La promesse d'une vie

Right from the beginning, Russel Crowe's directorial debut, THE WATER DIVINER, is already sweeping with unfathomable amount of emotions, gathering affection the moment it flashes grim representations of war and what follows at its heels. From there, it treads through compassionate subjects of ambitious scale, stumbling upon its own entanglements at times, but gets saved by towering affectionate performances from its actors.

The film follows the story of miraculous farmer (he knows where to find water underneath the arid earth) Joshua Connor (Crowe), whose three sons were sent to the war in Turkey. Years later and none of them has ever come home. His wife mourns over their presumed death, and succumbs to fatal depression. Swearing at his wife's grave to bring their sons' remains home, Connor voyages to Turkey, not even knowing what exactly to expect and see.

There is much to admire in Crowe for helming such historical romance, teeming with bold themes about love, family, and war. His directorial inexperience screams with some odd choices he made, like the forced romance between Connor and Olga Kurylenko's widow character, and the mostly ill-woven narrative his screenwriters knitted, but the sentimental performances of his actors and himself, are overwhelming enough to make up for the narrative inconsistencies. These solid heart-shattering performances summon the affection they truly deserve, and make the film, amid of its script's evident flaws, able to relay its sincere intentions, to the audience. Also a key factor for its effective delivery, is an exquisite cinematography that is able to capture the dreadfulness of the war, the sorrow of a grieving and longing father, and the breathtaking sceneries of countryside Australia, assuming incredibly toned palettes that shifts along the landscapes of the story.

This movie could have been perfect with an excellently-written script, but considering it's just Crowe's first directorial assignment, I'd say this is one hell of an epic job. Sincere, heart-wrenching, and beautifully-acted, THE WATER DIVINER, packs an incredible wallop of searing emotions, sending the most striking of sentiments, despite the faults in its storytelling.

Set in 1919 The Water Diviner tells the story of an Australian father of three young men all of whom have enlisted with the ANZAC's in the Gallipoli campaign in World War 1. Subsequent to the battle in which the Allied forces were defeated all three have failed to return home and are now presumed dead. Joshua Connor (Russell Crowe) their father, a Victorian Outback farmer with a gift for divining water makes a promise to his wife to bring them home and heads off on a quest to Gallipoli to find them.

This is the reasonably promising premise laid out in the first 20 minutes of the film. I didn't envisage a swash-buckle fest at this stage; nor is it true to say it becomes this, but the film does veer in that direction once or twice over the ensuing hour and thirty minutes. It seems like a betrayal of the seriousness of the subject matter because of this.

The Water Diviner is relatively entertaining but it falls short of what I was hoping for and I think this is because it neither all-out delivers as a full on ravages of war redemption story or as an all- out high-spirited adventure. Having said that some of the battle- scenes (shot in flashback) are unflinching and are probably the best scenes in the film.

The cinematography is beautiful to the eye but the end effect here is that it feels too sanitised at times. There are other things that rankle as well- a burgeoning love story which comes over as too shoe-horned and heavy handed for my liking and in my view steals the central story of its import. There are two scenes in particular where the viewer is required to make the jump from believing in the power of the diviners hand to believing in altogether more mystical powers or insights divined by the same hand (also to do with powers of location). Another thing to watch out for; the film plays host to a stock character or two- witness the very officious English officer who speaks in stereotypical clipped tones, previously seen in countless other films.

The preview did not hint at the complex and gripping tale in store for us, beyond that of a father seeking his sons' fate on the battlefields of Gallipoli. Crowe clearly sought to make a powerful statement about war (my wife was moved to tears during the battlefield scenes) but did not overdo it at the expense of an engaging plot. We left the cinema with a new insight to the Gallipoli story, that being the cost to the Turkish people.

Crowe was very convincing in his role of the grieving, relentless father. Fantastic support role by Yilmaz Ergodan and, although brief, Ryan Corr was very moving.

Don't wait for this to come to DVD, it is best appreciated on the big screen.

Not going to give it 10 out of 10 stars, because you should always save your 10. However, this movie is close to perfect. Very loosely based on what might have been a true story (a war record that mentioned that 'only one father came looking for his sons' at Gallipoli after the war). Really well acted. The war scenes conveyed some of the horror without being gratuitous in the violence or gore. There was some shown, but only briefly, and really just enough to set the scenes. The movie is well- paced, well edited and doesn't drag. The lead actors (including the young Turkish boy) were all perfectly cast. At the start of the 100th anniversary year of the Gallipoli landings, this is a story that was well worth telling. Great job, Russell Crowe.

The quality of the acting and the production is first class. It is s well directed movie, hats off to Russell Crowe for his directorial debut. I really enjoyed the fact that the movie showed respect to the cultures depicted and kept things on a level playing field. During the screening it was very clear to me the audience was won over and totally engrossed in the movie, just as I was. Watched allot of movies in 2014, but this one is of a higher standard all round. This movie has the potential to be nominated for awards and any it wins would be well deserving. Special mention to Dylan Georgiades who was a delight to watch in the film. I rated this movie a 9/10, and I hope it is successful as it deserves to be, Russell Crowe has done it again.