Comet

The aesthetic here is really incredible. Of course, it goes a bit overboard, but it works as well as it needs to. The acting is also really effective, but the dialogue just gets too pretentious at times. The beginning, especially, got sort of insufferable. But at one point within the first 20 minutes, I sort of got into the film and its characters. It was entertaining enough, even if the film didn't really do anything all that original. Very well done and composed as a whole, and Long was convincing, but the film really could've been something great and instead it's only halfway decent. But maybe that's enough for some people, I guess it just depends on each individual person.

It is difficult for me to form words after seeing this movie. I'm sitting here at my desk trying to gather my thoughts to string together logical sentences but I have become overwhelmed with emotion.

For now let's talk technicalities. The acting, directing, cinematography and lighting, editing, and soundtrack are gorgeous. The film is aesthetically beautiful to look at and listen to, so much so that it almost hurts.

But the real star is Sam Esmail's (USA's Mr. Robot show-runner) writing. This is where I'm having difficulty expressing my general thoughts. This IS NOT a film for everyone; and that's what makes it so unbelievably special. The characters are beautifully painted and feel fresh and new, which is something I can't say often. The screenplay is so incredibly touching that it often felt like a transcending experience; something more than just a film.

If you are a fan of deeply challenging films (i.e. Mr Nobody) then this is an absolute must see. If your a film student, this is a must see. If you are a lover of cinema in general, this is a must see.

The film is on Netflix and it's only an hour and a half in length making for an extremely easy watch. Please support this film. It's such a rarity that we see such beauty in a film released in 2014.

These are three words I feel describes the features of this movie. This first feature film from Sam Esmail truly takes its viewer to the different phases of a normal relationship in the most unusual way.

This movie might be confusing at a times and the parallel universe thing sometimes adds to this confusion. But I think all this confusion adds to the beauty of this movie, making it more interesting. There are some scenes in this movie when director wants its user to interpret the moment in their own way and stick to it. I think if you stick to what you interpret from particular moment , the movie will become much more simpler to watch.

The cast Justin Long and Emmy Rossum did a fine job and the chemistry between them truly works its way to the audience. The natural flow of conversation between Justin and Emmy was one of the high point of that chemistry in my view.

But most of all I was impressed by work from Director "Sam Esmail". It doesn't seems to be a first feature film from him. The way the story unfolds in the movie is unique, though some may argue over the originality.The movie keeps me engaged throughout, in fact this was one of the movie I wasn't bored watching it for second time. This film was also the first feature film project for most of the crew members in areas like cinematography , art direction , film editing from what I see. Which is truly remarkable. Before winding this up, I would like to mention the awesome soundtrack of the movie, which I'm desperately looking forward to its official release.

This is definitely one of the best indie movie I've seen this year.

*************8/10******************

Every scene made me watch it with a smile.. that made me taste salt. " its an addiction, a Bio-chemical reaction ".

This movie is a pillow under a gun point

A uniquely presented, hypo-manic love story with intriguing truisms and insights throughout, that is both entertaining and thought provoking. The constant patter, chemistry and performances of the leads literally is the story. Practically no other characters intrude, and none distract. The production and direction fit perfectly and the editing effectively supports the jumps backward and forward in time.

Having said all that, what impressed me the most was the acting. Over the past couple of years I've become interested in the differences between good and bad acting and actors. While both actors were very good here, I found Emily Rossum's performance to be stunning. She made her character so real that I forgot it wasn't, yet it also popped. That's a mark of excellence I've sought. I've read review after review of other performances claiming that various actors disappeared into their characters, but rarely found that to be true. I usually know the actor is doing the work, and hardly ever forget it. Emily actually does completely disappear into her role here. It makes me regret not watching Shameless all these years.