Anchakkallakokkan

The storyline fails to captivate viewers, lacking the depth needed to engage them fully. The performances by the main characters feel clichéd and fail to bring anything new to the table. The fight scenes suffer from lagging and fail to deliver the excitement expected, leaving audiences feeling bored. Additionally, the absence of suspense diminishes any potential intrigue the film could have offered. The climax was disappointingly predictable, leaving much to be desired in terms of creativity and execution. The screenplay, meticulously crafted, seamlessly weaves together intricate plot threads, while the choreography enhances the narrative with its precision and fluidity. Moreover, the judicious selection of shooting locations adds depth and authenticity to the film's backdrop, elevating the overall cinematic experience.

""Anchakkallakokkan" delivers a thrilling blend of sci-fi action and Groundhog Day-style repetition, with Tom Cruise and Emily Blunt shining in their roles. The movie's innovative concept keeps viewers engaged, though the plot occasionally dips into predictability. Overall, it's a well-executed and entertaining ride that offers plenty of excitement and a fresh twist on the genre." delivers a thrilling blend of sci-fi action and Groundhog Day-style repetition, with Tom Cruise and Emily Blunt shining in their roles. The movie's innovative concept keeps viewers engaged, though the plot occasionally dips into predictability. Overall, it's a well-executed and entertaining ride that offers plenty of excitement and a fresh twist on the genre.

"Edge of Tomorrow" delivers a thrilling blend of sci-fi action and Groundhog Day-style repetition, with Tom Cruise and Emily Blunt shining in their roles. The movie's innovative concept keeps viewers engaged, though the plot occasionally dips into predictability. Overall, it's a well-executed and entertaining ride that offers plenty of excitement and a fresh twist on the genre.

Great cinematography, a plot that unfolds in different levels, Wonderful BGM. A very good mystery and thriller. Director being a debutant made a wonderful effort. Created 1980 s environment very carefully. Even though mystery is revealed by end of the plot there is more to it. Wonderfully made climax fight with unpredictable moves and unexpected ending. It would be very difficult to predict who's the villian in the tale and even if villian is known after some time it would be very unpredictable on how the villian will meet his end and how the hero man up are shown in very unique way that is very whole essence of the film lies in.

The last 20 minutes of a movie is a treat, it gives you a a Quentin Tarantino fest. With all of the baddies coming to a one major showdown. The writing could have been a little better the way it ended. The build up was such that u expected a little more tighter finish. Because the expectation bar was raised to a great level during then last action sequence, wish they would have shown the lukman character evolving and his self discovery on a better note.

. Chemban vinod acted well. Cinematography is top notch so is the folk music. The Ending leaves u with a feeling of being rushed thru. However The Overall still a descent watch.

While the screenplay is loose in places (especially in the second half), Anchakkallakokkan benefits from having a fairly strong technical team to back it up. This is a period film (the year is 1986), unraveling in a fictional town on the Kerala-K'taka border. It's also a partial whodunnit, as the film begins with the midnight murder of a prominent landlord in the area. The first act doesn't emphasize this, as it's busy acquainting us with various characters in/around the hillside town's police station. While the film takes the perspective of Vasudevan (Lukman) as a means to introduce the period setting and characters, it gradually becomes clear that deeming him the protagonist is pointless. Each character is a protagonist in their individual stories (or subplots), while we arrive at the key antagonist in a slow-burn, twisty reveal.

The production design and art departments seamlessly recreate a politically wavering era, and the performances hold it all together. The guys who played the Gillappi brothers (one of them is from Angamaly Diaries, and the other reminds you of a young, dancing Vinayakan from Maanthrikam) were entertaining as hell, and whenever the film mildly showed signs of a slow-down, their entry (or re-entry) would fire things up. There's an entire set piece dedicated to them right before the interval, which was both neatly choreographed and captured. The second act is spent in connecting the murder-mystery dots while simultaneously making us understand the relevance of the film's title. Manikandan Ayyappa's score is extremely significant to the proceedings, and a major factor in raising adrenaline levels during the extended fight scenes.

I think where the film failed to hit the bullseye is in its writing. This is clearly the case with Lukman's character transformation, which is quite sudden and unconvincing. The film's title is justified, though the route taken could have been better etched. Also, when the film goes into whodunnit mode, it tries to interweave multiple subplots together, complicating things for a little while before wrapping up nicely. The visual effects are also barely okay, and that's understandable given it's a low-budget flick.

P. S. Ullas Chemban becomes another promising name to watch out for, in the future.

P. P. S. I have a feeling the film will work ONLY in theatres, if at all. OTT reviews aren't likely to be very positive.