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Ocho apellidos vascos

  • 2014
  • 1h 38min
NOTE IMDb
6,5/10
19 k
MA NOTE
Karra Elejalde, Carmen Machi, Clara Lago, and Dani Rovira in Ocho apellidos vascos (2014)
Regarder Tráiler [OV]
Lire trailer1:38
1 Video
49 photos
Comédie romantiqueComédieRomance

Ajouter une intrigue dans votre langueRafael, a Sevillian who has never left Andalucia, decides to leave his homeland to follow Amaia, a Basque girl unlike other women whom he has ever known.Rafael, a Sevillian who has never left Andalucia, decides to leave his homeland to follow Amaia, a Basque girl unlike other women whom he has ever known.Rafael, a Sevillian who has never left Andalucia, decides to leave his homeland to follow Amaia, a Basque girl unlike other women whom he has ever known.

  • Réalisation
    • Emilio Martínez Lázaro
  • Scénario
    • Borja Cobeaga
    • Diego San José
  • Casting principal
    • Clara Lago
    • Dani Rovira
    • Carmen Machi
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,5/10
    19 k
    MA NOTE
    • Réalisation
      • Emilio Martínez Lázaro
    • Scénario
      • Borja Cobeaga
      • Diego San José
    • Casting principal
      • Clara Lago
      • Dani Rovira
      • Carmen Machi
    • 10avis d'utilisateurs
    • 40avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 11 victoires et 14 nominations au total

    Vidéos1

    Tráiler [OV]
    Trailer 1:38
    Tráiler [OV]

    Photos49

    Voir l'affiche
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    + 43
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    Rôles principaux21

    Modifier
    Clara Lago
    Clara Lago
    • Amaia
    Dani Rovira
    Dani Rovira
    • Rafa
    Carmen Machi
    Carmen Machi
    • Merche
    Karra Elejalde
    Karra Elejalde
    • Koldo
    Alberto López
    Alberto López
    • Joaquín
    Alfonso Sánchez
    Alfonso Sánchez
    • Curro
    Aitor Mazo
    • Padre Inaxio
    Abel Mora
    • Pedro
    Aitziber Garmendia
    • Iratxe
    Miriam Cabeza
    • Edurne
    Iñaki Beraetxe
    • Ertzaintza 1
    Egoitz Lasa
    • Ertzaintza 2
    Lander Otaola
    • Borroka 1
    Mikel Roman
    • Borroka 2
    Santi Ugalde
    • Conductor Kepa
    Telmo Esnal
    • Camarero Asador
    Itziar Atienza
    • Vendedora
    Antonio Romero Monge
    • Self
    • (as Los del Río)
    • Réalisation
      • Emilio Martínez Lázaro
    • Scénario
      • Borja Cobeaga
      • Diego San José
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs10

    6,519.3K
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    Avis à la une

    9gardieca

    a really funny movie

    Don't miss one of the funniest film of the year, for sure.Dani Rovira, a famous actor from El club de la comedia, (Rafa)has to travel to the Basque Country to follow Amaia, a basque girl he has met in Seville, despite of the advisements of his friends, who think he will fail in his attempt to seduce Amaia. Once there, he mets Anne, a middle aged lady from Caceres, who also lives in the Basque Country because she felt in love a long time ago, now she is a widow, and she will help Rafa when he wants to give up. We will met Amaia's father, a basque fisherman who hates everything and every people out of his land, but finally he accepts Dani like her daughter's boyfriend ans treats him like a real basque. Me and the rest of the audience spent and hour and a half laughing, and I guess you will do exactly the same.
    5PeniLein

    Forgettable TV-style local-jokes movie

    This movie was a huge box office event in Spain, but is not an interesting film at all, especially if you aren't Spanish. It's basically a dull Romantic Comedy full of current jokes about local topics. Directing is even worst than script, with some really poor acting performances (others are quite good), and shooting, cinematography and sound typical of a soap opera.
    1ckyprianou

    Utter Rubbish

    Utter Tosh. A highly predictable dirge of a film taking stereotypical characters (lazy but cheerful Andalusians, defensive nationalistic Basques) and then placing them in situations to which you know exactly how it is going to finish. The comedy is supposed to be slapstick and an ironic look at the two distinct areas of Spain but it quickly becomes tedious and in places offensive. It's repetitive (proud Basque father, intimidated daughter, happy go lucky Sevillian) and would be fine as a five minute sketch. Despite this being one of the highest grossing films in Spanish Cinema, many Spanish friends of mine have also commented how "simple" and childish the comedy is. A case of the "Emperor's New Clothes" as there is nothing really here. Truly truly horrible.
    3prinivi

    The greatest virtue of this film is its existence.

