Hardcore Never Dies
- 2023
- 1h 48min
NOTE IMDb
6,8/10
4,1 k
MA NOTE
Michael rêve d'un avenir de pianiste, mais son éducation musicale n'a pas été couronnée de succès. Son frère Danny l'initie à la musique gabber de Rotterdam.Michael rêve d'un avenir de pianiste, mais son éducation musicale n'a pas été couronnée de succès. Son frère Danny l'initie à la musique gabber de Rotterdam.Michael rêve d'un avenir de pianiste, mais son éducation musicale n'a pas été couronnée de succès. Son frère Danny l'initie à la musique gabber de Rotterdam.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 4 victoires et 6 nominations au total
Tim Sebastiaan Huisman
- Nico
- (as Tim Huisman)
Avis à la une
Loved watching the movie and overall acting with the typical Rotterdam 90's vibe around it. For Dutch people it might be more interesting then others. The plot was good but the storyline just didn't finish and ended abruptly. It left me with some questions I would have liked answered. Jim Deddes (Danny) was a pleasure to watch. Good overall casting. I was happy to see that there where no typical Dutch actors like you would see in a lot of Dutch movies. There is enough in this for a part two, but I think a part two would ruin it. Overall, great intense crime movie with some insight into the gabber culture.
Anyone who remembers the "gabber" scene which began in Rotterdam The Netherlands will appreciate the attention to detail in this movie.
I like the fact that the director made an environment where everything was as it was in the mid 90's from the mobile phones that had bad reception most pay as you go, to old cars and even street signs as they were.
Two brothers , one a natural talent for playing the piano , the other a rascal , into partying in the Gabber scene. Gabber is Dutch slang for "mate, buddy" shaved heads and Australian tracksuits, a particular look (shaved heads didn't mean racist, this was not the case with gabbers). It was almost tribal like with the women shaving the lower part of their hair and always a pony tail, this tribe danced all night to very heavy and fast hard bass drum beats and often took speed or other drugs to keep them going.
The gifted pianist brother is working in a mundane job and meets up with his estranged brother and he sees his brothers way of life as an escape from his structured and boring life.
The movie goes on to show how a series of unfortunate events can easily spiral out of control and keeping things together is difficult enough but add to the mix all night raves, drugs and gangsters... well who knows what the outcome will be.
Some similarities from the Dutch 90's techno movie "wasted" and the Danish Pusher trilogy (I like them also) makes this a good movie to watch.
It's true Hardcore never dies.
I like the fact that the director made an environment where everything was as it was in the mid 90's from the mobile phones that had bad reception most pay as you go, to old cars and even street signs as they were.
Two brothers , one a natural talent for playing the piano , the other a rascal , into partying in the Gabber scene. Gabber is Dutch slang for "mate, buddy" shaved heads and Australian tracksuits, a particular look (shaved heads didn't mean racist, this was not the case with gabbers). It was almost tribal like with the women shaving the lower part of their hair and always a pony tail, this tribe danced all night to very heavy and fast hard bass drum beats and often took speed or other drugs to keep them going.
The gifted pianist brother is working in a mundane job and meets up with his estranged brother and he sees his brothers way of life as an escape from his structured and boring life.
The movie goes on to show how a series of unfortunate events can easily spiral out of control and keeping things together is difficult enough but add to the mix all night raves, drugs and gangsters... well who knows what the outcome will be.
Some similarities from the Dutch 90's techno movie "wasted" and the Danish Pusher trilogy (I like them also) makes this a good movie to watch.
It's true Hardcore never dies.
With music you transcend your life. In classical music & hardcore. Do you choose the energetic music with edges or the music that we think is a bit more well-behaved. In this movie they seem to reinforce each other. Can you handle the temptations that the life with edges has got and can you maintain yourself on the edges of the volcano or are you slowly slipping away? Do you choose a hardcore life because of resistance to normal life and when you enter it, are you pushed away from normal life? Do people actually choose for living with the protagonist or do they end up with him because they can no longer live elsewhere? These are dilemmas that the film presents to you.
