À la frontière du ciel

Titre original : La limita de jos a cerului

2013
13
1h 20min

NOTE IMDb

MA NOTE

Igor Babiac in À la frontière du ciel (2013)

Ajouter une intrigue dans votre langueThe Unsaved is a drama about about a Sancho Panza and not a Don Quijote. It's about the every day's non-hero facing circumstances and not adventures, it's about Viorel, a 25-year-old fledgli... Tout lireThe Unsaved is a drama about about a Sancho Panza and not a Don Quijote. It's about the every day's non-hero facing circumstances and not adventures, it's about Viorel, a 25-year-old fledgling drug dealer, from a backwater little town in the contemporary Republic of Moldova. He l... Tout lireThe Unsaved is a drama about about a Sancho Panza and not a Don Quijote. It's about the every day's non-hero facing circumstances and not adventures, it's about Viorel, a 25-year-old fledgling drug dealer, from a backwater little town in the contemporary Republic of Moldova. He lives at home with his mother, his ears get red when he's nervous and he lets his days pass... Tout lire

Réalisation
- Igor Cobileanski
Scénario
- Igor Cobileanski
- Corneliu Porumboiu
Casting principal

Voir les informations de production sur IMDbPro

NOTE IMDb

6,7/10

554

MA NOTE

Réalisation
- Igor Cobileanski
Scénario
- Igor Cobileanski
- Corneliu Porumboiu
Casting principal

Voir les informations de production sur IMDbPro

Récompenses
- 3 victoires et 12 nominations au total

Photos2

Avis des utilisateurs3

6,7554

Avis à la une

7sps-70659

Worth a Watch

Generally endorse the review here by Besserglik. The short length keeps it from overstaying its welcome, and the performances are great.

At time of review, 2021, you could find this one on Kanopy.

8besserglik

Moldova between hope and despair

A decent effort by this first-time director who well deserved the FIPRESCI (international critics) prize that the film won at the Cottbus (Germany) festival in October 2013. This is a full-frontal presentation of the difficulties involved in growing up in one of the poorest countries in Europe, but one which avoids falling into the trap of misérabilisme. Cobileanski achieves a fine balance between hope and despair despite the film's downbeat ending, and the film's characters are depicted with a degree of sympathy that precludes caricature. The Unsaved does not seem to have had much of a commercial career to date (June 2014) but it deserves a wider audience, at least at festivals.