    The fact that we can play with the most extreme topics homelands identities (Andalusian and Basque) no one should be shocked or put the outcry indicates much of our maturity as a nation (no matter who). Well, I correct: the fact that we can play and derision and mockery of the topics on the Basques and Basque nationalism, no one should be shocked or put the outcry, indicates much the degree of standardization of certain issues before open sores were always willing to bleed. And I make this correction because the Andalusians have always been a source of banter and nothing ever happened.

    For this reason, the approach of "Ocho apellidos vascos" is brave, is timely and is opportunistic.

    Surely this is one of the main reasons that the Spanish have been flocking in a mass almost unprecedented theaters to see this product sponsored by Tele 5. Along with the successful release date That (between Oscar and summer blockbusters) and the brutal and exemplary marketing campaign, which I applaud and celebrate. That's all I can conclude from this nonsense, much to my regret.

    I always say and I repeat that from "the dark pleasure of watching bad movies and enjoy them," and always insist that "we must not forget that the main purpose of film is to entertain." I say and I stand. The problem is that "Ocho apellidos vascos" is not bad enough, nor sufficiently geek, not crazy enough to be a "Bad Movie" (as Sharknado or Xanadu or Condemor). And unfortunately it is not entertaining enough to forgive their mediocrity (always from my point of view).

    That is precisely the word that best defines "Mediocrity". It is painfully mediocre. It is simple, not easy. It is impersonal and worst: it is done reluctantly. The movie works because the interest, not original (remove an element of your environment and place in a completely alien and hostile is one of the basic arguments in comedy since the cinema is cinema), but which explained at first. but all the other elements just fit, or do not at all. The entire film is a sheer drop from a promising start to a shameful end, through all the "comic" situations manual and all the hackneyed topics sitcom.

    But yes, I know, "all the stories are already told." You're absolutely right, but they are still have some ways, not original, but convincing.

    And back to the main issue of much patriotic film (and many foreign): the script. Most managers confuse the argument with the script. The argument is the approach, the script, the development. There is an interesting approach, albeit clumsily presented, and at the inability (or unwillingness) of its director to develop a convincing (or crazily convincing) way takes refuge in a tangle of beginner, which does not know how to get out, although all intuit (and fear) from the beginning how he will do it: using force without lubricant.

    What saves this product is the total collapse monologue speaker Dani Rovira, with his inspired monologues and brash, and Karra Elejalde giving life the only believable character in the whole story.

    But it hurts me to think that this is what the public is waiting to fill the Spanish cinema halls. It hurts to think that film too, as almost all spheres of power, is in the hands of the mediocre. And it hurts me to think that they are the by-products like this that are going to save the Spanish film of water that it's been submerged by itself.

    Stealing a quote: "It's not the same make films that make movies"

    inspired by piensaencines
    10fp-20557

    A movie we need to see if we can understand Spain.

    Excellent movie, really humorous when you can understand Spain and very good acting ! Bravo!

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Highest grossing Spanish film in Spanish box office history.
    • Citations

      Camarero Asador: [in a Basque restaurant] Tonight we have beans, mixed salad, peppers stuffed with txangurro, cod croquettes, scrambled egg with mushrooms, squid in its own ink, nape of hake and T-bone steak.

      Rafa: I'll have squid.

      Camarero Asador: You don't choose. That's the set meal. Here, you eat what there is.

    • Versions alternatives
      During the theatrical release, circulated two versions of the movie. One of them credited Borja Cobeaga incorrectly as Borja Cobega, while the other credited him correctly.
    • Connexions
      Featured in Leire Feat. David DeMaría: No te marches jamás (2014)
    • Bandes originales
      Sevilla tiene un color especial
      ©1992 by Miguel Ángel Magüesín and César Cadaval

      Authorized to Universal Music Publishing, S.L.

      Performed by Los del Río

      Courtesy of Sony Music Entertainment España, S.L.

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    FAQ16

    • How long is Spanish Affair?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 14 mars 2014 (Espagne)
    • Pays d’origine
      • Espagne
    • Langues
      • Espagnol
      • Basque
    • Aussi connu sous le nom de
      • Spanish Affair
    • Lieux de tournage
      • Zumaya, Guipúzcoa, País Vasco, Espagne
    • Sociétés de production
      • Telecinco Cinema
      • Lazonafilms
      • Kowalski Films
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 3 000 000 € (estimé)
    • Montant brut mondial
      • 78 768 613 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 38min(98 min)
    • Couleur
      • Color
    • Mixage
      • Stereo
      • Dolby Digital
    • Rapport de forme
      • 1.85 : 1

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