Ajouter une intrigue dans votre langueA merchant's daughter who divorces her family, starts a peony business with minister Jiang Changyang. Amidst political turmoil, she establishes women's shelters, supports Jiang's service, an... Tout lireA merchant's daughter who divorces her family, starts a peony business with minister Jiang Changyang. Amidst political turmoil, she establishes women's shelters, supports Jiang's service, and they develop a romantic relationship.A merchant's daughter who divorces her family, starts a peony business with minister Jiang Changyang. Amidst political turmoil, she establishes women's shelters, supports Jiang's service, and they develop a romantic relationship.
- Récompenses
- 1 victoire et 3 nominations au total
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Zi Yang
• 2025
Xian Li
• 2025
Zheming Wei
• 2025
Yaqin Zhang
• 2025
Jie Dong
• 2025
Mengshi Tong
• 2025
Songyan Tu
• 2025
Si-si Chen
• 2025
Mengchen Shen
• 2025
Kun Yang
• 2025
Miao Tian
• 2025
Zicheng Gu
• 2025
Ran Yuan
• 2025
Peng Xin
• 2025
Wenting Hao
• 2025
Yue Guan
• 2025
Hanjin Ni
• 2025
Avis à la une
In costume dramas, it's easy to miss important points. The female main character often goes through a lot of suffering that leads to tears, but not many moments create real emotion. Instead, the story relies heavily on suffering rather than meaningful character development.
The predictable plot and weak performances get a lot of praise, but they are confusing and uncomfortable to watch. The excitement around the series makes it hard to enjoy; each episode feels more like a task than fun. I want more depth and authenticity, but instead, I find an experience that only increases my discomfort. It's stressful.
The predictable plot and weak performances get a lot of praise, but they are confusing and uncomfortable to watch. The excitement around the series makes it hard to enjoy; each episode feels more like a task than fun. I want more depth and authenticity, but instead, I find an experience that only increases my discomfort. It's stressful.
I find the female main character to be a bit fragmented. When she interacts with others, she often comes off as overly optimistic. She reassures those around her that everything will be fine in the future and that success in her career will lead to better days. While I appreciate her positivity, I sometimes feel overwhelmed by these repeated affirmations. It makes me wonder: why is she so confident? It's like I have a special insight, knowing that she's the main character who is destined to succeed. However, the tone of her dialogue feels a bit off; she seems a little too soft, which can take away some excitement from the plot. Additionally, her success doesn't appear to come from her hard work or intelligence but rather from the good conscience of the male protagonist.
YZ's facial expressions are a bit stiff. I feel unemotional when she acts, but when she cries, it feels like overacting. I recall my memories of other dramas she has been in.
YZ's facial expressions are a bit stiff. I feel unemotional when she acts, but when she cries, it feels like overacting. I recall my memories of other dramas she has been in.
Originally, I was intrigued by the premise of this drama and had high hopes for it. However, the leading actress's makeup was too heavy, and during the emotional scenes, I couldn't help but think of "Lost You Forever" because her acting was strikingly similar. It became so apparent that it was hard for me to enjoy the performance. Additionally, it seems that crews specializing in ancient idolized love dramas struggle to handle business-themed narratives effectively. The plot often feels trivial and overly drawn out, leading to increasing boredom. Furthermore, dramas with female protagonists are becoming standardized and formulaic, which is very similar to other dramas. The pacing is slow and the lack of novelty. The characters' interactions feel stiff and difficult to relate to.
The film boasts an impressive texture from start to finish, captivating viewers with its striking visuals. Each scene is enriched by a beautifully crafted setting that immerses the audience in the enchanting world of Flourished Peony, where vibrant flowers bloom and stunning landscapes unfold. However, despite these aesthetic strengths, Yang Zi's performance falls short of the emotional depth the drama requires. Her portrayal lacks the nuance and expressiveness needed to fully engage the audience, particularly due to her technologically enhanced appearance, which seems to restrict her range of facial expressions. Furthermore, the storyline feels predictable and dull, lacking the originality to elevate the drama beyond visual allure.
Modern issues are incorporated into costume dramas in a way that can feel like they're simply shouting for slogans. The plot revolves around Yang Zi's familiar portrayal of the heroine, but it often falls into predictability with the stereotypical storyline. While the makeup and visual presentation are undeniably appealing, the story is monotonous.
Yang Zi's performances have become quite formulaic. Despite the time that has passed, she hasn't demonstrated significant growth in her acting skills, and her approach now feels exaggerated at times. Her expressions can leave the audience unsure if she's laughing or crying. Li Xian delivers solid acting, but even his talent isn't enough to lift the overall production.
Yang Zi's performances have become quite formulaic. Despite the time that has passed, she hasn't demonstrated significant growth in her acting skills, and her approach now feels exaggerated at times. Her expressions can leave the audience unsure if she's laughing or crying. Li Xian delivers solid acting, but even his talent isn't enough to lift the overall production.
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Flourished Peony
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By what name was Guo Se Fang Hua (2025) officially released in Canada in English?
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