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Le tueur au calendrier

Titre original : Sebastian Fitzeks Der Heimweg
  • 2024
  • 1h 37min
NOTE IMDb
5,4/10
4,5 k
MA NOTE
Le tueur au calendrier (2024)
Klara is going to die today unless she kills her husband instead. The Calendar Killer has given her that impossible choice. When Jules starts his night shift at a safety helpline for lonely women on their way home Klara's call reaches him.
Lire trailer1:28
1 Video
14 photos
CrimeThriller

Sur une ligne téléphonique d'urgence, Jules reçoit un appel de Klara, terrifiée après avoir été attaquée et avoir vu sa date de décès inscrite en lettres de sang, le jour fatidique approchan... Tout lireSur une ligne téléphonique d'urgence, Jules reçoit un appel de Klara, terrifiée après avoir été attaquée et avoir vu sa date de décès inscrite en lettres de sang, le jour fatidique approchant à grands pas.Sur une ligne téléphonique d'urgence, Jules reçoit un appel de Klara, terrifiée après avoir été attaquée et avoir vu sa date de décès inscrite en lettres de sang, le jour fatidique approchant à grands pas.

  • Réalisation
    • Adolfo J. Kolmerer
  • Scénario
    • Sebastian Fitzek
    • Susanne Schneider
  • Casting principal
    • Luise Heyer
    • Sabin Tambrea
    • Friedrich Mücke
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,4/10
    4,5 k
    MA NOTE
    • Réalisation
      • Adolfo J. Kolmerer
    • Scénario
      • Sebastian Fitzek
      • Susanne Schneider
    • Casting principal
      • Luise Heyer
      • Sabin Tambrea
      • Friedrich Mücke
    • 30avis d'utilisateurs
    • 20avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 nomination au total

    Vidéos1

    Official Trailer
    Trailer 1:28
    Official Trailer

    Photos14

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    + 9
    Voir l'affiche

    Rôles principaux13

    Modifier
    Luise Heyer
    Luise Heyer
    • Klara
    Sabin Tambrea
    Sabin Tambrea
    • Jules
    Friedrich Mücke
    Friedrich Mücke
    • Martin
    Rainer Bock
    Rainer Bock
    • HC
    Andreas Döhler
    Andreas Döhler
    • Hendrik
    Shadi Eck
    • Vigo
    Benjamin Hartwig
    • Firefighter
    Sasha Marini
    • Paul Wassmann
    Romy Miesner
    • Amelie
    Kristin Suckow
    • Dajana
    Isabel Thierauch
    Isabel Thierauch
    • Lousanne
    Dennenesch Zoudé
    Dennenesch Zoudé
    • Meret
    Tobias M. Giesecke
    • Masked Man
    • (as Tobias M Giesecke)
    • Réalisation
      • Adolfo J. Kolmerer
    • Scénario
      • Sebastian Fitzek
      • Susanne Schneider
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs30

    5,44.4K
    1
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    5
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    7
    8
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    10

    Avis à la une

    7ZeddaZogenau

    A Serial Killer in Berlin

    It's not every day that you get to see a real psychological shocker from the German-speaking world. Only a global streaming service like AMAZON PRIME VIDEO can finance that. And Sebastian FITZEK is also a sure guarantee of success. The Berliner, born in 1971, has been writing successful novels in the thriller genre for years. THE WAY HOME was published in 2020 and has now been made into a film by the Caracas-born director Adolfo KOLMERER (who shot several episodes of the very exciting ARD series ODERBRUCH) as THE CALENDAR KILLER.

    There is a serial killer on the loose in Berlin who threatens to murder couples on set days. Klara (Luise HEYER) has also received such a warning: she or her husband Martin (Friedrich MÜCKE) are to die. In her distress, Klara has often turned to the escort hotline, which promises to accompany women on their way home by telephone in dangerous situations. The sensitive Jules (Sabin TAMBREA) works there and accompanies the frightened Klara through an eventful night, at least on the phone.

