Une bataille après l'autre
Titre original : One Battle After Another
Lorsque leur ennemi juré refait surface après 16 ans, une bande d'anciens révolutionnaires se réunit pour sauver la fille de l'un des leurs.Lorsque leur ennemi juré refait surface après 16 ans, une bande d'anciens révolutionnaires se réunit pour sauver la fille de l'un des leurs.Lorsque leur ennemi juré refait surface après 16 ans, une bande d'anciens révolutionnaires se réunit pour sauver la fille de l'un des leurs.
- Réalisation
- Scénaristes
- Stars
- Récompenses
- 141 victoires et 317 nominations au total
Dijon Duenas
- Talleyrand
- (as Dijon)
Brooklyn Demme
- Sober Rick
- (as Brooklyn Trueheart Demme)
Résumé
Reviewers say 'One Battle After Another' is a groundbreaking cinematic experience with ambitious style, strong performances, and complex themes of resistance and rebellion. Many praise the film's political commentary, dark humor, and thrilling action sequences. Paul Thomas Anderson's direction receives high praise, as well as the film's cinematography, soundtrack, and innovative use of VistaVision. However, some criticize its disjointed pacing, underdeveloped characters, and tonal inconsistencies. Overall, it's celebrated as a bold, thought-provoking, cinematic experience.
Avis à la une
Went to see the movie because of the cast, but the promise, the delivery, and the highly confusing message was disappointing. No coherence anything at all, ended up walking out before the end.
-The movie seems to glorify revolution but "not really" and for no apparent reasons.
Would not recommend.
-The movie seems to glorify revolution but "not really" and for no apparent reasons.
Would not recommend.
The film kept my attention and I genuinely enjoyed watching it, but I walked away feeling like something was missing. I'm still not sure why critics are so ecstatic about it - it's a solid piece of work, just not exceptional in the way the reviews suggest. I don't regret the time spent, yet I don't feel any desire to rewatch it either.
Would recommend:) entertaining, might be one of the best movies I've seen in this year.
Very good movie.
Good acting.
Amazing actors.
Funny.
Leo just don't disappoint.
So go watch this movie and you will not be disappointed I've haven't seen a good crime movie in a long time.
I have nothing more to say just go watch it.
Very good movie.
Good acting.
Amazing actors.
Funny.
Leo just don't disappoint.
So go watch this movie and you will not be disappointed I've haven't seen a good crime movie in a long time.
I have nothing more to say just go watch it.
Vive la révolution! In what could arguably be PT Anderson's most ambitious and elaborate work to date, this intriguing combo of tense action movie, political thriller, dark comedy, and unusual coming-of-age saga takes a close look at the French 75, a far-left revolutionary group who takes it upon themselves to right the wrongs and "declare war" on the imperialist state and fascist regime. The group's choice to lead a combative lifestyle will sow the seeds for something much bigger than anticipated when they're ruthlessly pursued by a rabid, high-ranking military official. With verbal snap, suspenseful set pieces, and a prolonged story Anderson certainly has his work cut out for him here, but it moves at a brisk pace, you can never quite tell where the plot is taking you, which is actually part of the enjoyment, and the cast is loaded with heavyweight talent that features (not surprisingly) stellar performances from DiCaprio and Penn, and (perhaps surprisingly) talented newbie Chase Infiniti. ***
I saw 'One Battle After Another' last night, and I'm still not sure I get the hype. On paper, the film has everything: social commentary, action, radical politics, immigration, parenthood, even extremism. It tries to juggle so many weighty ideas at once - and I do applaud that - it's ambitious, topical, clearly trying to stir the pot. But ambition alone doesn't make for satisfying cinema, and this one ends up messy.
At nearly three hours long, it's a slog when you still don't really know the people you're meant to care about. Not a single character feels grounded - Benicio del Toro aside (and even then, his screen time is frustratingly short). The rest make decisions that have zero logic in the absence of backstory, leaving them feeling exaggerated and hollow. So many talented actors, yet I wasn't rooting for anyone. The "big message" moments - racism, political division, systemic power, identity - land far too on the nose, skimming the surface without ever cutting deep.
If I'm being fair, one thing I did love was the soundtrack - tense, pulsing, and full of nervous energy, it injects more urgency than the script ever does. But pace and tone overall are uneven. PTA's usual offbeat humour is basically MIA, and without it, long stretches drag and feel oddly dull. The film indulges its own grandeur, with sprawling chases and spectacle, but without clarity or cohesion. Honestly? It's his weakest film yet. It wants to be grand, relevant, provocative - and in parts it succeeds - but just doesn't hold it together. In the end, there's no clear overall message, just a lot of battles, one after another, that feel thrown at you without being stitched into something coherent.
At nearly three hours long, it's a slog when you still don't really know the people you're meant to care about. Not a single character feels grounded - Benicio del Toro aside (and even then, his screen time is frustratingly short). The rest make decisions that have zero logic in the absence of backstory, leaving them feeling exaggerated and hollow. So many talented actors, yet I wasn't rooting for anyone. The "big message" moments - racism, political division, systemic power, identity - land far too on the nose, skimming the surface without ever cutting deep.
If I'm being fair, one thing I did love was the soundtrack - tense, pulsing, and full of nervous energy, it injects more urgency than the script ever does. But pace and tone overall are uneven. PTA's usual offbeat humour is basically MIA, and without it, long stretches drag and feel oddly dull. The film indulges its own grandeur, with sprawling chases and spectacle, but without clarity or cohesion. Honestly? It's his weakest film yet. It wants to be grand, relevant, provocative - and in parts it succeeds - but just doesn't hold it together. In the end, there's no clear overall message, just a lot of battles, one after another, that feel thrown at you without being stitched into something coherent.
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Bande-son
Écoutez un extrait de la bande originale ici et continuez à l'écouter sur Amazon Music.
Le saviez-vous
- AnecdotesLockjaw's second-in-command and chief interrogator, Danvers, is played by a non-professional actor: James 'Jim' Raterman, a security consultant and former HSI Special Agent.
- GaffesBob keeps a 1G phone for security purposes. 1G networks were all phased out in the US in the early 2000s. The phones would not work in any era that also had iPhones.
- Citations
Col. Steven J. Lockjaw: I believe she was a sperm thief.
Sandy Irvine: A semen demon.
- Crédits fousAt the end of the credits there is a dedication to producer and assistant director Adam Somner with a photo and sound from a set.
Meilleurs choix
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Una batalla tras otra
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 130 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 71 468 736 $US
- Week-end de sortie aux États-Unis et au Canada
- 22 000 387 $US
- 28 sept. 2025
- Montant brut mondial
- 205 168 736 $US
- Durée
- 2h 41min(161 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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