The title and marketing would make it seem like this is a movie about hardcore gabber, but that is only partially the case. Despite that, if you lived through the 90s and went to gabber raves in Rotterdam like me, I think there is still enough to like.
Let's start with my gripes. I did not find the "troubled brother" very convincing as a real Rotterdam gabber. The main protogonist seemed inexplicably way more upper middle class than his parents. His affliction with gabber also seemed a bit superficial. If your first experience of raving in the early 90s as a teen was a gabber rave in the Energiehal with proper chemical stimulation, let me tell you: it would be extremely unusual for this not to be the beginning of an intense obsession. The ending also is a bit abrupt and superficial: after a little foray into the evil and criminal world of hardcore gabber, our young protogonist can put this all behind him to proceed with a serious life as a classical pianist? His hardcore seemed to have died quite quickly then.
On the up side, I liked most of the supporting cast, including the "villains". Though the story wasn't incredibly original (in fact almost cliche), there was still enough depth for me not to be bored. Though not everything about the raves was "period correct", much of it was done well enough to give me some goosebumpish flashbacks. You do get a sense of the intense energy of the music, the crowd, and the drugs. As a Rotterdam native it was fun to recognize locations.
In summary, I was plenty entertained despite the flaws and false advertizing.
Let's start with my gripes. I did not find the "troubled brother" very convincing as a real Rotterdam gabber. The main protogonist seemed inexplicably way more upper middle class than his parents. His affliction with gabber also seemed a bit superficial. If your first experience of raving in the early 90s as a teen was a gabber rave in the Energiehal with proper chemical stimulation, let me tell you: it would be extremely unusual for this not to be the beginning of an intense obsession. The ending also is a bit abrupt and superficial: after a little foray into the evil and criminal world of hardcore gabber, our young protogonist can put this all behind him to proceed with a serious life as a classical pianist? His hardcore seemed to have died quite quickly then.
On the up side, I liked most of the supporting cast, including the "villains". Though the story wasn't incredibly original (in fact almost cliche), there was still enough depth for me not to be bored. Though not everything about the raves was "period correct", much of it was done well enough to give me some goosebumpish flashbacks. You do get a sense of the intense energy of the music, the crowd, and the drugs. As a Rotterdam native it was fun to recognize locations.
In summary, I was plenty entertained despite the flaws and false advertizing.
As i said in the title, don't watch it for the story...that's really not that interesting and extremely predictable.
If you however either grew up in, or are interested int the hardcore/gabber culture in mid/late 90's Netherlands...man is it all just so recognizable.
The attention to detail is great, from the clothing to the music...even the hairgel in the main character's bedroom gave me those nostalgic feelings.
Overall it's played well, it looks and feels great, at times it's hilarious and for a particular group of people extremely nostalgic...just don't expect a great story because you will be disappointed.
If you however either grew up in, or are interested int the hardcore/gabber culture in mid/late 90's Netherlands...man is it all just so recognizable.
The attention to detail is great, from the clothing to the music...even the hairgel in the main character's bedroom gave me those nostalgic feelings.
Overall it's played well, it looks and feels great, at times it's hilarious and for a particular group of people extremely nostalgic...just don't expect a great story because you will be disappointed.
Le saviez-vous
- AnecdotesMost of the gabbers in the movie are real gabbers. All of them are listed in the end credits.
- GaffesOne of the main characters jumps in a muddy ditch to dump drugs and is arrested. In jail you see a close-up of his Nike Air Max shoes. His shoes are stained, but the tongues of his sneakers are pretty clean; these should have been muddy too. In addition, apart from mud stained, his sneakers would have soaking wet, yet they are just stained, not wet. And you should hear squelching as he moves in wet shoes, but that is also lacking.
- ConnexionsReferences Retour vers le futur (1985)
- Bandes originalesWe Are The Gabbers
Performed by Rotterdam Terror Corps
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Хардкор бессмертен
- Lieux de tournage
- Rotterdam(Main Location)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 3 200 000 € (estimé)
- Montant brut mondial
- 1 456 297 $US
- Durée1 heure 48 minutes
- Couleur
- Rapport de forme
- 1.33 : 1
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