishio in Kyoto. He refuses first, but when a minister is murdered, he accepts to go and leaves the dojo of Kaoru Kamiya (Emi Takei) and the boy Yahiko Myojin (Kaito Ohyagi), his friend Sanosuke Sagara (Munetaka Aoki) and Dr. Megumi Takani (Yû Aoi). Kenshin meets the thief Makimachi Misao (Tao Tsuchiya) that tries to steal his sakabato on the way to Kyoto and they stumble upon a boy that tells that his brother and his parents are in danger. They find the trio murdered by Shishio's men and Kenshin defeats them in the nearby village. A man called Sojiro Seta (Ryûnosuke Kamiki) contacts Kenshin and brings him to meet Shishio that asks Sojiro to duel Kenshin. Their sword fight stops when Kenshin's sakabato is broken and Shishio and his men go away. Meanwhile, Kaoru decides to find Kenshin in Kyoto and Yahiko and Sanosuke follow her. When Kenshin arrives at Kyoto, Misao asks whether he would like to go to a cheap inn. Kashiwazaki Nenji (Min Tanaka), who was the ninja Okina that worked for the Tokugawa shogunate, runs the place and teams up with Kenshin. He seeks out the talented blacksmith Shakku Arai to repair his sakabato and finds that he is dead. Arai's son Keiku does not help Kenshin, but when the evil Sawagejo Cho (Ryosuke Miura) kidnaps his baby, he calls Kenshin to save his son and gives him a new sakabato. Kenshin defeats the Shishio's warrior and he is arrested by the police. Soon Hajime and Kenshin learn that Shishio intends to burn Kyoto down and they prepare the defense of the town. Is Sawagejo Cho telling the truth?

"Rurôni Kenshin: Kyôto taika-hen", a.k.a. "Rurouni Kenshin: Kyoto Inferno", is a spectacular sequel of "Rurôni Kenshin: Meiji kenkaku roman tan". The story follows Kenshin and his friends from the first film and introduces a villain more evil than in the first film. The sad moment is the unknown fate of the gorgeous and sweet Kaoru Kamiya. Every viewer and fan is certainly hoping she has survived. My vote is ten.

Title (Brazil): "Samurai X 2: O Inferno de Kyoto" (Samurai X 2: The Kyoto Inferno")

I have some complaints with the first Rurouni Kenshin but this movie finally answered me. I have to attribute it to the fact that the movie already employed the most celebrated villain of Rurouni Kenshin, *drumroll* Makoto Shishio.

One aspect where the first movie failed, in my opinion, is its failed attempt at comedy. The manga/series was injected with comical scenes and lines and as much as the first one tried, it failed. However, with Kyoto Inferno, they have pulled it through. This burden mainly fell on Munetaka Aoki (Sanosuke Sagara) and fortunately, he was successful to elicit some laughs.

If there's anything which cemented this film's success as an adaptation, it would have to be on the character actors. The movie gave life to the characters which we only once saw in animated form. Even Makoto Shishio's ruthlessness, albeit covered in plaster, was very visible. Takeru Sato deserves his role. He gives out not only the Kenshin physique, he knows how to give the Kenshin aura...the playful yet skillfull Battousai. The most dangerous member of Juppon Katana (Shishio's hired assassins), Soujiro Seta, was brought to life courtesy of Ryunosuke Kamiki (probably with the most well-recognized filmography in this group). Everyone gave justice to the roles the were playing.

The movie was perfect in all its aspects. Don't take that too literally of course, but for someone who's a fan of the series, I can safely say that they did justice. They made some deviations from the source material, but they're harmless nonetheless. There's room for error but one cannot discount how the movie successfully made a good product. The soundtrack was very, very registrable and consistent that it will give the eerie feeling.

The fight scenes were well-choreographed it looked like they were literally dancing. The movie incorporates all essentials of a Rurouni Kenshin fight...from the speed, to the agility, to the technique. It had momentous fight scenes its hard to choose which one is the best.

And the best is yet to come as Kenshin Himura will still battle it out against Aoshi Shinomori, the Juppon Katana (with emphasis on Soujiro Seta), and ultimately Makoto Shishio. Kyoto Inferno left a good ending to what will be a legendary beginning in The Legend Ends.

