Le Comte de Monte-Cristo
- Mini-série télévisée
- 2024
Edmond Dantès, un marin accusé à tort de trahison, est emprisonné au château d'If, au large de Marseille. Après s'être évadé et avoir pris l'identité du comte de Monte-Cristo, il projette de... Tout lireEdmond Dantès, un marin accusé à tort de trahison, est emprisonné au château d'If, au large de Marseille. Après s'être évadé et avoir pris l'identité du comte de Monte-Cristo, il projette de se venger de ceux qui l'ont accusé à tort.Edmond Dantès, un marin accusé à tort de trahison, est emprisonné au château d'If, au large de Marseille. Après s'être évadé et avoir pris l'identité du comte de Monte-Cristo, il projette de se venger de ceux qui l'ont accusé à tort.
- Récompenses
- 1 nomination au total
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Average. There is no chemistry between the Count and his 'lost love'. Like they had bumped baskets, into each other at the supermarket. In all the adaptations we have watched - you want to get behind the Count of Monte Cristo ..... 'go for it' Not this one.
Donat, Chamberlain and Caviezel - (to name just three) all gave something different to the Count, and they were the 'Count of Monte Cristo. We like Sam Claflin, ('The Nightingale' excellent)and has put in good performances in other projects, but perhaps he took on too much with this. Just couldn't take to the performance. He seemed drained of everything.
However, Sam Claflin as producer also, gave a chance to some new talent - who really did shine in this. Blake Ritson, his performance grew in each episode. He certainly brought much needed humour to this, and was not over the top. Lino Guanciale and Michele Riondino also. Everyone else fades into the background.
Donat, Chamberlain and Caviezel - (to name just three) all gave something different to the Count, and they were the 'Count of Monte Cristo. We like Sam Claflin, ('The Nightingale' excellent)and has put in good performances in other projects, but perhaps he took on too much with this. Just couldn't take to the performance. He seemed drained of everything.
However, Sam Claflin as producer also, gave a chance to some new talent - who really did shine in this. Blake Ritson, his performance grew in each episode. He certainly brought much needed humour to this, and was not over the top. Lino Guanciale and Michele Riondino also. Everyone else fades into the background.
Out of ALL of the versions of this wonderful tale of abstract revenge; this series happens to be the most wonderful of all. Although it lacks the action of the predecessors, it is the CLOSEST adaptation to the novel. This series encompasses the majority of the book and in such, it should be deemed as a must watch be any and everyone that loves this novel. This adaptation shows all aspects of the angst of the protagonist. In Edmond Dantes, you can see that he struggles with doing what his heart desires as revenge but nonetheless he goes forward even in his one on one interactions with Mercedes, he still goes forward. Dumas would have LOVED this rendition.
I've seen many adaptations of this particular book by Alexandre Dumas. And in my opinion this one is by far the best. I read the book and loved it a lot. This is captivating story and an epic revange tale. And this tv mini series did the book justice. The way Count placed his ponds and stroke when his enemies least expected - pure genius. And this adaptation perfectly sees it through. Sam Claflin did amazing job as Edmond / the count. There are some differences from the book, or characters missing, but nothing major. And to be fully honest, I think I like this enging better than the one in the book. Will I watch it again? For sure. If you ever find yourself in a need of a revange - do it Montecristo style.
By far the best adaptation of Monte C and closest to the book. Compared to French version this one is superior. Almost 90% is true to the book, the rest is light modifications, some good, some not very smart...
Lacks the intensity of the stories in the book. Maybe one or two more episodes would give time develop all characters correctly!
Everything was covered, a lot of details, good cinematography, but a lot is left unsaid... Few characters were merged, and used poorly, but I gave it a high rating, because other adaptations did not even try to follow the book.
Solid adaptation of a great book!
Everything was covered, a lot of details, good cinematography, but a lot is left unsaid... Few characters were merged, and used poorly, but I gave it a high rating, because other adaptations did not even try to follow the book.
Solid adaptation of a great book!
Based in UK desparate to watch and lucky enough to watch on STV.
A beautiful mini series based on Alexander dumas novel. Stunning locations, architecture, music, art and most of all superb acting and directing.
Sam Claflin as Edmund/the count was absolutely hypnotic. Close up camera work on his eyes showed the pain, anger and loss of the character. Episode with Abe Faria (Jeremy Iron) was enthralling don't know where time went.
Actors playing Danglars, Vampa, Caderousse and Jacapo gave humour which I enjoyed too!
The villains of the piece played magnificently too.
A show not to be missed. I'm on my 3rd time round😁
A beautiful mini series based on Alexander dumas novel. Stunning locations, architecture, music, art and most of all superb acting and directing.
Sam Claflin as Edmund/the count was absolutely hypnotic. Close up camera work on his eyes showed the pain, anger and loss of the character. Episode with Abe Faria (Jeremy Iron) was enthralling don't know where time went.
Actors playing Danglars, Vampa, Caderousse and Jacapo gave humour which I enjoyed too!
The villains of the piece played magnificently too.
A show not to be missed. I'm on my 3rd time round😁
Le saviez-vous
- AnecdotesIn the book the Count of Montecristo made occasional use of a hashish paste. While this is never explicitly stated in the series, several times the Count can be seen eating the content of a small vial.
- GaffesAction inside the prison takes place from 1815, but Edmond and Faria use metric. Napoleon abandoned the system in 1812 (after extensive public protest), and it wasn't brought back until 1840.
- ConnexionsVersion of The Count of Monte Cristo (1908)
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