    Not a bad idea for a modern thriller! However, flashbacks and improbabilities mean that the tension is less than it could be. The actors are very convincing, and Rainer BOCK plays a very dubious supporting role. The film's production is excellent, but it is not a masterpiece of the genre. However, the film shows what would be possible in the German-speaking entertainment industry if more people in charge dared to try out unusual narrative styles. At least a start has been made. It's worth a look!
    6TotoReviews

    Ab

    This is a German movie which I started watching in the dubbed English like many dubbed movies the accents and choice of words diminishes the whole character of the movie. The weird posh accents just seemed to robotic, so I watched in German with translation. It was much better

    "The Calendar Killer" delivers a tense and chilling thriller that effectively explores the psychological impact of domestic abuse. The film masterfully builds suspense, leaving the audience constantly on edge as Klara's paranoia escalates. The performances are strong, particularly Luise Heyer as Klara, who portrays her character's fear and desperation with raw intensity.

    However, the film's reliance on familiar thriller tropes and predictable twists can diminish its impact. The pacing occasionally falters, and some plot points feel contrived. While the exploration of domestic abuse adds a layer of depth, it sometimes overshadows the suspense elements.

    Overall, "The Calendar Killer" is a gripping watch with a compelling premise, but it struggles to fully break free from genre conventions. It's a solid thriller that will keep viewers engaged, but may leave some wanting more originality and depth.
    5julieshotmail

    Some eye-rolling moments

    "The Calendar Killer" wants to be something different. From the title alone, it projects a sense of self-righteousness, an air of significance. I wanted to buy in - I really did. The dark, moody atmosphere, the German dialogue that demands full attention. It had promise. But as the mystery unfolds, so do its flaws, unraveling in ways that feel less like a carefully plotted puzzle and more like a slow descent into absurdity.

    The protagonist is sympathetic enough, the kind of character you're supposed to root for. And at first, I did. But then she makes choices - bewildering, frustrating choices - that seem completely divorced from reality. The kind that pull you out of the story rather than deeper into it. The film wades into sensitive territory, clearly aiming for depth, but it never quite lands the punch. Instead, it fumbles its message, leaving the protagonist delivering a speech that should resonate, should mean something. Instead, it frustrates.

    That's when it lost me. I can suspend disbelief when a story earns it, when the logic of its world holds together. But here? Here, the cracks are too big, the missteps too frequent. And for a film that wants you to think, to reflect, to feel something meaningful - it instead achieves something else entirely. An eye roll.
    2jangebauer

    Huge disappointment

    This Sebastian Fitzek adaptation attempts to wrap a serious subject such as domestic violence in a thriller with horror elements, but fails miserably due to the lurid and implausible production. The plot is contrived and overloaded, the characters act irrationally, and any emotion is left by the wayside. Instead of creating concern or suspense, the film loses itself in clichéd twists and pseudo-dramatic moments. A sensitive subject is misused in a clumsy way that not only disappoints but also annoys. Unfortunately a low point, despite solid acting, especially by Luise Heyer - 2.5 out of 10 stars.
    4johnspringer-95440

    Lackluster

    It's a pretty boring drama thriller in which an ostensible good samaritan is drawn into a domestic tragedy, but all is not what it seems. And all is not what it seems because of an accretion of confluences, contrivances and just plain dumb coincidences that strand the lackluster plot somewhere between incompetent and incoherent. I'm sure the people behind this dross thought they had something important to say about domestic violence. They didn't. Their feeble attempt to squeeze some profundity out of this trainwreck only makes it more insulting. And even putting the hammy sanctimony aside, this dumb diversion still fails as a thriller, mystery or drama.

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    Histoire

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    Le saviez-vous

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    • Gaffes
      When Klara is in the elevator, her husband asked for her phone, when she escapes, she uses a phone to call Jules.

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    Détails

    Modifier
    • Date de sortie
      • 16 janvier 2025 (France)
    • Pays d’origine
      • Allemagne
    • Sites officiels
      • Amazon Prime Video Germany
      • Official Amazon Link
    • Langue
      • Allemand
    • Aussi connu sous le nom de
      • El asesino del calendario
    • Lieux de tournage
      • Berlin, Deutschland
    • Sociétés de production
      • Amazon MGM Studios
      • Prime Video
      • Ziegler Film
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

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    • Durée
      1 heure 37 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 16:9 HD

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