Death Comes to Pemberley

First , I do have to agree with reviewers who noted anachronisms of language and highly unlikely behaviours - Georgiana falling to her knees crying in front of male servants in the public rooms being one of the most obvious. I do not believe for a moment in the central premise that Darcy and family would be cast into Outer Darkness socially because his brother-in-law was a criminal. Gossiped about undoubtedly, but bad apples among the aristocracy are hardly uncommon now or then.

I feel also critical of the costuming and general appearance of Elizabeth , it become clear at the end as to why she might have looked tired but why she should be so badly dressed is beyond me . One coat-like garment resembles nothing so much as a hessian bag and she appears to only wear two plain dresses for weeks on end. Georgiana seems to have only one - though it is a nicer one . And Elizabeth's hair seem so be permanently dishevelled for no good reason. While I'm carping , I also have to say I don't understand why there appears to be almost no upper servants in the vast edifice of Pemberley. Such an establishment would have a steward and/or butler, several footmen and under-footmen and Mrs Reynolds would have many maids under her . Ah well, no matter really I guess.

On the plus side, I thought all the acting was great , especially the female cast. Lydia was beautifully cast and played, as was Lady Catherine and Mrs Bennett . I wish they could have had bigger roles in fact . So, in spite of the above mentioned criticisms, I have to say it was a very watchable period drama and , actually, much more fun than the the book . I like PD James very much , but this was NOT her best work and frankly rather a tedious dry read .

Had this pvr'd so didn't get to watch it until recently. The main characters were mis-cast. Rhys as Darcy just didn't work, but he would have made a great Wickham. Matthew Goode should have been cast as Darcy, and not as Wickham. And seriously, who would have thought to cast AMM as Lizzie? Her presence was paper-thin, and had difficulty carrying the role and the dialogue to make Lizzie spring to life and be the object of Darcy's adoration. And by the end of even the first episode, I was seriously tired of seeing her in the same, ugly blue dress. I was beginning to think it was the only one she owned until they came up with the same dress in episode two, but this time in green. And that little bolero jacket, and the pickle-barrel bonnet was just too much for me. For a woman of means, after 6 years of being married to a wealthy man and representing the estate, you would think she had more than two daytime dresses, that she wore everywhere. Did she get them at the church jumble sale or the bottom of the missionary barrel? And Rebecca Font as Mrs. Bennett? Really??? That was just too painful to watch.

I am sorry to disagree with the many fans of this. The dialogue is terribly anachronistic and a million miles from the style of Jane Austen. "Let's not overreact" from Darcy, for example, and worst of all from Lady Catherine de Bourgh, the world's most supercilious and conservative woman of her age, who says to Lizzie, "We need to talk". Need I say more?

I'm not an expert on legal procedures through the ages, but I strongly suspect that the court scenes were anachronistic, too. Others can probably give better information on this.

Also, I noticed very little chemistry between the Darcys, despite what some have claimed.

I've always been an Austen fan since I first read Pride and Prejudice at age 9. Since then I've read Pride and Prejudice in two different languages and my favorite adaptation of it is the BBC mini series in 1995. I tried to avoid the "when death comes to Pemberley" as long as possible since first I didn't want to spoil my fondness of the original book, and second the characters on the screen shots just mortifies me. I finally watched it and although the production is good, but like another viewer has mentioned, the script is anachronistic, as if someone is trying to write a Victorian time period drama but struggling with modern and even Hollywood terms. But this is not the worst of it, to me, the worst is the casting. This is a version with finally a handsome enough Wickham, but other main characters are just good actors with great voice performance and way too disappointing and falling far short for such iconic roles. Even supporting characters are rather odd choices, I had to re-watch some of it to understand what their positions, roles and characters in it. I'm sure it's not the worst portrait for Elizabeth and Darcy (and even colonel Fitzwilliam and Georgiana), but they sort of ruined it.

Firstly, I hate fanfic. My teeth start grinding after a few paragraphs, even when it's written by PD James.

Secondly, if you're going to do anything with P&P you have to judge your two main casting decisions with a perfection required almost nowhere else. We all know Elizabeth and Darcy so well. So the producers of two productions which have dared to go off piste, Lost in Austen and this one, must have thought long and hard. Gemma Arterton did extremely well in Lost in Austen, a blend of period drama, summer RomCom and Dr Who, and Anna Maxwell Martin, as you might expect, is simply perfect here, in Austen meets the Poirot Christmas Special.

Anna gives us the mature Elizabeth, holding court at her more informal Pemberley, with an older Darcy who has recovered all his manly confidence in personal relationships and yet is even more deeply smitten. They have a son and are clearly wonderful parents. Both characters have changed in exactly the way Austen predicted in her last chapter. Elizabeth has risen in status and now wears the authority of Mistress of Pemberley, rationally softened, like its master. They are unusually sparkly together and very reminiscent of the Netherfield scenes. This is principally down to the extremely good performances from two actors and an their understanding of their characters which goes way beyond the script.

The whole cast is outstanding, the best in a period drama since Emma09 and the mystery is satisfyingly interesting. There's lots of clever 'dialogue' with the original and arch references to earlier productions (it's the 95 Pemberley).

What's not to like?

Can't wait for the next instalment, as Pemberley itself is challenged and their relationship is tested. I do hope the Bingleys, Caroline at least, turn up soon.

Of course, it isn't Austen. If it hurts to think that it is, then imagine it as a 100-year prequel to Downton Abbey, 10 times better acted and 50 times better written.