Are you Japanese Live-Action Fan?

If Yes, No reason to miss this show. This is the best live-action movie I've ever watched!

The Storyline: Great The Action Scene: Excellent (You will not see the awesome samurai fight like this!) The Music or Soundtrack: More than excellent!

and with the length that more than 2 hours, you will really enjoy the show. NO REASON TO MISS, Believe ME!

If No, then It's depend on you. Japanese Movie Style may boring for someone who never watched.

However, Let's give a chance for this one.

One of those rare sequels that only improves upon the promises of it's predecessor, a dynamic and sprawling adaptation of the franchises infamous Kyoto arc. THIS, and the previous film should be held in high regard, and be looked to as the gold standard of how to adapt a long running arc to film format. This film seriously trims all of the needless filler character fat from the source. What they changed turned out to be good for it. Incredible action direction once again coordinated by Kenji Tanigaki. The devotion from the actors here, as they all performed their own stunts and mastered their own choreography, is really a feat to behold. All in all, Kyoto Inferno is just as good as the first film, if not better. Despite being the first of a two part sequel, it manages to be a self-sufficient, coherent story. Virtuosic.

When I watch Japanese movies about samurais, ronins and ninjas, swordplay and kungfu are never the reason. Japanese sword fighting just CMI - it starts with a physical pose, one powerful swipe and the man is down and forever out. How interesting can that be? But the Japanese puts more effort into the foreplay and the aftermath of the fights. The motivation for the fight and the consequence are always examined in keen details. Rurouni Kenshin: Kyoto Inferno does that as well and I am glad to add that it ups the ante on the sword fights.

My knowledge of the universe of Rurouni Kenshin is pathetic. I have only watched an episode of the anime and decided it wasn't my thing, but I do know it is a cult series and a pop culture phenomenon. I also missed the earlier 2012 film. So I really went into this like a blind Zatoichi samurai film lover and I just love it, all 139 minutes of it.

First of all, this is the first part of a two parter. It feels like an elaborate setup for the ultimate Battle Royale and I am so hyped for the last part now. Thank goodness it will hit our cinemas on 2nd October. Is this a complete film by itself? No, but it works like a Star Wars: The Empire Strikes Back kind of way.

I know a lot of the critics' complaints are centered on which aspects - too long, too many characters, too much info to digest, and the pacing is not furious enough. To some extent I do see where the complaints come from but I really didn't mind the duration. For a layman like me, I feel the director, Keishi Ohtomo told his story with great clarity, perhaps even too much clarity. It does feel over-written especially if you already know the world of Kenshin. All the characters' motivations are clearly depicted. There are indeed a myriad of characters on screen but I never have a feeling they are under-developed to the point of detriment. Perhaps the only relationship I feel suffered is the love between Kaoru and Kenshin. Wished I had seen more of that because she looks great.

There is quite a bit of exposition of past events but IMO these scenes didn't feel tagged on for people who wandered into the cinema knowing nothing of the back stories. I think Ohtomo was trying to cater to two camps of movie patrons - the fans and the curious ones like me and the wifey. With regards to the pacing, I thought Ohtomo handled it well. When things start to sag, a fight scene comes in. I absolutely love the exhilarating fight choreography and I am sure I have not seen anything like this in Japanese samurai films.

For a movie that is about a cult manga, the titular characters all look and behave exactly like their manga counterparts. The clothes, intricate set designs and modern soundtrack, all tied in together for a sumptuous feast. I know I did miss out on some manga/anime references because the boisterous crowd last night was full on hyped up and laughing away. For a movie that is one week old the 90% crowd last night was superb. Finally, talking about boisterous audience, there were two PRC girls sitting in front of us. At the final scene where yet a new character is introduced, the two girls screamed their heads off and arms gesticulated everywhere. I looked at my wife feeling amused by their antics. Later on she told me who is the actor and I 'screamed' and 'flailed' my arms. It is Masaharu Fukuyama, but I know him better as Professor Yukawa of Galileo and Suspect X fame.