100 Streets

Despite a good cast who do their best the story is pretty weak and moves along very slowly. I'm usually a big fan of Idris Elba and Gemma Arterton but even they couldn't light it up.

Fine cast, great potential here but ultimately 100 Streets just didn't do it for me. I usually enjoy this type of movie, but found it too pedestrian and a wasted opportunity, because Londoners would be great subjects for a film like this.

It might be OK to pass the time if nothing else is on...but it could have been so much better.

I can simply state up front that I was not impressed with this depressing dramatic film. I was half expecting the good looking hunky actor Idris Elba who plays a retired soccer star and who is estranged from his wife and two children to meet up with his medical doctor who would then advise Elba to take two sleeping pills and four laxative pills. Now that would at least provide one funny scene would it not?

I am not saying that I want to only watch comedies but from the opening scene right through to the very last scene this film was depressing. These four seperate stories that were indirectly connected each contained misery for one or more of the men and the film just continued to get more depressing as it dragged on.

Mrs. Shullivan left the room after watching the first 45 minutes and did not even bother to ask if it got any better......which it did not, it got worse.

I can only give the film a 5 out of 10 rating and I would not recommend it to anyone.

Following the lives of three central characters, 100 Streets takes you on a journey through central London, through lives, loves, and loss. Around those three characters, their satellites, who are all just as important as them, for they help shape and define their futures.

A film about snap decisions, the bigger picture, and what ifs, this is a great film in the style of Pawno (Paul Ireland, 2015). Very glad I picked this one up; you will be, too.

Although this intense British drama is not for everyone, I felt it does offer some rewards if one sticks with it. It depicts various interconnected stories of Londoners and a roller coaster of human lives and emotions. The film can be dark and violent at times, but it can also be quite touching and uplifting as well.

Most of the characters here are flawed in one way or another, but I thought the ensemble cast portrayals were top notch. The director Jim O'Hanlon and screenwriter Leon F. Butler are making their feature film debuts here, but O'Hanlon does have extensive writing experience in television.

To note, this is an adult drama with explicit language throughout, one fairly explicit sex scene, drug and alcohol usage on screen, and one brief scene of nudity. I also should mention I had to use the subtitles here due to thick accents and slang usage.

Overall, this indie can be very uncomfortable to watch at times but I felt there are rewards here if the viewer sticks with it.