Zombie Night

Made a full decade after Zombie Night (2003) which I'd consider one of the worst zombie movies ever made, the title is recycled and we're presented with another zombie piece.

I was conflicted what to expect initially, it's a Scyfy original and I actually think the Scyfy channel do horror quite well. However on the flipside it's made by the rather infamous The Asylum and they seldom make anything even remotely watchable.

So a zombie outbreak occurs, a town becomes panicked and crazed and we follow a group of survivors of whom you'll recognise quite a few.

Anthony Michael Hall, Daryl Hannah and Alan Ruck demonstrate here with their inclusion just how low their careers have sunk. Remember when Hannah was a prominent Hollywood star? Those days are well behind her.

Directed by horror legend Clu Gulagers son he does a decent enough job here in fact the whole thing has clear influences from both Romero and the Return of the Living Dead series (And in competent fashion).

It feels like an old school zombie movie and though it staggers in the centre it is actually better than you'd expect all things considered.

However, zombies have certain "Rules" present in their lore and here they decided to tweak a couple and that damages the movie more than I can express here.

Zombie Night would have been a passable affair if the writer hadn't decided to go into business for himself.

The Good:

Old school zombie movie

The Bad:

Some poor music choices

Zombie "Rules" changed

Things I Learnt From This Movie:

During the zombie apocalypse the police need to be vigilant with looters

Little known fact, zombies enjoy playing fetch

Warning: Parked cars can randomly explode for absolutely no reason

Two neighbouring families attempt to survive the first night of a zombie outbreak.

Feast director John Gulager helms Zombie Night (2013), one of the better SyFy/Asylum outings-an under-the-radar undead flick that, while flawed, still has a little bite. With a score by Alan Howarth (of Carpenter collaborator fame) and shambling Romero-style zombies, the film has enough going for it to warrant attention. Unfortunately, it's let down by a flat, made-for-TV aesthetic (despite its 1.78 : 1 aspect ratio) and a cacophony of unnecessary screaming that drags it into DTV territory. That said, the lighting, Damian Horan's cinematography, and use of practical locations lend it some much-needed atmosphere.

Leading the cast are '80s stars Anthony Michael Hall, Daryl Hannah, and Alan Ruck-each delivering grounded performances that rise above the material. The night-bound premise is intriguing, and Gulager's love for Romero's mythos shows. Zombies don't run-they creep. You don't turn from a bite; you turn from death. Classic rules. As a possible homage, this could have been marketed as Night of the Living Zombies, with moments lifted straight from Night of the Living Dead and a similarly clothed zombie and attack echoing Uncle Rege from the 1990 remake. It also borrows from Romero's Diary, Dawn and Day of the Dead.

There are some decent gore effects, especially for an Asylum production, with creepy undead, and moments of genuine tension-particularly in the greenhouse and cemetery-set finale. But a lack of visual polish and character reactions dull what could've been a tight, small-scale horror.

Overall, a missed opportunity, but still one of Gulager's more watchable post-Feast efforts. Strong leads and solid zombie work, but ultimately held back by its shrill tone and TV aesthetic.

Zombies come out at night and two families must survive until morning.

By now, I think we all know to expect bad things from the SyFy Channel and the movies they show. And if you are familiar with the Asylum, who makes these movies, you know that they spare every expense in order to pump out low-grade, low-budget fluff. Some of it is entertaining (I confess), but none of it has ever been good.

Somehow they managed to get some real actors on board for this one. Not just one washed up actor (I am looking at you, Eric Roberts) but some decent names -- Anthony Michael Hall and Daryl Hannah. Alan Ruck may not have the name recognition, but everyone recognizes him from "Ferris Bueller's Day Off" or "Spin City".

The most unfortunate thing is that the director is John Gulager, who is a legitimately talented man -- "Feast" was incredible, and I absolutely loved "Piranha 3DD". Somehow not even he could save this picture... how did they all get roped into working for the Asylum?

I must screw my courage to the sticking place on this one. Being a fan of everything else he's done, I was expecting quite a bit more for my money from John Gulager. (I paid for the TV I saw it on, the electricity it took to get through it, and the outrageous monthly satellite bill that brought it to me, so, yeah, I paid- out the f---ing a--...) I was expecting something along the lines of Dan O'Bannon's THE RETURN OF THE LIVING DEAD: Gulager has in past instances shown that he's more than capable of rising to the Low Budget occasion (with everything else he's done)- but, this time around, for whatever reason(s), he simply didn't deliver. At the very least, I was expecting a cameo by his father (and it would've been extra cool if said cameo had been tied into his role in THE RETURN OF THE LIVING DEAD). Again, no such luck. I'm far from consigning Gulager to the list of Has Been Directors: he has more talent in his little toe (left foot) than most directors (p)lying their trade these days. Maybe next time he'll come through for us.

Ok. Went into this hoping for the best as I like Anthony Michael Hall, Daryl Hannah and Shirley Jones. I also can accept that a 'TV' movie will be a bit more dialed-down to appease the masses and the censors. Which is the only reason I gave it 4 stars...I could look at Daryl Hannah all day. What I can't accept is complete, and utter stupidity on the part of the characters. That, and the fact that all of the characters were eminently unlikeable and irritating, from Shirley Jones' blind mother to the petulant teenage boyfriend to Anthony Michael Hall's protective father character, they all come across as utterly unprepared for something as mundane as an empty peanut butter jar... "WHAAAT? There's NO peanut butter ? How am I going to make a P&J without peanut butter????" From leaving perfectly working automobiles, wondering if they can 'hotwire' a car when one member's car is in their garage to taking shelter in a SEE-THROUGH flimsy plastic structure to the family looking at someone as if they had just massacred a village for locking a hysterical person in a bedroom, the movie just irritates to no end...well...there IS an end, fortunately. But it takes a lot longer to get there than the stated run time.